Petite fanfare (flutes, trombone, basson, cors, saxophone, tubas) + piano et synthétiseur au final. Humeur joyeusement farfelue. Composition "indie" classique/alternative.
-
Visuel  : Between Earth and Air
Musique : Pascal Regnaudin
Licence : CC.BY.ND (2025)

Variation

lyrics

What is this life
Is their a bigger meaning that loves me
Loves me with all his might

Wait for me please
Wait for me please

I'm trying hard to catch up
My brain can't comprehend
The things of yours 
I'm trying 
I'm trying

Wait for me
Wait for me please
Wait for me
Wait for me please
Wait for me please
Wait for me please
Wait for me
What is this life
Is there a bigger meaning
Love me
Love me with all

no more

wait for me

The label "Techno KAT" that scouted me broke up and I became a "ronin" (356)

👿💀🚗💥⁂©All Rights Reserved 07-2025
©Mixer, Mastering, Special Effects, Pro License & Creator: Lady ElectroTrek
***

Hell On Foot

Wild-Eyed & Growing Stark Mad

Wild Eyed & Growing Stark Mad

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective.
Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his really cool psych synth part in the two bridges. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style.
This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.

Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground
there’s a journey that I’m on and the path is uncertain
the magic fades when you pull back the curtain

Wherever you go I will follow
there’s always another tomorrow

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow


Wherever U Go (Eclectic Collective)

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

Heliosphere Trip (2025)

Illuminated Dreams

hello friends, since I'm taking a break from german lyrics, I'd like to try something I know nothing about that will probably backfire: english lyrics (I wish I were just a fraction as talented as my fabulous friend terry reeves). 

I've chosen an instrumental piece I wrote 13 years ago as my very first upload to soundcloud under the name roth whyler. at the time, I had in mind the story of a woman who remembers the love of her life to whom she never confessed her feelings: her boyfriend's girlfriend. I had the machine create a playback based on my original piece as a test. after heaps of attempts, the result expressed such weird chaos of emotions that I left everything as it was. 

why bluegrass? because I just massively love the longing way of its dealing with 3/4 time.

©music & lyrics written by Hans-Michael Albers. Backing tracks and vocals by suno.4.5+

hopefully reasonably correct english:

Did you know that I loved you?

I am walking down Shepherd’s Alley
Yet I know that dreams never last
Every step will tell me a story 
After millions of stories have passed

Since those days when life felt like dancing
To the sultans of Friday night’s swing
As we raced through times full of madness
In the loop of an endless spring

You and Davie, me and Sebastian
Two and two, an immortal four
Til there was a growing sensation
Ever harder to ignore 
Such an overwhelming emotion
Never felt such before
While it got evermore

Did you know?

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Things went on and we finally broke up
All our dreams sank into the past
Only one remained, never gave in
Still too strong to ignore 
Still an overwhelming emotion
Never felt such before
Will remain evermore

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

I will always, always do.

Did you know that I loved you?

Angel Aura Dust

https://youtu.be/5OIx0WwKgzQ

Naviar Haiku 316 inspired me to pursue a Bladerunner theme.  I did my best to write something worthy of the movie's soundtrack and in line with this goal is 18 tracks, all made with U-He Tyrell N6.

Over the years, this song has taken on other meanings, and often reminds me of scene, created in my mind by a passage in a Piers Anthony Xanth novel. The Brain Coral, a character in the 2nd Xanth book, Source of Magic, had the ability to suspend beings in its preservative fluids for eventual release later in history. To this point, the theme of the song has changed, in its video form, to a peek into the Brain Coral's underwater cave.
https://youtu.be/5OIx0WwKgzQ

1st Time for Everything

From a Lighted Finite Vantage

From a Lighted Finite Vantage (NaviarHaiku316)

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

From a Lighted Finite Vantage (NaviarHaiku316)

Raymond Stull