Name: Temple Bells (naviarhaiku580) by ray_cobley in haiku #580: quiescence! / touching not the blossoms, / temple bell's voice
Duration: 3 min 4 s
Description: An electronic composition created using Pure Data with a little added echo and reverb.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #580: quiescence! / touching not the blossoms, / temple bell's voice

using 20 resonance tones I recorded on a toy piano and acoustic guitar, I've responded to this week's @naviar-haiku music challenge, of which you can find details about here: https://www.naviarrecords.com/haiku-music-challenge/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Extract of picture by Ming Han Low

bell's voice (naviarhaiku580)

Instrumental composed and performed by DD February 2025 using @gforce-software 's Oberheim OB-X, OB-E and DMX exclusively.

for this haiku by Fuhaku
quiescence!
touching not the blossoms,
temple bell's voice

Temple - naviarhauku580

This track was created for the Naviar Haiku group.
580
https://www.naviarrecords.com/naviarhaiku580-quiescence/

2025-02-14

Temple Bell's Voice (Naviarhaiku 580  )

Here's my musical resonance to this week's haiku from @naviar-records. 
A two-note bell ringing above a flowery meadow.

https://www.naviarrecords.com/naviarhaiku580-quiescence/

Thank you NAVIAR RECORDS.

Quiescence (naviarhaiku580)

An electronic composition created using Pure Data with a little added echo and reverb.

Temple Bells (naviarhaiku580)

Naviar Haiku 580 as inspiration had me deciding to use a piece of our life space, the bell from the haiku, then a deconstruction of ethereal and other temple meditation type aspects to try and get us deeper into the haiku's many mind space avenues it offers. To leave you in a meditation type moment and then the piece evaporates around you leaving you sitting in the temple again hopefully. At any moment where it could turn into a melody quite easily I turn it away to a new path endlessly throughout. Imagine you can see a fish swimming up a stream, constantly changing it's path, like a leaf in the wind. Right now we are on an excursion to the temple mind set..... experience in your stillness-meditation personal moment for as long as the song lasts.

Temple Bells Voice   Naviarhaiku 580   Entanglement Mooser a - 2_16_25, 8.53 PM

Composition pour le Naviar Haïku Music challenge 580.
Sur un haïku de Kawakami Fuhaku:

quiescence!
touching not the blossoms,
temple bell's voice

www.naviarrecords.com/haiku-music-challenge/


Temple quiescence

Createtd for the Disquiet Junto Project No 696: Chain of Layers

I used a C and 14 overtones in the harmonic series for my layes, and automated them to create chords, textures and rhythms. A touch of reverb on the 2bus to make it a little more enjoyable. 


The Organ Grinder Has Lost His Marbles [disquiet0696]

More on the 696th weekly Disquiet Junto project, Chain of Layers — The Assignment: Make music change by altering its layers — at https://disquiet.com/0696/

Chain of Layers [Disquiet0696]

slanting sunlight rays
a warm hazy afternoon
the forest to hear

Marc Sheridan is an ever-curious person who loves what is just around the corner: the unusual and the mysterious. Even everyday objects and scenes can always be viewed differently.

He is English but currently living in the US, and he always remembers what Ansel Adams once said, "You don't take a photograph, you make it." Marc believes that photography rewards him with a greater connection to everything around him.

Lately, Marc has been writing haiku, but he's not sure whether he illustrates his photos with haiku or reveals his haiku through photography.

He has been published in numerous magazines in the US and the UK and has exhibited up and down the West Coast of the US for the past 23 years.

Haiku and pic by: Marc Sheridan

Submission deadline: 14th May 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Warm Hazy (naviarhaiku592)

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

cloud and mist alike
rendered unnoticeable –
bright moon tonight!

Inawashiro Kensai (1452-1510) was a Japanese poet of the Muromachi period. He was a student of the famous renga poet Shinkei.

Haiku by: Inawashiro Kensai: https://collections.lacma.org/node/1015667

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF rendereD [naviarhaiku593]

Credits:

Daniel Díaz: ronroco & composition
Ángel L. Martínez: guitar & effects

This is the second part of a three-part Disquiet Junto collaboration.  This track is based on "Ronroco Idea 8 May 2025" by Daniel Diaz: 
https://soundcloud.com/daniel-diaz/ronroco-idea-8-may-2025

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Music for Ronroco & Guitar (disquiet0698)

Child in Time (A Cover, Revisited)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Temple Bells (naviarhaiku580)

ray_cobley

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