Over the last two decades, Fengler developed a versatile and dynamic style of DJing that made him one of the first resident DJs of Berlin’s infamous Berghain / Panorama Bar in 2005. With his impressive intuition for the very moment, Fengler is capable of changing pace, atmosphere, and energy reacting to the mood on the dance floor: whether industrial-drenched hardness, broken beats, gloomy dubs or melodic and funky grooves – next to his inimitable instinct, Fengler draws from a varied repertoire. The approach of allowing to drift away within the momentum also applies to his first singles as a producer on such labels like Ostgut Ton and Mote Evolver. His debut album „Fokus“ (2013), in particular, was a statement of his ambitious claim, awarding his own tracks with emotional densities as well as unexpected contrasts.

Bringing together both his melodic groove and beat tracks and his straighter cuts, he founded his own imprint Marcel Fengler Index (IMF) in 2011 – a platform that not only continues evolving his timeless techno approach but represents a creative center introducing new and young talents. 

As a DJ and producer, Marcel Fengler stands for imposing surprises and the appeal of variety. For him, techno is both unconditional passion as well as an essential part of his identity. He’s not bound to a linear or one-dimensional sound, instead, he’s constantly seeking for new ways to express his emotional storytelling skills. His willingness to challenge himself and to stay curious, while establishing changes as his secret persistence, is showing his true vision of techno which makes Marcel Fengler to one of the today’s most exciting electronic artists in these days.

Follow Fengler here: https://soundcloud.com/marcel-fengler

BCCO Mix Series 248: Marcel Fengler

Gene Richards Jr for DifferentSound Podcast #268.

Today, we're diving deep into the sonic universe of Gene Richards Jr., exploring his unique style and strengths that have captivated audiences worldwide. So, sit back, relax, and let the music take you on a journey like no other. Without further ado, let's dive into the sounds of Gene Richards Jr. on DifferentSound Podcast #268. Enjoy!

Born in the Ukraine and raised in Toronto, Canada. Richards Jr gained attention in early 2020 with his first release "WITHOUT YOU" on "UNCAGE" , Marco Faraone's label. He continued his productive 2020 with further releases on Truncate's WRKTRX Label and REKIDS, Radio Slave's Berlin based label. In later years he has remained active, constantly on the rise, forming part of labels such as Truncate, Be As One Imprint, CLR, Pure Sonik, ANAØH and RSPX. He has gained support by such artists as Chris Liebing, Truncate, Radio Slave, Ben Sims, The Advent, Mark Broom, Honey Dijon and DVS1. With these crisp and intoxicating tracks, Richards Jr has confirmed his status, both locally and internationally, and has successfully managed to showcase his unique style and strengths.strengths

SC:@geneadnew/
IG: https://www.instagram.com/gene_richards_jr/
FB: https://www.facebook.com/GeneRichardsJr/
RA: https://ra.co/dj/generichardsjr/

DifferentSound invites Gene Richards Jr / Podcast #268

Resident DJ and booker of Aether Club, Budapest
1/2 Krudy Cocktail Club

Touch MANKIND: @mankindddd
Touch OECUS: www.oecusmusic.com
Artwork: Ava Krohn
www.instagram.com/ava.krohn

OECUS Podcast 408 // MANKIND

I was given the opportunity to play at PALs new venue NTSC in Hamburg a week ago for my friends event-series SPLITTER. <3
Unfortunately, my original recording on 4 players of that night was damaged which is why I decided to post-record the set 2 players at home. 

Less tracks here but same chronology and I really hope you enjoy musical journey as much as I did!

Shimmy Robin at SPLITTER November 2024

RA.155 Louderbach http://www.residentadvisor.net/podcast-episode.aspx?id=155

Troy Pierce and Gibby Miller are blurring the lines between their respective influences on this week's RA podcast.

You might not think that a hardcore punk vocalist and minimal techno producer would be the likeliest of studio bedfellows, but Troy Pierce and Gibby Miller have forged quite the partnership with their Louderbach project. Marrying Minus man Pierce's tenebrous take on techno with Miller's gothic vocals, the duo have created an electronic pop synergy that isn't afraid to get deep and dark both musically and lyrically. Miller's began his musical career in the late '90s as vocalist in Boston-based punk band The Trouble, but the turn of the century saw him become inaugurated into the techno scene after meeting up with Troy Pierce in New York. The two struck up a friendship and have been collaborating ever since, birthing the first fruits of their collective labour on a split release for Mo's Ferry Productions. 

