Short work for Toy Piano. Live recording of premiere by Mark Robson, Brand Library, Glendale CA, April 2014. Title and concept from writings of Robert Fludd.

Chymicall (Toy Piano)

Postscript, for soprano, flute, and guitar.
- I. For the Sake and the Spite of Continuity - soprano and bass flute
- II. For the Sake of Opacity (A Catalyst for Honesty) - soprano, piccolo, and guitar

Performed by Amanda DeBoer Bartlett, Shanna Gutierrez, and Jesse Langen on April 11, 2014 at Tulane University's Dixon Recital Hall in New Orleans as part of the ANODE 2014 Festival and Symposium.

Postscript

Symbiosis II, Natacha Diels 2010
5 parts, each written on a simple repeating curve, with equal
numbers of measures, existing independently until their unique
time structures meld to create interlocking patterns of twos and
threes, phasing through varying degrees of synchronicity, delicate
order held together by a web of ratios.

Symbiosis II

All tracks performed and recorded by Laura Cocks at CIRM in Nice, France.

Atolls is for solo piccolo and twenty-nine spatialized piccolos. The  auxiliary performers surround the soloist and the audience. The pitch content is derived from the  twenty-nine most salient spectral components of a crash cymbal occurring (and analyzed) within  the shrill range of Janet Leigh's infamous scream from Hitchcock’s Psycho.

lauracocks.biz
davidbird.tv

Atolls - for Solo Piccolo and 29 Spatialized Piccolos

recorded live @ ccrma by david wegehaupt, april 11 2015.

headphones/speakers with good low end desired. 

Katherine Young - puddles & crumbs [2014-15]

Score: bit.ly/1LlKKFB

Pedro Alvarez
Margin (2015)
-Heather Roche, bass clarinet
-Marco Fusi, viola d'amore
-Rafał Łuc, accordion
The Riot Ensemble's 'Portfolio' concert
London, 06 June 2015
www.pedroalvarez.info

Margin

A demo in one take. 

voice - Charlotte Mundy
guitar - Jordan Dodson

composed by Charlotte Mundy.

Matt Adomeit's tune Salem, live from the Tank NYC on 9 Jan 2016, Chartreuse PLUS Triple Point Trio (Jonny Allen, drums, Doug Perry, vibes, Sam Suggs, bass)

Salem (with Triple Point Trio)

Ensemble Modern
(Wigmore Hall & Ensemble Modern commission)

gefährlich dünn (fragile pieces for double string quartet, 2014)

recorded by the kids of Little Opera
may 9, 2016
san francisco, ca
littleopera.org/

6 sounds for plastic recorders

Ray Evanoff is an American composer whose work centers around detail, world building, and extended collaborations with the performers he writes for. He has worked with numerous contemporary music specialists, including most recently Ensemble Apparat, Ensemble Dal Niente, Amanda DeBoer Bartlett, Liam Hockley, Mabel Kwan, and Samuel Stoll. He is an active concert organizer and arts presenter, having curated and organized numerous events including the ANODE 2014 Festival and Symposium, the Charleston Improvised Music Festival, and MATA Interval 7.1. He is the founder, director, and editor of FOCI Arts, a contemporary arts organization and online periodical.  He studied at the College of Charleston (2002-06) and the University of Huddersfield (2008-12). His principle teachers include Quentin Baxter, Aaron Cassidy, and Steven Kazuo Takasugi. He lives in New Orleans.