I started by recording a couple of modular feedback patches, with a loose goal of generating steady, slowly animated tones. A Doepfer BBD delay was used as a hub to process a mix of droning pulse waves from two VCOs—the result of which was fed back into the delay. The BBD also outputs CV that corresponds to manually set controls as well as input CV signals, and this was used to modulate other patch parameters in the feedback loop.

The output was split to a crossfader that was sent to a handful of filters and another delay with a long interval—the idea here was to create a bit of slow movement to keep the timbral/spectral qualities in slow motion. 

I stacked a couple of sections of the drones together in Ableton, and layered in parts of a recent recording Tides (in chord mode) being granularly processed with Nebulae v2. This created some mid-higher frequency 'blooms'. Also added some simple granular processing in Ableton that was spread wider in the stereo field. Lastly added in some looped field recordings that introduce some higher frequencies and textures that I wanted to include.

– • — • – • — • – • — • —

Disquiet Junto Project 0611: Music That Listens to Itself

The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com. Tickets: eventbrite.com 1. About the venue: berkeleyalembic.org.

(...)

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: www.eventbrite.com/e/expanded-list…ts-712124101357 1

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…-listens-to-itself/

Pulse Animation • [disquiet 0611]

Disquiet Junto Project 0611: Music That Listens to Itself
The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com 1. Tickets: eventbrite.com 3. About the venue: berkeleyalembic.org 1.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0611” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0611” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. About 10 minutes maximum is best, and probably no shorter than three minutes.

Deadline: This project’s deadline is the end of the day Monday, September 18, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 14, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

Memory of a loss - disquiet0611

This track was inspired by the Disquiet Junto Project 0611 and was created with the intention to leave the impression that the music is listening to itself: After some considerations the music is repeating itself, like somebody who is whistling a short tune he has heard on the radio. In this case this are just some notes played by different classical instruments.

The title is inspired by the concept of spontaneous combustion featuring in the TV series "X Files".

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357 3

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Spontaneous Selfinspiration  (Disquiet0611)

At SPILL Festival's Think Tank in February, 14 of us co-created an audio visual collage using the letters and poetry of Edward Fitzgerald (audio version here: https://soundcloud.com/leonclowes/something-of-a-queer-nature). This opened Jan Pulsford's Woodbridge Ambient Music Festival 2023 (https://woodbridgeambientmusicfestival.net/) on Friday.

Never one to let any scraps of sound materials go to waste (you should see the hoarding on my Google Drive), I took tiny fragments of sounds we recorded at SPILL (including the recorder playing by @kate-gallaher) and made this piece this week. I'm really rather pleased with it. Clever little thing, Logic Pro X. I call mine Larry: what do you call yours?

This is my response to this week's @naviar-records haiku challenge. Such an encouraging and kind community that Marcus puts a great deal of time and love into, and it really shows. I'm so grateful to have these weekly email prompts, listening back I'm so pleased with what I've taught myself and learned from others.

Here's the information about this week's @naviar-records haiku challenge:

summer sky…
rippling the silence
a watersnake

Janice Doppler spent her writing energy on grant proposals and curriculum development during her career as a teacher and school administrator. Retiring enabled her to develop her creative self—carving realistic birds from wood and nature journaling.

Her heart was captured by haiku during a senior-center workshop that she attended on a whim. Her haiku and haibun have been widely published. She placed second in the Porad Haiku Award in 2021 and 2022. Her collection, Stardust, is available on Amazon. You can read samples of her work at The Poet Hub.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 27th September 2023

Haiku by Janice Doppler https://poets.drifting-sands-haibun.org/first-name-starts-with-j/janice-doppler/

Picture by Jackson Hendry https://unsplash.com/photos/kKpTHqM2K-c

(In fitting with how I made this piece, I've taken fragments from the picture and haiku for the image and title.)

Summ Rippling (naviarhaiku507)

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Summer Sky/ Watersnake (naviarhaiku507)

Accompanying visuals @ https://youtu.be/9aO6lLyPCMo

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

Haiku by John Hinks https://soundcloud.com/flownblue

For more information on the Naviar Haiku Challenge: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF blesseD [naviarhaiku508]

More on this 613th weekly Disquiet Junto project, Test Drive (The Assignment: The Assignment: Do something you’ve been meaning to do), at: https://disquiet.com/0613/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0613-test-drive/

Davion (disquiet0613)

One aspect of the track I contributed last week was using multiple sounds to create varying rhythmic patterns. This week's track produces changing rhythms using a single sound with inbuilt threefold delay.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

Triple Trouble (disquiet0614)

Grainy vs Gritty.

Made with Polyend Tracker and Yamaha Reface CP.

More on this 616th weekly Disquiet Junto project, Definition Jam (The Assignment: Explore, in music, the nuanced differences between two closely related words), at: https://disquiet.com/0616/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0616-definition-jam/

Little Pick (disquiet0616)

two seahorses
dancing in seagrass
slivers of sunlight

Corine is an author, haiku poet, publisher, visual artist, designer, and animal lover who’s been participating in our Haiku challenges for the last three years. You can find more about her poetry and music on her Soundcloud and Facebook profiles

Two seahorses dancing (naviarhaiku516)

Visit jsmatteson.com for more.
Video: https://youtu.be/0ydO7KnHcfw

Bifrost (JSMatteson)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Triple Trouble (disquiet0614)

ray_cobley