Name: Sleeping Temple (naviarhaiku497) by ray_cobley in GodKingMajorLucre - Bout Stacks
Duration: 5 min 56 s
Description: An electronic composition, sounds created in Pure Data.

GodKingMajorLucre - Bout Stacks

in dream world
was I laughing at a turtle?
winter seclusion

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.


haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Todd Trapani https://unsplash.com/photos/ymEcUhbjCrI

Nawak

Turtle winter seclusion (naviarhaiku488)

Desolate street at dawn
Last night’s turmoil
Whispers in the wind

Haiku by Marco Sebastiano Alessi https://www.naviarrecords.com

street at dawn [naviarhaiku493]

2023-06-21

The Story Of Salvör

D-Uta

an excerpt of the intro of a song written by my good friend Dyniss from back in the day when we were in a band together (lead vocal - Dyniss, harmony - me). It's a good example of our vocal tandem when we sang together. 

Here is a cover of Dyniss's band covering "We Can Work It Out", with me on vocal lead: 
https://soundcloud.com/user-432503709/we-can-work-it-out-with-dyniss-vocal-mark?in=user-432503709/sets/singing-stuff

Here is a medley of Dyniss tunes recorded from our rehearsal sessions:
https://soundcloud.com/user-432503709/dyniss-ditties-bestest-bits?in=user-432503709/sets/compilations

For more about Dyniss, visit http://dyniss.com/

Live in the Studio

Less Than Me (intro harmony / song by Dyniss)

Crucifixion

Disquiet Junto Project 0601: Hard Six

L`idea di come creare/strutturare il pezzo è nata mentre stavo testando alcuni sequencers M4L, specialmente quelli che permettevano un buona randomizzazione, in modo da ottenere linee melodiche casuali non troppo scontate (https://maxforlive.com/library/index.php).
Il secondo passaggio è stato l`abbinamento di questi 6 sequencers a 6 strumenti diversi. Anche in questo caso ho preferito strumenti acustici dal carattere percussivo.

1) GenStep 1 + Synth1
2) Generative + Acoustic Piano
3) Pas à Pas +  Acoustic Piano
4) LBC Synplant + Surge XT
5) GenStep 1 + Matapiano
6) Doc Drunken Pitch + Ting (Percussive Instrument)

Step 2: Roll a single die for each of the six segments chosen in Step 1.

Abbinamenti (Relative presence = frequency of appearance):
Number 1 -- Group 6
Number 2 -- Group 5
Number 3 -- Group 4
Number 4 -- Group 3
Number 5 -- Group 2
Number 6 -- Group 1


The idea of how to create/structure the piece was born while I was testing some M4L sequencers, especially those that allow good randomization, in order to obtain random melodic lines that are not too obvious ,
(https://maxforlive.com/library/index.php).

The second step was the combination of these 6 sequencers with 6 different instruments. Also in this case I preferred acoustic instruments with a percussive character.

1) GenStep 1 + Synth1
2) Generative + Acoustic Piano
3) Pas à Pas + Acoustic Piano
4) LBC Synplant + Surge XT
5) GenStep 1 + Metapiano
6) Doc Drunken Pitch + Ting (Percussive Instrument)

Step 2: Roll a single die for each of the six segments chosen in Step 1.

Pairings (Relative presence = frequency of appearance):

Number 1 -- Group 6
Number 2 -- Group 5
Number 3 -- Group 4
Number 4 -- Group 3
Number 5 -- Group 2
Number 6 -- Group 1

Walking (Disquiet 601)

An electronic composition, sounds created in Pure Data.

Sleeping Temple (naviarhaiku497)

DELUSION  1

Disquiet Junto Project 0607: Silence Wave 
The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.


I used two stems of Norns awake recordings (heavyly altered). Every stem got four instances with Audiomodern Gatelab (via routing in Reaper). Gatelab configuration was reduced to 10 gates (just to make it easy) with one of ten gates activated (on a different location on every instance). 

So by blending in and out these four tracks I was able to increase the sound/silence ratio from 0 to 40 (times 2 stems, one for bass, one for head, both in sync) and back to zero. Some FX and panning to provide some roomish feeling. The construction is designed slower than the dismantling.

This all may sound like an engineers approach, but if I had not liked the result, I would have gone another way. The altering of the sound/silence ratio is not very granular (0-10-20-30-40 percent) and I may have calculated somehow wrong (somehow I have the feeling) but I think the perception is ok.

Bandcamp version:
https://krakenkraft.bandcamp.com/track/the-voids-in-the-walls-disquiet0607

--

More on this 607th weekly Disquiet Junto project, Silence Wave (The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music), at: https://disquiet.com/0607/

Thanks this week to Jason Richardson and Klaus-Dieter Hilf.

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0607-silence-wave/

disquiet23

The Voids In The Walls [disquiet0607]

Marco Lucchi : violin, piano, ring modulator and tape

featuring sounds from
https://soundcloud.com/marcolucchi/60-bpm-60-disquiet-0609-speed-limit?in=disquiet/sets/disquiet-junto-project-0609 
and
https://soundcloud.com/user-99036881/speed-limit-p1_disquiet0609?in=disquiet/sets/disquiet-junto-project-0609

for the current Disquiet Junto challenge

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM. Listen to the resulting material on the Lines discussion board and the SoundCloud playlist:

https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

8 settembre 2023

30 <---- 60 bpm [disquiet #0610] w/Debroc

Isker Pestle

At the Gate

10 Record 10

Atmo Idref O-p10

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Sleeping Temple (naviarhaiku497)

ray_cobley

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