Name: I Can´t See You, But I`m Not Blind (disquiet0294) by Marc Eisenschink in Disquiet Junto Project 0294: Offline Status
Duration: 2 min 34 s
Description: First I record the beat from the two little noises at the beginning from the audio, after I scratched a bass from the audio, all that with samplr on IPad, played guitar and at the end the whole sample.

EXCELLENT, we both went for guitar, nice coincidence. Great job you did.

What a great sound you got on all the instruments! The hard pluck on the guitar with the strings rattling off the frets is very brill!

Great use of recording for that rhythm and that slide has a nice defiant edge!

More on this 294th weekly Disquiet Junto project — Offline Status: Pay tribute to the late Bassel Khartabil by turning his spoken words into music. — at:

https://disquiet.com/0294/

Thanks to Niki Korth, Jon Phillips, and Barry Threw for encouraging this project. More on Bassel here:

http://freebassel.org

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0294-offline-status/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0294: Offline Status

Villain Dot

@afilatov
This time around, we have put together a cassette tape of works by artists from Japan and all over the world.The label is proud to announce the release of Secret Stairs vol. 2, which features the work of several up-and-coming producers including Anitta, Funktor, A/Filatov, Jaquarius, CH415, as well as Methodd, JIN-CROMNYON, lee, and Caramel Chameleon, who have all released or remixed on the label, and Yuki Tosaya,Yuki Tosaya will also participate.The acid and electro based tracks are sure to inspire you.Designed by SUNTRA, as in Vol. 1, the content is even funnier than last time, and is a wonderful addition to the collection that you will want to have in your home.

Secret Stairs vol​.​2

buy cassette

A5. A/Filatov - 1602

QRP is taken from my upcoming EP on Waxing Crescent Records.

"Perimeter Points" is released May 17th.

Perimeter Points

This track is an alternative version of the track https://soundcloud.com/rabmusiclab/orchestral-meadow and should also evoke the happy feeling of spending time outside, just embracing and enjoying nature.

The sounds based on strings were replaced with sounds based on piano and some effects were exchanged.

Piano Meadow

+++
dancing in oblivion (disquiet0649)

The assignment: write a piece of music informed by the concerto form 

The "generalbass" roots the original form of the concerto. Everything is carried out musically around this. I focussed upon this impression. Good to connect and remind one's own "generalbass".

+++
More on the 649th weekly Disquiet Junto project, Concerto for — The Assignment: Write a piece of music informed by the concerto form — at https://disquiet.com/0649/

dancing in oblivion (disquiet0649)

my track has been featured in this lovely radio show
https://www.mixcloud.com/djsofabed/invisible-waves-024/

*

16 giugno 2024

"I could sleep for a thousand years" - on "Invisible Waves"

---
It only took the appearance of a very large fox. At the very bottom of a cultivated slope: to catch sight of a very large fox. Since there's no one here to say, "look, a very large fox !", it's really much less than a crazy thing. The fox doesn't even run away, since no one is pointing at it. Still and playful, it holds its position, not existing quite enough.
---
credits :

released June 5, 2024

catalogue : muzakorderEP0012

recording(s) : fhauna

mastering : Cyril Meysson


---
dschX : 10 serpents contre l’homme. 10 serpents nouent son âme. Recevoir, plutôt qu’avoir, plutôt que posséder.

L’idée d’un récit dès l’entame duquel son protagoniste dispose, au meilleur endroit, dans chaque maison de son quartier, le microphone-espion le plus performant qui soit.

13 Gnoses (Vol.4)

Lucrezi

song for tim

Venturing into the blur_01

COMPOSER'S SUFFERING

date released. 18.08.2017

pure data

voice of Bassel Khartabil

I can't see you (disquiet0294)

Starting with the provided audio, I began the piece with the full audio clip, unmodified except for some reverb. I then added some piano (envelope and filter tweaked make it a little interesting) and some rhythm constructed from the audio. The piano plays a chord shifting from major to minor, and is then accompanied by a bell that plays the root (G#) but shifts in timing via a loop with an odd-numbered length. Done in Ableton Live and "performed" by turning clips on and off and shifting scenes, rather than constructing it.

More on this 294th weekly Disquiet Junto project — Offline Status: Pay tribute to the late Bassel Khartabil by turning his spoken words into music. — at:

https://disquiet.com/0294/1

Thanks to Niki Korth, Jon Phillips, and Barry Threw for encouraging this project. More on Bassel here:

http://freebassel.org

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0294-offline-status/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

disquiet0294 darksnap (for Bassel)

©All rights in this music belong to W:I:L
my contribution also to the benefit album in honour of Bassel Khartabil
"A Future in Commons - A Tribute to Bassel Khartabil"
https://afutureincommons.bandcamp.com/
Closing song for my imaginative album "Spinning Wheel"

More on this 294th weekly Disquiet Junto project — Offline Status: Pay tribute to the late Bassel Khartabil by turning his spoken words into music. — at:

https://disquiet.com/0294/

18.8.17 WI:L - Seven Seconds[disquiet0294]

First I record the beat from the two little noises at the beginning from the audio, after I scratched a bass from the audio, all that with samplr on IPad, played guitar and at the end the whole sample.

I Can´t See You, But I`m Not Blind (disquiet0294)

This past week was not an easy one in the US, nor in Barcelona (one of Suss Müsik’s favorite cities). We seem to exist today in a space between anticipation and the mundane. We fear that a catastrophe that may never occur will cause our demise, but the height of anxiety is in the waiting. As Richard Wright wrote in his classic novel Native Son: “There was but a long stretch of time that was very short, and then — the end.”

The sampled quote by Bassel Khartabil is a greeting followed quickly by an apology. “Hello I’m sorry,” sang Michael Stipe in the late 80’s. Suss Müsik imagines that most interactions contain at least some amount of regret for what might have been. We like to hope that times of crisis bring about a cycle of affirmation, but that’s not always how things work out. Bassel’s life was too short; the wait for his release took too long. Cruelly, both ended in a single event.

For this short piece, Suss Müsik interpreted Bassel’s vocal inflections as a form of notation. Early in the sampled recording, one can detect the plop plop that an Apple MacBook Pro makes when the sound volume is adjusted. We replicated this rhythm and used it to form base tempo. We then built upon this spine with bits of binaural cello and phased piano polyrhythms. 

The piece is titled Fatra, which means “interval” in Arabic.

More on this 294th weekly Disquiet Junto project — Offline Status: Pay tribute to the late Bassel Khartabil by turning his spoken words into music. — at:

https://disquiet.com/0294/

Thanks to Niki Korth, Jon Phillips, and Barry Threw for encouraging this project. More on Bassel here:

http://freebassel.org

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0294-offline-status/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Fatra [Disquiet0294]

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

I Can´t See You, But I`m Not Blind (disquiet0294)

Marc Eisenschink

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