Can you... Do better than this?

Remastered 8-22-22 by Owen Mechling

Check out on Youtube

Better Than This

Corey "the animal" Anderson has returned to his electrobreaks roots as dr_anderson. Listen here for promotional mixes featuring the newest and best electro, electro bass, club, breakbeat, and garage.

Tune into the West Florida Takeover on Slap It Radio every Friday at 5 PM for live sets featuring dr_anderson and guests. Check out the main West Florida Takeover archive on soundcloud.com/slap-it-radio.

dr_anderson is on a mission to eliminate the cheese and bubblegum from breakbeat and to restore the electro bass order. Follow dr_anderson to join the campaign.


Instagram
www.instagram.com/corey.d.anderson75/

Facebook
https://www.facebook.com/corey.d.anderson1


All mixes for PROMOTIONAL USE ONLY.
contact: electrofunkacidbreakbeat@gmail.com for bookings or projects

Electronic dance music DJ and producer. Too many aliases. Too many releases. Releasing music since 1992.

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

I'm a producer and an engineer who sometimes, becomes an "artist".  I love creating with motivated, talented individuals. If that's you...Let's work together...

Freak-When-See is an aspiring Beatmaker/Producer from Belfast UK.


Freak-When-See fell in love with dance music from an early age during the early 90's, borrowing (stealing lol) his older sisters vinyl records and cd's of artists like The Prodigy, The Shamen, Capella, 2 Unlimited and N'Trance to name a few. 



As Freak-When-See advanced into his mid teens he started making and swapping mixtapes with friends who were into the Hardcore Techno Rave scene, with artists such as Carl Cox, DJ Trix, Binman, Scooter, DJ Scott, Robbie Nelson and Tizer.



By the late 90's Freak-When-See became an avid clubber in the Belfast scene after listening to popular DJ's on BBC Radio One, like Pete Tong and Judge Jules who played the best House, Trance and Techno every weekend, which inspired him and his friends to frequent popular nightclubs like Paradise Lost, Thompson's Garage, Dempsey's Terrace and The Network.


https://youtube.com/@reclewsiveraver9475?si=rKHOCx7IevODBz4y

https://x.com/FreakWhenSee81?t=jBjnygSjeJGsHWDbYzkpBg&s=09





Surspace is the electronic music project of Andrey Kleymenov, also known as DJ Klaus Manson — a seasoned DJ and selector since 1997. His signature sound blends house, melodic techno, progressive, tech house, and deep vibes into smooth, emotionally rich DJ sets.

Since 2015, he’s hosted the Sublimatica Radioshow — a platform for carefully curated sets and tracks that reflect his deep connection to the underground scene.

Always on the hunt for standout music for playlists on SoundCloud, Spotify, Beatport, VK, and Yandex Music, Surspace welcomes fresh sounds from talented producers and fellow DJs. If your track fits the mood, it might just land in his sets or radioshow.

Feel free to follow on your favorite platform — Surspace always follows back and supports the scene.

Whether behind the decks or in the booth, Surspace is here to share and discover timeless electronic music — with the right people.

Dubstep/EDM Producer and Co-Founder of Phantom Collective

*All my music Is downloadable, and can be used for your creative projects/performances. If you post anything online with it, please give me credit. Thanks! Don't let your dreams be dreams!

Booking: Ratosphere@gmail.com

I make Dubstep, Glitch, Cyberpunk, and occasionally Synthwave/Chillwave.
Love weird sounds. Also, my music averages with about 80 percent original instruments of my creation ( And is not made with AI ).

Ratosphere is co-owner of Phantom Collective, an online music collective that helps unite underground artists! We're looking for people who are decent at making hardwave and dubstep, feel free to contact me here or through my email if you're interested.

The Federation of Triton is on the brink. As an overwhelming force prepares to attack from all sides, its survival rests on a single, unpredictable wildcard: REVJAGAR.

A designated Taa’Spa operative and the last survivor of the clandestine Sabazios program, Revjagar was trained to pilot the formidable Metatron before a thirteen-year career as an infamous space pirate. Now, granted immunity, he has aligned himself with the Federation under a classified charter. Forced into the open by the imminent attack, he uses his public cover as a DJ to recruit his former pirate crew, mobilizing for a war he was never meant to fight.

The key to Triton's survival may lie with a secret artifact in his possession and his access to a rare, second-series Metatron from the bygone days of hephaestus. His loyalty is questionable, his methods are unorthodox, and the fate of the Federation rests on its most dangerous gamble.

//ENCRYPTED COMMS TRANSCRIPT: ADMIRAL KAIN, CAPTAIN EVAX//

Admiral: "They have confirmed that REVJAGAR has one of the artifacts?"

Captain: "Sir, not one of them. Our intelligence suggests he has the artifact."

Admiral: "Continue."

Captain: "Yes, sir. We did a passive energy scan of him since he's been back. All series of Metatrons in the system are reacting to him—listening, even the decommissioned recorders. 

Admiral: Wait a damn minute.

Captain: Sir... that's not all. He just activated the Oniroi and... sir..."

Admiral: "What is it, Captain?"

Captain: "...'The Girl Named God' appears to be working with him."

Admiral: "Oh, God... So, he has chosen to fight for Triton after all. Which means she has also chosen to be our God and protect us... He actually did it."

Captain: "Yes, sir... but he's going to fight alone. We need to recruit other pilots. Those who have heard the call."

Admiral: "Good. Initiate Operation 'FLY FIRST CLASS'. Now."

Captain: "Sir?"

Admiral: "It's our only hope!"

//TRANSCRIPT ENDS//

IPX is a Chicago-born House music producer and DJ. Inspired by WBMX and B96 at a young age, his passion for House has driven his involvement in the Midwest scene for decades.