Chao Heng [Abeno Nakamaro](698〜770)

Chao Heng is the Chinese name of Abeno Nakamaro.

In 717, at the age of 19, Abeno Nakamaro traveled to Tang China with Makibi Kibi and others as a member of the envoy to the Tang Dynasty in order to introduce advanced Tang culture to Japan.

Abeno Nakamaro passed the imperial examination in Chang'an. He served Emperor Xuanzong as an official in the Tang Dynasty. He also interacted with poets such as Li Bai and Wang Wei.

Thirty-six years later, in 753, Abeno Nakamaro was allowed to return to Japan.

However, the ship was wrecked by a typhoon.
, washed ashore in modern-day Vietnam.
He returned to Chang'an via Vietnam, where he ended his life of 73 years.

He never set foot on Japanese soil again.

Check out the music video for the song here!
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https://youtu.be/y4oMgolDokg?si=flwCXgDgY0Qvwa0N

晁衡　[阿倍仲麻呂](698〜770)

晁衡是安倍仲麻吕的中文名。

717年，19岁的阿倍仲麻吕作为遣唐使者与牧备吉备等人一起前往唐中国，向日本介绍先进的唐文化。

阿倍仲麻吕在长安考中科举。曾在唐玄宗任职为官。他还与李白、王维等诗人交往。

三十六年后的753年，阿部仲麻吕被允许返回日本。

然而，这艘船被台风毁坏了。
，被冲上现代越南的岸边。
他经越南回到长安，结束了73岁的生命。

他再也没有踏上日本的土地。

晁衡 東瀛慕情＜Chao Heng  Longing For JAPAN＞mp3

DJXBF- Psychopath Nearing

Soundtrack for video: https://youtu.be/cz9b8Cehprg

An electronic composition, sounds created in Pure Data.

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Recording sessions from --/--/---- 22/12/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
#Ambient #Movies #Experimental

MISTS

🌫MISTS🌫

Late Night Improv

Intergalactical Classical Ad lib Piano performance Live on an early 1900's standing Piano.

Photography from me. The Piano is a family heirloom that I have inherited from my mother's mother.

Timekeeper (Live)

Venus

made for the haiku challenge #583 by https://soundcloud.com/naviar-records

early morning light (naviarhaiku583)

File Updated: More vocal run just feeling out the limits there

Lyrics

Muted
Thats most everyone else
Is it me?
Or the message I sent...
It's all good
Greater
No hood
No saviour
Oh well!
Stay wrapped in peaceful flavour

Booted
My ideas have no shelf
Is it me?
Or the message I dealt...
It's all good
Greater
No FUD
No halo
Oh well
This day unwraps hooded musical cats

I'm a Sheep... Bah bah bah bah bah bah
I'm a clown... Ha ha ha ha ha ha ha ha
I'm a Bear... Grrrr
I'm a Goat... Mah mah mah mah mah mah mah
Go Condor... Soar old Dinosaur
I'm a Lion... You're hearing me roar
Burrow Mole.... Bore bore bore bore bore bore bore
I'm a Whale... Waaaaaaah Waaaaaaaaah
I'm a Chicken.... bok a bok a bok a bok a bok
I'm a Snake... Hiss, I'm gonna eat you all up
I'm a Lizard, aw man this tongue just won't stop
I'm an Earthling... The Force theory says, all
(Sorry... Still sucking diesel ☹️)
I'm a tree... Sure feels like me
I'm a flower... With Human power
I'm a Season... Come on give me that reason
I'm a Planet... Together serving some sonnet
I'm a Universe till I leave in a herse
I'm Infinity forever you see...
Evolution please



File Updated: Softened the vocal and I think it balances everything and makes the animal soundings more fitting maybe. Bass in although it's rough. A keys run with a double bass and normal bass played too with a variation. Gives it a good bounce. Added reverse effected alchemy pad


So in my head at the moment is obviously my attempt to get people to speak on my For Palestine song. The response was pretty muted which I completely understand but it burns too even if I just choose to not let that effect me. It shouldn't anyway. You win you lose you learn we improve....

After writing Autumn in the Wind {https://on.soundcloud.com/xBxkVdTaymhZLGTw6}  with my Papa's poem of same name... It got me thinking about what we sing passionately about. Most pop music is overly sexualised tripe... Religion too still holds a large percentage of mass listening to songs that people maybe hold a little deeper and dearer however they wouldn't exactly be built on reality always...

My Grandad's poem seemed to draw some sort of new passion from me.... Celebrating nature in music. He is writing about the beauty and power of nature in Autumn and I expanded that to make it a four season celebration lyrically playing on his transition to Autumn and between the other seasons.

So this is the first focused attempt at that without my wonderful Grandad's poetic spirit haha....

It is our nature we need to understand better to be at one with it and survive so stick that where we love it most. In da choons man

https://www.instagram.com/reel/DHGFv4vN-0w/?igsh=YnB5cWl0b2x6MGFm
Live version there in the Kitchen

The Force (All Life)

ALL SONGS BY PATRICK MATTEIS
PLAYED AND ARRANGED BY PAT ARTWORK BY MAYELLE
RECORDED AND MIXED BY PAT AT THE ROOM ABOVE THE GARDEN
2025 PATMAY PRODUCTIONS

FROM THE RIVER TO PEACE

FROM THE RIVER TO  PEACE PART 5

shifty 25 bpm sep 30 take 1

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

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ray_cobley