ulrich langenbach / barbara weiss / tuesday 2.1

This week, I made a drone in D with three oscillators and Rings.
These are processed through lubadh, clouds, various delays and reverb, with lots of modulation, including rhythmic elements which come in later.  I started out with one tone and then gradually introduce and adjust the elements so the drone slowly dances.

More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

Disquiet0631

More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

One Move (disquiet0631)

Video of this being performed here: https://vimeo.com/909526148

Weeks of Songs

L-Amp [disquiet0631]

sound art for disquiet0631

The calamus is the pointy end of a feather that lies beneath the skin of the bird.

broken instruments and hand-held sound sculptures were played with the pointy ends of different feathers.
recorded with contact mics, no effects, just EQing.


More on this 631st weekly Disquiet Junto project, In a Silent Waveform — The Assignment: Take one held tone and make it dance slowly — at: https://disquiet.com/0631/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

calamus (disquiet0631)

This track was created in answer to the Naviar Haiku challenge 526.
Details of the challenge can be forun at: https://www.naviarrecords.com/haiku-music-challenge

The main texture of the track wad made with a combination of the probabilistic synth Ongaku along with a drone layer created using Points And Lines. The various percussive sounds were added by passing contact recorded sound to Substrata for physical modelling. 

All three are from Giorgio Sancristoforo, informaiton can be found here: https://www.giorgiosancristoforo.net/softwares

Additional swooshes were added via a small virtual modular patch created with VCV Rack.

The owls are all from Freesound; https://freesound.org

owl_hooting_000102_0145S3 002-070 000-002 007-015,
owl_hooting_000102_0145S3 002-070 000-002 037-044 and 
owl_hooting_000102_0145S3 002-070 000-002 068-074
by Gerent
owl by Anthousai
TAWNY OWL in calm Environment-natural reverb by BlueDelta
Tawny Owl in Molkom, Sweden. by Marcuspepsi and
Owl Hoot by Breviceps
All are released under the CC0 license.

Moonlight Shadow - (NaviarHaiku-526)

To the beautiful collaboration of @tunelight and@ActorNetwork,https://soundcloud.com/tunelight/disquiet0637-2of3-take5-w-actor-network, I added some electric piano.

Travelling (Disquiet 638)

An electronic composition, original sounds created in Pure Data - both a response to the haiku & an elegy for John Hinks.

Wide-Arching - for John Hinks (naviarhaiku536)

finding time 20 bpm take 1 12425

On a dark evening at Santa Croce Bastion (While Renzo, The Cat, silently looks at me)

shifty 2.1 sy 15 bpm take 1 72425

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Wide-Arching - for John Hinks (naviarhaiku536)

ray_cobley