after their successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound.

recur is presented as emptyset’s third studio album, continuing on from their work with demiurge. the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project’s exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point.

recur is also available as cd ( r-n151), 12" vinyl (r-n151-2) and limited edition of 180 gr heavy vinyl + cd + art print signed by the artists (r-n151-3).

emptyset. limit (excerpt). taken from emptyset. recur

BASIC ANHALT ANALOG NEW C'OLD SCHOOL BODY MUSIC MINIMAL SYNTH WAVE FUTURE POP AVANT-GARDE AND TECHNICAL MUSIC ANGST POP STYLE DRONE PAGAN INDUSTRIAL HARSH SLOWY
... AND BLACK METAL
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EBM dans la plus pure tradition Old/New School à ce jour.

MINIMAL SYNTH WAVE:
Retro futuriste, élégance et arrogance des jeunes gens modernes ayant trouvé dans le synthé, une froideur assumée.
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DE THANNBERG 
il fut un temps j'animais des soirées privées, dont les plus souterraine galerie d'art contemporaine,  des univers musicaux s'écartant de la norme toujours renouvelés tout au long de la nuit provoquant un état psychique qui contient un traitement injuste et cruel infligé au commun des mortels. 
Cette particularité de me démarquer en adoptant une certaine attitude qui se resserre successivement autour de plusieurs genre de musique stylistique électronique réduite à l'essentielle furieusement trébuchante ayant trouvé dans le synthé, une froideur assumée et rythmée.
http://dethannberg.blogspot.com/

A free-thinking semiological phenomenalist with an environmental conscience, an appreciation for the arts, sciences, and progressive communitarian society. 

POV: Of an expansive mind comes an expansive world, a living world that is as mental as it is physical. The immaterial of the imagination may be expressed into the material just as the material is sensed into the mind. Feelings exist as mere evaluations of our interactions, assigned to tone and scale, and when applied to sound provide semiotic correlatives. Music therefore, can be understood as the representative assembly of emotional interactions with our world. As does time, music only exists while it is in play, and is disputed only when it is misunderstood and not assigned a construct of meaning.

https://www.instagram.com/yuriy_borchukov/
https://illustrators.ru/users/yuriy-borchukov/products
https://vk.com/yuriy.risovalshik

official soundcloud page of raster - artistic platform.