Deadline: 1st March 2023

All submissions to Haiku 477:

https://www.naviarrecords.com/2023/02/22/naviarhaiku477-far-distance-beckons/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #477: far distance beckons– hazy blue peaks loom over /
calm sea horizons

An electronic composition, original sounds created in Pure Data.

Gentle (naviarhaiku475)

far distance beckons
– hazy blue peaks loom over
calm sea horizons

haiku by Raymond Cobley https://soundcloud.com/ray_cobley

picture by Vlad D https://unsplash.com/@hiking_corgi

For more information visit http://www.naviarrecords.com/about/naviar-haiku

chants afield

halF distancE [naviarhaiku477]

This track was created for the Naviar Haiku group.
477 week haiku
https://www.naviarrecords.com/2023/02/22/naviarhaiku477-far-distance-beckons/

2023-02-23

Far Distance Beckons  ( Naviarhaiku 477 )

Using Make Noise Strega and 0-CTRL, recorded on iPad with AUM, Polyverse Wider, iceGear Kajita and Eventide Blackhole.
In Cubase 12 Native Instruments Lores, Arkhis and Raum, AAS Chromaphone was added.

Photo by zenbytes (2017,Yellowstone Lake, Wyoming, USA)

hazy sea horizons - Naviarhaiku 477

Hazy Blue Peaks [ naviarhaiku477 ]

New version/mix 12/2023
Neoclassical acoustic, with ambient undertones (soundscape)
Felt Piano
Cello
Electro acoustic soundscape


For this haiku:

far distance beckons
– hazy blue peaks loom over
calm sea horizons


@naviar-records

haiku by Raymond Cobley @ray_cobley

picture by Vlad D

Crepuscular Horizons (naviarhaiku477)

Hazy Peaks (naviarhaiku477)

"Ages beyond imagining"

https://youtu.be/rf_4lTZvzMo

Music by Stu King
Gretsch Baritone Guitar
Fuzz
Digital Delay
Reverb
Synth
Mixed in Cubase

Aeons

Aeons (naviarhaiku477)

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

LOVE IN THE DISTANCE (naviarhaiku477)

Calm Sea naviarhaiku 477
This week in response to Naviar Records naviarhaiku series I have put a video together after creating the piece. I hope you enjoy. 
https://youtu.be/zKqmAw5FWik

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Deadline: 1st March 2023
haiku by Raymond Cobley @ray_cobley
picture by Vlad D unsplash.com/@hiking_corgi

Release date:
22 February 2023

far distance beckons
-hazy blue peaks loom over
calm sea horizons

Calm Sea  naviarhaiku 477

Video for track https://www.youtube.com/watch?v=uKLDxIXsAXU&t=133s
far distance beckons
– hazy blue peaks loom over
calm sea horizons

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

Hazy blue -(naviarhaiku477)Video for this track- https://www.youtube.com/watch?v=uKLDxIXsAXU&t=133s

Music is heard through a wall from the neighbouring room. Thoughts emerge and align to what is happening next door. Music arises matching to what is heard...

The track played behind the wall can be listened to directly here: https://soundcloud.com/rabmusiclab/dreamless-and-sublime

This track was inspired by the Disquiet Junto Project 0583:
More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Spotify

Dreams float through Walls (Disquiet0583)

The Assignment: Use a building as a filter.

Step 1: You’re going to use a wall in a building, perhaps your workplace or residence, as a filter. Consider these instructions carefully before selecting the appropriate wall. Some trial and error may be required.

Step 2: You’re going to record a track in which the rhythmic element is heard through a wall. That is: you’ll record the rhythm track, and then play it loud from another room (or outside), and record what it sounds like as separated by a wall. Choose a wall.

Step 3: Record the rhythm, track.

Step 4: Re-record the rhythm track from Step 3 by playing it on one side of a wall and recording from the other side of that wall.

Step 5: Record a piece of music using the recording from Step 4 as the foundational rhythm track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0583” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0583” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: Deadline: This project’s deadline is the end of the day Monday, March 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

You should talk to John - disquiet0583

The scent of a rose
In the forgotten greenhouse,
A fluttering ghost.

Merle Bardenoir is a French musician, artist and poet carrying an ambient project called Glamourie. Imbued with symbolism, his universe blends avant-garde and folklore, nature and fantasy. Ranging from traditional drawings to fantastic short stories, his multidisciplinary creations display an elegant and mysterious sensitivity.

ghost [naviarhaiku483]

Ambient soundscapes for your pleasure. Relax, chillout and enjoy.

NECRONOMICON DREAMS - TIME FLIES

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Hazy Peaks (naviarhaiku477)

ray_cobley

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