Name: Fluttering Snow (naviarhaiku584) by ray_cobley
Duration: 4 min 59 s
Description: An electronic sequence created using Pure Data, a touch of reverb added.

Ray Cobley--->Repost done ☑️ for more plays ✅𝙂𝙤 𝙩𝙤 🌐𝙎𝙘𝙢𝙞𝙭 .𝙥𝙧𝙤🚀

Beutiful piece and congrats for your poetry being featured this week (3/26)!

Part of the Naviar Haiku Music Challenge: www.naviarrecords.com/haiku-music-challenge

SONG 74 - Naviarhaiku581

another contribution to the great haiku challenge of naviar records

here and there
upon scorched fields
wild violets

- Arii Shokyu-Ni -

scorched earth (naviarhaiku582)

My submission for the NaviarHaiku Challenge #583. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Field recording attribution:
1) ermine - 'ambswmp-westhay-moor-nature-reserve-early-morning-ambience'
2) WWAudio - 'water trickling in an outlet of a hillside stream with birdsong'

Early Morning Light - naviarhaiku 583

Acoustic repetitive, all real instruments:
Ronrocos
Ukuleles
Acoustic bass
Bombo legüero

Composed and performed by DD, 2024

For this haiku

heaven and earth:
neither exists apart from
snow fluttering down

by Kajiwara Hashin 


@naviar-records

From Heaven (naviarhaiku584)

Neither exists apart  (naviarhaiku584)

An electronic sequence created using Pure Data, a touch of reverb added.

Fluttering Snow (naviarhaiku584)

Disquiet Junto Project 0689: Supporting Players The Assignment: Elevate the presence of your non-instrument equipment.

In my improvisation setup, using acoustic instruments with electronic effects chains, I prefer using a contact microphone. This prevents unwanted audio feedback (sound from the speakers feeding back into the microphone. But it can lead to issues with accidentally bumping against the table that the instrument is on, or touching the cable of the contact mic (which is extremely sensitive to handling noise). One of the effects chains I use a lot, uses transient detection to trigger recording to a buffer in a granular synth, and doing pitch analysis to allow tuned audio effects (like a tuned resonator in a feedback path). Accidentally brushing the mic cable can then lead to some unexpected results… which I often find rather pleasing, actually.
So for this piece, I wanted to give the granulated mic cable brushes and table bumps centre stage, playing a bit of duduk as a background layer.

More on the 689th weekly Disquiet Junto project, Supporting Players — The Assignment: Elevate the presence of your non-instrument equipment — at https://disquiet.com/0689/

Accidental support (disquiet0689)

Recorded, mixed & mastered on 14 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, effects

This original version of "Never Burn" was submitted as part of Naviar Haiku 584, Heaven And Earth

heaven and earth:
neither exists apart from
snow fluttering down

by: Kajiwara Hashin

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Drawing/Photography - Jim Lemanowicz, 30 Mar 2017, West 46th St, NYC, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge

#soundart #naviarhaiku #naviarhaiku584 #experimentalmusic #heaven #electronicmusic #sounddesign #ableton #burn #earth

Never Burn (naviarhaiku584)

This week's response to the @naviar-records haiku challenge uses elements of sound design I've created for zack mennell's "Rage Reactor" performance installation which they will be realising in Liverpool's Dadafest this week: https://www.dadafest.co.uk/event/ddfi40-rage-reactor

"heaven and earth:
neither exists apart from
snow fluttering down"

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Haiku by Kajiwara Hashin

Extract of picture by Simon Berger

Submission deadline: 19th March 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

neither snow (naviarhaiku584)

An electronic composition created using Pure Data.

Ruffled Pages (naviarhaiku587)

https://ediz.bandcamp.com/album/meat-ep

Meat EP is a stripped-down collection of contrasts

an ambient piece drift around the edge, unsolved

a sparse transmission

the title track leans into electro, sharp, minimalistic

"Gate Keeper" reappears as a dub echo

DOWNLOAD

S0Z3

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Fluttering Snow (naviarhaiku584)

ray_cobley

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