nthng - with you

»sleepstep« is the first collaboration between raster-noton and dasha rush. the record‘s subtitle »sonar poems for my sleepless friends« describes its underlying concept – »sleepstep« is a trip through electronically alienated microcompositions and sound collages that, interwoven with text passages, aim at creating a dream-like atmosphere.

the stations of this journey are striving for oblivion of time, an immersion, a drifting in universal states – death, life, birth, grief, desire. the titles often appear to be raw sketches, fugitive, surreal short stories that rather want to break open than execute.

the musical arrangement, in this context, can be described as rather subtle and fragile. though electronically manipulated, no production technique is pushing itself to the fore. and though clichés are not dreaded, »sleepstep«, as a result, stays away from being cliché. the sonar poems for her sleepless friends are feminine, subtle and personal reports. a musical dream journey in the form of a classical concept record – an album that also stands in the tradition of ambient music.

dasha rush is already known as a techno dj and producer. here on »sleepstep«, she celebrates her alter ego. the cd version comes with a 32-pages booklet that also shows her photographic interest and includes the aforementioned poems written by her. furthermore there is 2 x 12" vinyl version.


08.Lumiere Avant Midi

KMT KI Media 2025 (05.11.2025)
Album Nr. 186 "Primal Circuits by KMT" - Style: Electronic, Industrial, Ambient, Tribal, Experimental | Tracks: 30 (ai generated)
Lyric: Instrumental

Theme: Englisch

"Prepare to be electrified. 'Primal Circuits' is a sonic journey into the heart of rhythm, where ancient drum patterns collide with cutting-edge technology. Imagine the raw power of tribal beats fused with pulsating synthscapes and glitchy digital textures. This album takes you on an immersive experience, exploring the convergence of organic and electronic soundscapes. Dive into a world where the past and future collide, creating a mesmerizing blend of raw energy and technological innovation. Get ready to lose yourself in the primal pulse of 'Primal Circuits'."

Thema: Deutsch

"Mach dich bereit für Hochspannung! 'Primal Circuits' ist eine klangliche Reise ins Herz des Rhythmus, wo uralte Trommelmuster auf modernste Technologie treffen. Stell dir die rohe Kraft tribaler Beats vor, verschmolzen mit pulsierenden Synthie-Landschaften und glitchartigen digitalen Texturen. Dieses Album nimmt dich mit auf eine immersive Erfahrung, die die Verschmelzung von organischen und elektronischen Klangwelten erkundet. Tauche ein in eine Welt, in der Vergangenheit und Zukunft aufeinandertreffen und eine faszinierende Mischung aus roher Energie und technologischer Innovation entsteht. Lass dich vom ursprünglichen Puls von 'Primal Circuits' mitreißen."

Track 01: Blue Canvas
electronic, tribal, synthwave

Track 03: Glitch Ritual
tribal, glitch, experimental electronic

Track 05: Synthetic Tribe
electronic, tribal, experimental

Track 07: Machine Ritual
industrial, techno, electronic

Track 09: Cybernetic Echoes
electronic, experimental, industrial

Track 11: Digital Shaman
electronic, tribal, glitch

Track 13: Stone & Code
experimental, electronic, percussion-driven

Track 15: Shadow Code
electronic, ambient, experimental

Track 17: Code Inside
electronic, experimental, darkwave

Track 19: Code of Steel
electronic, experimental, percussion-driven

Track 21: Ritual Repost
electronic, experimental, tribal

Track 23: Cybernetic Core
electronic, synthwave, industrial

Track 25: Awakening Machines
electronic, industrial, experimental

Track 27: Tribal Reaction
tribal, electronic, experimental

Track 29: Cybersplit
electronic, tribal, experimental

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

AI Music Austria

17 Code Inside v1

cory arcane found her comfort zone in a constant state of crisis, and her liberation through love, sensuality, and high-speed internet access.
as some might recall, she used to struggle with her own decay, navigating an intricate web of bureaucracy, endless social-media scrolling, 24-hour news channel feeds and marketed strategies of seduction.
her intense and continuous obsession for surf, breakdancing and cat videos might have saved her from a silent decline, but it would be her first attempts at integrating a professional ballet company that provided the initial spark. her unorthodox dance movements were often considered shocking, transgressive, and barely legal; and even though some recognised her genuine talent, it was clear she would never make it into this structure. this is when she started her slow drift towards the outer limits of society, in search of the way to achieve the conditions for absolute freedom.
her emancipation was surely marked by different forms of excess: the inappropriate use of fireworks, the consumption of large quantities of alcohol and controlled substances, as well as the occasional blasts of kitchen appliances.
she bypassed the gender war and became an expert in advertising sabotage. soon cory would give academic courses on the true liberation of the mind, or, in her own words, the apotheosis of senses.
lately, she could be seen squatting in the outskirts of different giant metropolises, embracing the mayhem, contemplating the crumbling of a system. the sound of the city, mixed with the music on her headphones, would weave complex rhythms and futuristic textures into a beautifully coloured, pixellated surface.
looking out onto this fabulous chaos, she smiled.

»cory arcane« is kangding ray‘s fifth album on raster-noton and will be released as CD, double vinyl LP, and digitally.

kangding ray - dark barker

Olento

Stratostaatti

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

A2.  Muslimgauze "Mullah Said": Every Grain Of Palestinian Sand

Emptyset

Gate 3

Gate 1

Fourth vinyl installment for the duo, 'Iwa Gaaden' is also their third collaboration with Random Numbers. Pushing forward their commitment for processed field- recordings, micro-samples and poly-rhythmic patterns, this 5 long tells a singular and dark tale about spirits and revenge. Mixing contemporary techniques and ancient sonorities, martial marches meet ghostly rave-esque rituals. A club ready but cinematic oriented odyssey, a pitch-black ballad in the Iwa Gaaden.

https://soundcloud.com/randomnumberslabel
https://soundcloud.com/uvbsoixanteseize

PRÈMIÉRE: UVB76 - Outrage [Random Numbers]

official soundcloud page of raster - artistic platform.