Name: Green Walnut Time (naviarhaiku616) by ray_cobley
Duration: 5 min 9 s
Description: An electronic composition, sounds from various sources.

I feel angry and violent, confused and would like to express myself in ways in a different manner.


(Introduction)

(Prod. iluvsadgirls) 


- Sincerely, XX2PITTY 

HowMyMindSounds (Introduction) (Prod. iluvsadgirls)

Recorded, mixed & mastered on 22 Oct 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, field recordings, effects.

This original version of "An All-Encompassing Cold Perfume” was submitted as part of Naviar Haiku 616: Whenever We Meet.

whenever we meet
it’s raining
green walnuts

by: Tanaka Hiroaki

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Photography/Art - Jim Lemanowicz, 19 Oct 2025, Marjorie Post Park, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

An All-Encompassing Cold Perfume (naviarhaiku616)

An electronic composition, sounds from various sources.

Green Walnut Time (naviarhaiku616)

A recording of storm-force winds outside, including a few incidental noises, brewed up with a similarly stormy electronic sequence, sounds from various sources.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.



Brewed Storm (disquiet0721)

A storm is a musical composition in itself. Taking inspiration from this week's Disquiet Junto project, I created improvised music to accompany Bruno Auzet's (@user-876924050) excellent field-recording, enhancing the inherent emotions and sounds of the original.

You can find the field recording on Freesound at freesound.org/people/bruno.auzet/sounds/713953/ under a Creative Commons 0 licence. My thanks go to Bruno Auzet for providing this wonderful recording.

The photograph was taken in Cornwall, not in Brittany - around 40 years ago.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

L'Automne en Bretagne  (Disquiet0721)

2025-10-29

The Birth of Frankenstein

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

more halF unusuaL

halF spooK [disquiet0722]

This track was created for the Naviar Haiku group.
617
https://www.naviarrecords.com/naviarhaiku617-an-autumn-nightfall/

2025-10-31

an autumn nightfall (Naviarhaiku 617)

Horcrux 6 (Regressione/Sublimazione)

Superbloom & notes of strings - Everything In One Color

"Moonlight Harmonies" is a soothing and atmospheric soundscape inspired by the magic of moonlight. This piece unfolds with an exceptionally slow pulse and minimalistic repetition, ideal for relaxation, focus, and introspection. Lush reverb and sustained drones create a profound sense of space and distance, inviting exploration of the mind. 

The sounds were produced by using a MIDI keyboard routed through LogicPro and enhanced with Valhalla DSP effects.

Moonlight Harmonies

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Green Walnut Time (naviarhaiku616)

ray_cobley

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