File updated Sep/7th/2021 after some  positive feedback, shorter, more dynamic...
Part of a work in progress (on hold, almost abandoned) I planned to build 5 repetitive pieces using percussion instruments and tempo delays. My plan was to build some hypnotic rhythms in odd time signatures (3/4 5/4 7/4 9/4 11/4) and make it more in the 1970's repetitive music vein and not on a groovy world music percussion track.
I'm not a serious percussion player really so I can't develop a swinging percussion solo, but I thought it was interesting to explore the "mechanical" development of repetitive, copy/paste grooves I can create using multiple percussion instruments and other objects.

I already shared here the first Pulse 3 track, this is the second I recorded, then a few months back I decided to stop, cause I don't think this is really interesting.
Is it?
I consider three options now:
1- Should I use these full tracks as the basis for something else? (adding other melodic instruments and textures above it?)
2- Should I make a 1 minute snippet and use  it as a rhythmic interlude on an album or something?
3-Or should I trash it and just extract some rhythmic loops for my Loop Vault?
Comments, opinions and critics are appreciated.
DD Sep2021

Performed  by DD June 2021 on several acoustic percussion instruments and objects, with further edits and copy/paste for the basic layers.

Pulse 5 (disquiet0505)

Work in Progress

This track is part of the Disquiet Junto project – Line Out (The Assignment: Share a track, get feedback, and give feedback) – at: https://disquiet.com/0505/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0505-line-out/

Disquiet Junto | Line Out - disquiet0505

Floating lanterns
pushed adrift, my words
set free…

This is a collaboration with Horsthel Mood for Naviar's 401st haiku.

https://soundcloud.app.goo.gl/g6zM4
https://youtu.be/K5fPWFPS_xE

Toma Gogo

Cologne Lantern (naviarhaiku401) with Horsthel Mood

More on this 506th weekly Disquiet Junto project – Wipe Out (The Assignment: Take something whole and erase half of it) – at: https://disquiet.com/0506/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0506-wipe-out/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

The image associated with this project is by Emma Craig, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

The Calling [Reintegration Loop]

Disquiet Junto | Wipe Out - disquiet0506

A remix of:  https://soundcloud.com/ray_cobley/autocomplete-disquiet0493. I removed the right-hand stereo track & replaced it with a copy of the left-hand track including a short delay & a few minor adjustments.

More on this 506th weekly Disquiet Junto project – Wipe Out (The Assignment: Take something whole and erase half of it) – at: https://disquiet.com/0506/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0506-wipe-out/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

The image associated with this project is by Emma Craig, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/xBs5JS

https://creativecommons.org/licenses/by-nc-sa/2.0/

Recomplete (disquiet0506)

More on this 507th weekly Disquiet Junto project — In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) — at: disquiet.com/0507/

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

@disquiet

A Dystopian Ballad In DDs Key Of C  [Disquiet0507]

Tracks made with samples created generously by Daniel Díaz.

More on this 507th weekly Disquiet Junto project – In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) – at: https://disquiet.com/0507/ 1

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

c'de {Disquiet 0507}

More on this 508th weekly Disquiet Junto project — Germane Shepard (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) — at: https://disquiet.com/0508/

Many thanks to Robert Precht for having proposed this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0508-germane-shepard/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Entropy In 3,2,1 (disquiet0508)

My submission for
Disquiet Junto Project 0508: Germane Shepard
The Assignment: Use the Shepard tone to create a piece of music.
https://disquiet.com/0508/

Roger S (disquiet0508)

[disquiet0508] Sheepish

Time Has Stretch Marks

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.