Deadline: 30th November 2022

All submissions to Haiku 464:

https://www.naviarrecords.com/2022/11/23/naviarhaiku464-from-the-mist/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #464: from the mist / a boat for cutting reeds in the morning / has begun to emerge

It’s that time again

Piano Explorations [8]

from the mist
a boat for cutting reeds in the morning
has begun to emerge

haiku by Mizuhara Shūōshi https://haikutopics.blogspot.com/2006/05/mizuhara-hana-no-ame.html

picture by Ricardo Gomez Angel https://unsplash.com/@rgaleriacom

For more information visit http://www.naviarrecords.com/about/naviar-haiku

framed Hegel

halF emergeD [naviarhaiku464]

This track was created for the Naviar Haiku group.
464 week haiku

https://www.naviarrecords.com/2022/11/23/naviarhaiku464-from-the-mist/

2022-11-24

From The Mist ( Naviarhaiku 464 )

Responding to NaviarHaiku of the week, based almost entirely on a short recording of plucking and bowing violin strings- resynthesized and manipulated entirely  in Metasynth

Harvesting Reeds in a misty River

Harvesting Reeds in a Misty River(NaviarHaiku464)

An edited original field recording made locally.

A Boat Emerges (naviarhaiku464)

Acoustic piano, classical guitar, bowed bass, infra-bass, electro-acoustic soundscape.

For this poem;

from the mist
a boat for cutting reeds in the morning
has begun to emerge

haiku by Mizuhara Shūōshi 
picture by Ricardo Gomez Angel

From The Mist (naviarhaiku464)

In the Myst of Others

In the Myst of Others (NaviarHaiku464)

2Dec22

https://soundcloud.com/boson_spin/sets/looking-through-different

:D

Looking through different windows [part 8]

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

02 Ulgedrugle (2009 - 2022)

Such sights [9]

“Ganzfeld: imposing a uniform space over the entire visual field. By altering your sense of sight you deprive your brain of sensory input. It begins to improvise. This may produce disturbing hallucinations. Some researchers also believe it also enables extra sensory perception.”

Made in AUM on IPad. No keyboards harmed in the making of this piece.

Ganzfeld Effect

Rebirth

Unleashed Together

Billion with a B

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

In the Myst of Others (NaviarHaiku464)

Raymond Stull

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