After more collaborations with Marc Houle, Guido Schneider and Sammy Dee, Miller was formally welcomed into the Louderbach fold, and the pair set to work on what would become their debut album. Entitled Enemy Love, the record seemed to be a continuation of Pierce's previous nocturnal minimal techno outings on Underl_ne and Minus, but this year's Autumn LP is a very different beast. Miller's love of EBM, new wave and minimal synth music are clearer than ever, whilst Pierce's has found new directions to channel his love of menacing electronic sounds. This week's RA podcast sees Pierce and Miller select the pieces of music that have heavily influenced each of them, before merging them into a single genre-defying whole that represents the ingredients that make the Louderbach sound. We caught up with both members by e-mail to ask about the mix, the decision to release on Minus, and their recent video competition.


What have you been working on recently?

Troy Pierce: I have been in London a lot over the past few weeks working with my girlfriend on the sound design for an installation she is doing for her degree show. (She graduates from Central St. Martins in June.) I am also trying to finish a number of remixes at the moment: a Function remix for Sandwell District, one for my New York friend Mike Bryant's Intrinsic Design label, one for the Swayzak guys and a Louderbach cover of a Passarella Death Squad track. All of them are in various states of completion.

Gibby Miller: Working on my label, Dais Records. It's mostly experimental sounds; ambient, folk, archival, avant-garde etc... I'm also working on some new Louderbach remixes which are coming this summer.

How and where was the mix recorded?

GM: I submitted about 100 tracks to Troy for this project, and we communicated back and forth a bit about order and flow, but he did all the hard work (creating it!) and it was done in Berlin.

Can you tell us a little bit about the mix?

TP: I was in Los Angeles in January visiting Gibby, and we did a DJ gig together at this goth party there. Gibby was playing more punk/new wave/goth stuff and I played sort of dark slower techno and it worked really well together. So from that, I sort of proposed the idea that he send me one hundred tracks, his root influences—whatever you want to call them—and I would get one hundred together and try to create this snapshot of Louderbach and where we come from musically. It was really fun to do, but a lot of tedious work warping all of the tracks to make sure they would go together and could be mixed in Ableton. Musically it's all over the place with experimental tracks from William Basinski, then spaced out '70s weirdness from Silver Apples into dark techno from Jake Fairley. But there is a common thread: this murky melancholy that is running through all 35 of the tracks that brought us together and helped us to create Louderbach.

What was the weirdest submission you received for the "Shine" video contest?

TP: There were definitely a few that left us scratching our heads, but the ones I found the strangest were ones that weren't finished. Like no audio and two minutes long, as if we were supposed to fill in the blanks or something.

GM: We got some very unique submissions... I'm proud to say that all of them were amazing and all of them were weird! We wouldn't have it any other way! 

Why did you decide to release the new record on Minus, instead of Underline?

GM: We stopped working with Underline soon after Enemy Love was released, best described as personal difference...

TP: At that point I thought the project was over, I never imagined that Rich would be into releasing a record like this. I am really thankful for his openness.

What are you up to next?

GM: Working hard on the label, Louderbach, music, writing, etc...

TP: Well, I obviously need to get my ass in gear on those remixes! Apart from that, I want to learn how to play an instrument or two. My girlfriend got me a cello for Christmas and I picked up a bass guitar in Los Angeles, so those are on the top of my to-do list. I have been making some really, really slow tracks lately, 80 BPM max. I quite like them actually, so who knows what will happen with them. Do some more projects with my girlfriend, she's amazing... Stay busy and have fun.

2009-05 Louderbach - RA podcast

A dive into some electro sounds. A genre that has always fascinated me for its beautiful melodies and raw machine sounds. 

Electro Space

It's called Electronic Body Music for a reason. Phase Fatale moving feet.
→ TRACKLIST & DOWNLOAD HERE: http://blrrm.tv/0ZpTtj

Phase Fatale Boiler Room Berlin DJ Set

Live recording of Hyper Binary's DJ set from Technoir's Queen's Birthday Eve Party 2017.

This set was recorded between 10:00pm-12:00am.

Hyper Binary Live at Technoir's Queen's Birthday Eve Party @ Lounge - June 11th 2017

Curated by DSH #057: Keith Carnal

Deep Space Helsinki guest mix show. Airing on FM and stream every Friday at 22.00 EEST (21.00 Berlin, 20.00 London).

