Name: Thought Takes Flight (naviarhaiku577) by ray_cobley
Duration: 7 min 4 s
Description: An electronic composition, sounds created using Pure Data and Audacity.

Thanks to Perry Yung who brought this lovely instrument back from the dead -- so great to be in relationship with her again. Thank you Perry https://yungflutes.com/

kyokusui

OJ KUMUŠKI, HALUBUŠKI

Music by https://soundcloud.com/marcolucchi 
Sonopoem and mixing by Ilaria Boffa
This piece is included in the work 'Intrusion' by the EAPS Collective.

+1
'I might embody the igneous bodies, carbon and non-carbon-based, forced through existing formations.
Settle like the dregs of the liquid left in thousands of bottles plasticizing the oceans.
I might recycle into non-recyclable thermal paper and coat with dyes and sensitizers and stabilizers and vaporise with heat. I’d roll.
Rolling and rolling, squeezing, a can, at each kick a bounce forward, future-ing. 
I can sense myself hovering, the +1 part per millions of CO2 trying not to take it personally and resent when you decarbonize and diminish me.
I can feel myself being tape, sticking things together, taping wires and mouths, un-taping, warping and buckling up.
I might emerge from a liquid solution, a precipitate, an insoluble solid suspension ejected and fallen at the bottom of a vial.
I might flat on the soil and bituminize to carry all steps on me and all of a sudden, tragically crack and let us plummet, crash.

Potrei assumere sostanza di corpi ignei, a base di carbonio o meno, spinti a forza attraverso
formazioni esistenti.
Depositarmi come fondi di liquidi rimasti in migliaia di bottiglie che plastificano l’oceano.
Potrei riciclarmi in carta termica non riciclabile e cospargermi di tinture e sensibilizzatori e stabilizzatori e poi evaporare per calore. Rotolerei.
Rotolare e rotolare, schiacciarmi, una lattina, a ogni calcio un balzo in avanti, futurizzare. 
Posso percepirmi fluttuare, la parte per milione di CO2 aggiuntiva, cercare di non prenderla sul personale e risentirmi quando decarbonizzate e mi diminuite.
Posso sentirmi essere scotch, scotchare le cose insieme, adesivare cavi e bocche, staccarmi, deformarmi e accartocciarmi.
Potrei emergere da una soluzione liquida, un precipitato, un solido insolubile, sospensione espulsa e caduta sul fondo di una fiala.
Potrei appiattirmi al suolo e bitumare per caricarmi di ogni passo e d’improvviso, creparmi tragicamente e lasciarci precipitare, schiantare.'

+1  (Ilaria Boffa & Marco Lucchi)

another contribution to the haiku challenge of naviar - inspiration hits hard theese times :)

Amongst the rushes,
a stillness comes over us -
Heron in winter.

            - roekin - 

heron on the rocks (naviarhaiku576)

Inspired by Night Note (@mmastalka) who incorporates nature like sounds in their compositions I thought would give it a try too.

This song is mostly a Korg Volca Drum with some Yamaha Bells added in. The Volca Drum is pretty powerful for such a small package. While it only has 16 steps in its sequencer it has the ability to add probability to each step so the pattern doesn't get too repetitive. It has the ability to play pitched notes and the only thing it is lacking is the ability to play pitched notes via midi in its multi channel mode.

Amonst the Rushes (naviarhaiku576)

All the sounds in this track are derived from original recordings of small hand bells.
More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Cracked Bells (disquiet0682)

An electronic composition, sounds created using Pure Data and Audacity.



Thought Takes Flight (naviarhaiku577)

This was my contribution for Disquiet Junto Project 0682: Unring a Bell. The Assignment: What if you could?

Here’s a copy of my post on the Disquiet Junto 0682 discussion thread on Lines:

My interpretation of un-ringing was based on bell tones morphing and unraveling into other sounds. Initially tried to create this soundscape in Ableton Live but nothing seemed to click. Finally settled on using a small modular system for production. 

Put together a Morphagene reel in Adobe Audition using bell samples as well as atmospheric sounds from freesound.org. The patch routing went from Make Noise Morphagene, Bastl Ikarie, Holocene NLMM, and finally a Make Noise XOH out to an audio interface to Ableton. Manually played Morphagene as the composition progressed. Recorded and deleted multiple versions, till I was finally satisfied with this one. Added a bit of delay and reverb with Valhalla Supermassive. Bells photo by Shaouraav Shreshtha via Unsplash.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Bells Unraveling [disquiet0682]

2025-04-19

reconciliation

“When Small men begin to cast big shadows, it means that the sun is about to set.”  ― Lin Yutang

Track list and start times:
00:00  Angel Bat Dawid & Naima Nefertari – Neptune Desert Sounds
03:04  Loo(p)cy – Still Here Tonight
06:43  John Hyatt and Tom Hyatt – I had a Dream where I was a Raven
10:09  La Main Traumatique – Inverse Circulaire
16:19  Keijo – Anywhere Here
21:17  Philippe Petit – Humanum Est
24:58  Steve Roach & Vidna Obmana – The Current Below
34:02  Pacha Wakay Munan & Orieta Chrem – Agua, Cuarzo y Viento
39:04  Zoe Keating – Legions (Aftermath)
45:18  Syrinx – Turning
53:35  Adi Newton – Intercepted Quantum Entanglement Transmission
1:00:19  Jochen Arbeit – Skates (pt2)
1:09:43  Noise Research vs Fonik – Electricity Never Underestimate It
1:15:12  Michael Giles Mad Band with Keith Tippett – Why Not
1:20:22  Paul Leonard-Morgan – Ma-Ma's Requiem (from ‘Dredd')
1:23:40  RicHard – Déjà vu
1:28:27  Angel Bat Dawid & Naima Nefertari – Nabta Calling
1:30:16  Susan Matthews with Clutter – Ships Will Leave
1:38:55  Patricia Gurband – Unbreak
1:42:32  Richard Bégin – Juin 1831
1:48:24  Paul Leonard-Morgan – The Sacred and the Profane
1:52:37  Roger Roger – Rhapsody In Green II Luxuriance (excerpt)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eclectic current – Calculations in collapsing space

All I Gotta Do Is Act

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Thought Takes Flight (naviarhaiku577)

ray_cobley

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