Sprickor

For a second effort I took the track by Meccaniche del Suono and Krakenkraft (https://soundcloud.com/winterer/do-the-right-thing-meccaniche-del-suono-krakenkraft-disquiet0698) and added an electronic sequence.

More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/

Right, Left and Centre Things - with Meccaniche del Suono and Krakenkraft(disquiet0699)

composed and produced on 19 oct. 2025 for Naviar Haiku challenge 615


reminding me not to forget
a toad goes out
to the verdant world

by: Fusae Fubasami

https://www.naviarrecords.com/naviarhaiku615-reminding-me-not-to-forget/


naviar records
https://soundcloud.com/naviar-records

Guided Levitation - connections (naviarhaiku615)

"All he needed was to be left alone. Locked away, hiding in the shadows, with the piano, for an hour. Focused, sitting up straight, taking long breaths between each take. Playing more with silence and resonance than with the notes themselves. With one hand on the keys, and the other beneath the shell, plucking the piano’s strings like a heart forlorn."

From https://antonindebemels.bandcamp.com/album/la-douceur

Piano: Olivier Taskin
Recording, mix: Antonin De Bemels
Mastering: Yvan Hanon
Image: Stéphanie Paulus

LA DOUCEUR

Pendant ce temps

Depth Perception LP here:
https://ceruleanascent.bandcamp.com/album/depth-perception

Visuals here:
https://youtu.be/2r0WdKbZQlY

Backward Glance [Extended Edit]

The Assignment: Make music for a haunted spy film.

Step 1: It’s intriguing that the word “spook” regularly means “haunt” (verb) but also can mean “spy” (noun). Consider this.

Step 2: This project coincides with Halloween 2025, so imagine a spooky spy film, and write some music for it.

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

eye spy [disquiet0722]

My attempt at a suspense cue for an imagined film. 

I got commissioned to write a film score recently. It ended up being rejected but as luck would have it, shortly thereafter  Marc’s @disquiet assignment came up. So I had quite a bit of material left over from these sessions. I felt they fit the “spooky and tense” bill just nicely. So using these as a starting point, I proceeded to add and remove layers, and a bass synth makes a rare appearance here, as well. Hope you enjoy it!

More details at: 

The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/

Suspn_c. (disquiet0722)

Little song for Kjmunro haiku:

"The harp player
moves under cover
market day."

"Mercat" is the word "Market" in my language. This is my market of my little island.

Mercat (naviarhaiku618)

made for the haiku challenge #617 https://www.naviarrecords.com/naviarhaiku618-the-harp-player/

moving under cover (naviarhaiku618)

All synths, Blade Runner–inspired, cinematic electronic, melodic ambient synth music.
Composed and performed by Daniel Diaz – early November 2025
Photo by Yasin Arıbuğa
Synths by DD (from Geforce amazing oberheim synths  and from AAS collections)

Inspired by the haiku by kjmunro:
the harp player
moves under cover
market day


@Naviar-records @appliedacousticssystems @gforce-software

Undercover Player - naviarhaiku618

The brief for this week’s Disquiet Junto challenge noted how the singing of ‘Happy Birthday’ often falls apart around the name stage … This idea of musical collapse immediately made me think of Anglican church services, when the organ - along with those who are confident of the hymn being sung - sometimes falls into desperately trying to pull everyone along, never far from falling apart. In this piece, a recording I made of a service I attended a while back (which has its own backstory) becomes the material for electronic mangling and rhythmic snipping for my take on the idea of repeated collapse. It’s VERY far from being in the same league, but parts of the result remind me a little of Jonathan Harvey’s extraordinary Mortuos Plango, Vivos Voco (1980) - one of my all-time favourite electroacoustic masterpieces ... 


More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/.

more halF unusuaL

halF collapsE [disquiet0723]

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Right, Left and Centre Things - with Meccaniche del Suono and Krakenkraft(disquiet0699)

ray_cobley