great, echoes of Rick Wrigt here, so nice...

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku/

All submissions to Haiku 373:

https://www.naviarrecords.com/2021/02/24/naviarhaiku373-a-lost-child-crying/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #373: A lost child crying / stumbling over the dark fields… / catching fireflies

Immense collection of sixty orchestral tracks set in frozen and glacial environments, covering a wide range of moods, intensities, and focuses, and serving as the perfect companion for documentaries and any other content set in Arctic or glacial regions. Whether for playful moments on the ice, majestic views of icy panoramas, adventurous expeditions among glaciers, or capturing the beauty of wildlife in extreme cold, this album provides a vast array of soundscapes to bring frozen worlds to life, helping to shape narratives, enhance visuals, and capture the many sides of the planet's coldest realms.

Frosted Soul

Orquesta épica y atmósfera Souls-like: la calma de la aldea inicial se mezcla con la sensación de aventura que está por comenzar. Compuesta y producida por David Funes.

⸻

Epic orchestral music with a Souls-like atmosphere: the calm of the starting village blends with the feeling of an adventure about to begin. Composed and produced by David Funes.

El viaje empieza en la Aldea de los pies firmes

bandcamp

The Dreamscape

Rough piece on the mandolin for this afternoon. You can even hear some sloppy fingering - proof that it's not generated by a computer (although...).
In French, "arbre à palabres" refers to the tree under which people gather to discuss, debate or listen to the village sage. It's a tradition usually associated with some African cultures but you've probably seen it somewhere else - people talking under the shade of a tree.

Perso

Arbre a palabres

L'arbre à palabres

Original by T-Rex 1971.
PJ : Drums, bass & mix
PdB : vocal & all other instruments

Get It On, W/PdB Orchestra

morning light
the first blossoms of spring
bloom over-night

haiku by Morikawa Kyoroku http://chevrefeuillescarpediem.blogspot.com/2018/11/carpe-diems-leafless-tree-3-morikawa.html

picture by Jill Dimond https://unsplash.com/@jilldimond

For more information visit http://www.naviarrecords.com/about/naviar-haiku

oval fright hen

halF overnighT [naviarhaiku367]

More on this 476th weekly Disquiet Junto project — IAH Forecast (The Assignment: Here’s your next single’s cover. Now record it.) — at:

https://disquiet.com/0476/

The image that is the source of this project is by Robert Boyd (www.thegreatgodpanisdead.com) and has been used with his permission.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Houston Doppler Sketch [disquiet0476]

This track was created for the Naviar Haiku group.
372 week haiku
naviarlab.tumblr.com/

2021-02-19

at the sight of the sea.. (Naviarhaiku 372 )

One traveller,
Wakes another traveller,
At the sight of the sea.

The Haiku Foundation is always a rich source of inspiration. I immediately fell in love with this poem by Choshi, included in R.H. Blyth “Japanese Satirical Verses“. For those of you who are not familiar with the difference between haiku and senryu: the former tends to be about nature, while the latter refers to some aspect of human nature or emotions. Their structure is similar.

I couldn’t find any information on Choshi online, so here’s what R.H. Blyth said about our haiku of the week:

“We have here a clear example of the difference between haiku and senryu. The sight of the sea in the early morning makes someone wake up a fellow traveller. But what remains in our minds is not the sea glittering in the morning sunshine, but the shaking and awakening of the traveller by someone who hardly knows him from Adam. We feel the kinship of the men through that one touch of nature.”

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th February 2021

haiku by Choshi  https://thehaikufoundation.org/book-of-the-week-senryu-japanese-satirical-verses/

picture by Pawel Nolbert https://unsplash.com/@hellocolor

Troubled travel [naviarhaiku372 - One traveller]

This track was created for the Naviar Haiku group.
373 week haiku
naviarlab.tumblr.com/

2021-02-25

a lost child crying ( Naviarhaiku 373 )

A lost child crying
stumbling over the dark fields…
catching fireflies

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

For more information visit http://www.naviarrecords.com/about/naviar-haiku

mans bullfight

halF stumblinG [naviarhaiku373]

Orchestral samples, solo cello and synthesizers

For this haiku:


A lost child crying⠀
stumbling over the dark fields…⠀
catching fireflies⠀
⠀
Poem by Yoshida Ryusui (1691-1758).
Photo by DD (Paris, 2020)

The Dark Fields (naviarhaiku373)

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd March 2021

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

Lost firefly [naviarhaiku373 - A lost child crying]

l ll lll ll lll ll lll ll lll ll lll ll lll ll lll

Naviar Haiku 373

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd March 2021

haiku by Yoshida Ryusui https://www.poemofquotes.com/famoushaiku/ryusui.php

picture by Annie Spratt https://unsplash.com/@anniespratt

Illuminating Shapes (naviarhaiku373)

https://youtu.be/PiB9D6IH4pQ
Naviar Haiku 373

A lost child crying
stumbling over the dark fields
catching fireflies

1st Time for Everything

The Dark Fields of Fear and Joy

The Dark Fields of Fear and Joy (NaviarHaiku373)

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

The Dark Fields of Fear and Joy (NaviarHaiku373)

Raymond Stull

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