Live recording of Hyper Binary's DJ set from Technoir's Queen's Birthday Eve Party 2017.

This set was recorded between 10:00pm-12:00am.

Hyper Binary Live at Technoir's Queen's Birthday Eve Party @ Lounge - June 11th 2017

mārū aka Frederick Sexton is a Naarm/Melbourne based Techno artist. He is one half of the duo Concealed a project which started in 2017 with long time friend Anis Aziz. Frederick has been making various moves around the Melbourne club night over the last few years. His style varies from the deeper cosmic and psychedelic sound scapes, usually on the heavier side with recurring dark undertones. 
Having already supported SNTS, Hydrangea, FJAAK, SPFDJ, Obekt and Function to name a few. Whilst  frequently playing guest slots as well as being a regular for the Bunker and Konnekt’d parties.

A relationship exists between the physical and the auditory. 

Vibrations form sounds, sounds form movement, movement forms ecstasy.

Vibrations fuel your movement, and these movements further consolidate the beautiful vibrations that surround you. 

It is not through standing alone that is the process that comes to light, but rather through a sum of all parts, through synthesis, that such a compound is formed.

Co-founder of PLEXUS
Owner of Extortion Sounds Records

Bookings: bookings@plexustechno.com

Discarnate is a DJ, producer, and techno activist who is the co-founder and resident DJ of PLEXUS, the most prominent Industrial Techno event series in Australia.

Deeply influenced by a background in Hardcore and Metal, Discarnate’s sound embodies an uncompromising aesthetic of violence and momentum. Aggressive, chaotic, and blistering percussive rhythms crash together while harsh synth lines scream overhead and an ominous ambience pervades the space in between. Discarnate’s mixes are hard and fast, bombarding dance floors with an arsenal of oppressive, gritty, and sinister Industrial Techno weapons, which dynamically coalesce to produce a vision of Rave that is equal parts fear-inducing and exhilarating.

Discarnate has cemented themselves as an Industrial Techno staple, not only through music work and activism in nurturing rising local talents in Australia’s revitalized underground scene, but also by having supported and played alongside many international Techno heavyweights such as PERC, Rebekah, I Hate Models, WNDRLST, Ansome, Alien Rain, Mickey Nox, VENDEX, Køzløv to name just a few.

With releases on labels such as Insane Industry, Das Kollective, Subrosa Records, PUREHATE, Interzeak, Regression Records, Genesi Records and on their own imprint Extortion Sounds Records, they further build upon the unshakeable power and ruthlessness of their sound. Recently just joining the Octane Agency based out of Naarm, Discarnate has their sights set on ravaging the dance floors of the post-pandemic international stage.

With nearly 20 years experience in all things Techno in Melbourne, Australia, Ranjit Nijjer has truly carved out his own unique piece of the city’s landscape as a promoter, DJ and more recently as a producer. His event Technoir has become an institution in Melbourne; an important Techno destination over its life of over 19 years, showcasing home made talent from across the full spectrum of Techno.
Ranjit’s DJ sets are full of energy and a delicate intensity, as he expertly layers and weaves high volumes of tracks to create a truly distinctive dance floor experience for Techno fans both young and old.
Whether it is deep, hypnotic, ethereal rhythms or relentless, pounding harder sounds (often tinged with his special brand of funk), Ranjit gives the dancefloor and the listener his all.
This passion and care has seen Ranjit consistently booked around town for many years now, including several appearances at the acclaimed Rainbow Serpent Festival.
2020 saw Ranjit begin releasing his own music, with multiple EPs on Australian Techno imprint ‘Machine’ and very quickly he has found himself with tracks on labels around the world. 
2022 has even seen the release of his debut LP ‘Echoes In Time’ on Spanish label ‘Diffuse Reality’.