This track was created for the Naviar Haiku group.
454 week haiku
https://www.naviarrecords.com/2022/09/14/naviarhaiku454-the-thief-left-it-behind/

2022-09-15

The Thief Left It Behind  ( Naviarhaiku 454 )

Goo Dad Vice

This is another piece with a loop from Jens. 

https://soundcloud.com/senfsuck

New Colors

autumnal decomposition

This piece was created from materials created by a recorded improvisation of @stellato-strings playing violin and me on the piano. It's this week's response to the @naviar-records weekly Haiku challenge:

Icarus
the pelican hovers
mid flight

We discovered Kimberly’s writings on Twitter. If you find the haiku we chose inspiring, make sure you explore her Twitter profile for more evocative poems.

“I am blessed to live by the sea. This informs a lot of my ‘ku. I also try to write honestly about my struggles with depression. Not sure how successful I am on that topic. It’s hard. The nature poems come easier. I began writing haiku about four years ago. I try to write daily, giving myself Sundays & holidays off. ‘Ku is a kind of discipline for me—much like a daily walk or yoga practice. Haiku quite simply saved my life.”

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 16th November 2022

haiku by Kimberly A. Horning https://twitter.com/everydaydeath12

the photograph was taken by me in Holborn this morning.

Icarus (Naviar 462)

Bell Ringer

Electronic composition, sounds created in Pure Data.

Quixotic (naviarhaiku467)

Know the names of safe bears

Method: Layering, as usual
Narration: The poem is what it is.
Picture: This is part of my original illustration for the 'tiny inclusions' series of poems this one belongs to. 

Poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

She kept wondering
what might have happened
to that ring she used to wear.
She can still feel its tightness
when tracing the bone in her finger.

There had been some other life,
one she cannot remember.
Traces it of it surround her
like finds on an archeological dig.
She sometimes receives calls from strangers.

The other day, she must have held
a tiny, breathing something in her arm,
caressing it with affection.
Was it a kitten? She cannot detect
any litter in her home.

Right now, she can't help counting
down the letters in the alphabet.
Nothing adds up. Therefore, the fault
lies either in the faultlines between the numbers
and the letters or it is
her turn to vanish.

lapses

Lapses

Made entirely from these samples, recorded by me with a USB stick mic at my previous place of employment in 2020:

BUZZER
THWACK
fm (muffled) -...ah yeah!-
POWER-JACK
f -all I know...-
LASER ringtone
computer ERROR
geese HONKING
m -...autopilot- 
f -...ten minutes-

The above samples will eventually be released in a public domain pack called Free Sounds Vol. 2.

The link to Vol. 1 is in the description of this playlist:
> https://soundcloud.com/storyofthelie/sets/samples-and-oc-opportunities

Jack Spratt

"Town Path" was originally created back on September 7, 2022, over a year prior to its release. Nothing about this song was particularly difficult to create; it could have easily been released much earlier.

For a very long time, the working title was simply "Town", and the idea of changing it to "Town Path" was first considered on March 23. I only changed the project title on the release date.

Musically, "Town Path" is very minimalist, which is a deliberate break from the dense production I usually gravitate towards.

Sinny: programming, processing, voices, castanets

Town Path

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Quixotic (naviarhaiku467)

ray_cobley