TRACKLIST
1. Beat.Imprint - Permanent Winter 1
2. Dubspeeka - DC5 (Andre Kronert Remix)
3. Ennio Colaci - Stereoscope (Tadeo Remix)
4. BJMN - Droid (Inland Remix)
5. Obstruct - Happen (Truncate Remix)
6. Planetary Assault Systems - Turn
7. Industrialyzer - Jam 2 
8. Arnaud le Texier - Tablets
9. Keith Carnal - Numerous
10. Demetrious - Spiral Sequence II
11. Keith Carnal - Lcuy 
12. Lewis Fautzi - Cake
13. Museum - System F (Marcel Dettmann Edit)
14. Truncate - Down
15. Matrixxman & Setaox Mass - Vortex
16. Mental Resonance - Missing Witness 
17. Christian Bloch - Refuse
18. Kris Wadsworth - High
19. DJ Hell - I Want U (Marcell Dettmann Interpretation 
20. HD Substance - Astroid
21. Tensal - Inertia 1 
22. Ben Klock - Twenty
23. Keith Carnal - Sawmill
24. Jonas Kopp - Hank
25. Kobosil - Path
26. Kastil - Structural Abnormalities (PEARL Remix)
27. Shlomo - Hardwave
28. Exilles - XY 
29. Planetary Assault Systems - Dungeon (Ø [Phase] Remix)
30. Emika Elena & Ryogi Yamamori - Paradox (Farceb Remix)
31. Roman Poncet - Caje
32. Fiedel - Substance B 
33. Drafted - Frequency Graven 
34. Savas Pascalidis - Megatron
35. One Track Brain - Private Sky
36. Tommy Four Seven - Track 5 
37. Matrixxman - Process
38. One Track Brain - Kitten Play
39. Unknown - Unknown
40. Truncate - Pad Mode 
41. Depeche Mode - Peace (Ben Klock Remix)

Curated by DSH #057: Keith Carnal

A little car cruise down that road...later in the afternoon. Enjoy!!


Joel Mull_Later in the afternoon mix_Aug 2010

Set Report AMFM 277

Listen here to the seventh hour of my 10h set that I played for my birthday in 2014 at the legendary Output Club in Brooklyn. 

How I miss DJing in clubs, in front of all of you and how I miss Output Club and those special all night long nights that I usually did in December around my birthday. This set, which you will get hour by hour on a weekly basis now here on AMFM was one of the longer ones. Output had a very strict no picture policy, so there is no footage from inside the club, I only found one blurry picture from my birthday cake. I started at 11 pm as far as I remember and according to my recording I ended at 9 in the morning. Output was such a special place with an amazing sound system and DJ booth, it was always such a pleasure playing there. You always take things for granted as long as you have them. Output Club had to close down end of 2018. I was very sad then and somehow I am even more now, as these days seem so long ago and I have no idea when I get to do something similar again in NYC. I miss it. I miss the city and its people. I have always had a great relationship with NYC since I started to play there in the late 90’s for the legendary Monday nights at Sullivan Bar, organised by @christiansmith. Time goes by so fast, if we don’t learn to appreciate the moment more, it will all just become a faint memory. Stay healthy everyone and I really hope I will get to see you all on some dancefloor again. Until then, enjoy my 10h Output marathon and if you want more, check out my Mixcloud Select page https://www.mixcloud.com/chrisliebingofficial/select/ for way more music, as well as classic CLR Podcasts, downloadable and all involved artists are getting their fair share! Thank you for tuning in. Remember the track list is a rough list, all tracks are on there, but I have no clue in what order, sorry.

Chris Liebing - Tracklist AM/FM 277

Ben Sims - The Fear (Planetary Assault Systems Remix) - Theory
Black Asteroid - Freeze
t2xs - 103-B	
Hinz & Ruhmhardt - Doch	
Keith Carnal - Irrational Behavior - Affin
Gary_Beck, Mark_Broom - Red_CJD22052014_Conor_Glowcast	
Alberto Pascual - Deliquio	
Edit Select - Adolescance 
Luis Flores - DeProgram	
Floorplan - Never Grow Old (Re-Plant) - M-Plant
Motor – Hyper Lust (Pfirter Remix) 
Recondite - DRGN2	
Benny Rodrigues - The Choice Is Mine (Rødhead Remix) - Wolfskuil Records

AMFM | 277

With over 20 years experience in all things Techno in Melbourne, Australia, Ranjit Nijjer has truly carved out his own unique piece of the city’s landscape as a promoter, DJ and more recently as a producer. His event Technoir has become an institution in Melbourne; an important Techno destination over its life of over 19 years, showcasing home made talent from across the full spectrum of Techno.
Ranjit’s DJ sets are full of energy and a delicate intensity, as he expertly layers and weaves high volumes of tracks to create a truly distinctive dance floor experience for Techno fans both young and old.
Whether it is deep, hypnotic, ethereal rhythms or relentless, pounding harder sounds (often tinged with his special brand of funk), Ranjit gives the dancefloor and the listener his all.
This passion and care has seen Ranjit consistently booked around town for many years now, including several appearances at the acclaimed Rainbow Serpent Festival.
2020 saw Ranjit begin releasing his own music, with multiple EPs on Australian Techno imprint ‘Machine’ and very quickly he has found himself with tracks on labels around the world.