Electronic composition, sounds created in Pure Data.

Desolate (naviarhaiku529)

2025-10-07

chaos theory

ARCTIC  BIRDS    4

We Can Dream

autumn afternoon

2025-10-23

last chapter

https://ajkaufmann.bandcamp.com/album/manvantara

"Book of Dzyan"

UNTIL DAWN

Rocktober day and track 24

it just starts, goes on and then stops.

The composition is definitely not finished. The synths come together at one point (tonal), which causes a weak spot. I normally experiment until I find the strong point or chance of such a fragment, but that would take too much time rn, I had to deliver 😄
Also the drums, ooh, they just go on 😆
So, I wonder if this will draw my attention later this year (or next! Time FLIES!).

24 Heartbeats of Small Bodies

This turned out a bit more Hallowe'en than I was expecting, but given the date, maybe that's OK 😁💀🎃

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki: https://www.littermagazine.com/2023/07/review-sanki-saito-selected-haiku.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF skeletoN [naviarhaiku617]

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

halF spooK [disquiet0722]

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Desolate (naviarhaiku529)

ray_cobley