20230710_digital_paths

I took this cloud photo last week whilst sitting on the beach in the early morning attempting to gather my thoughts, just before work. I had just captured a field recording of the sea when I noticed this cloud looming above the cliff edge, so I’ve chucked that in here too for good measure. 

I wanted to somewhat try to capture the mood I was in when I noticed the cloud. 

In response to the prompt I used:

Free image to MIDI Max for Live device in Ableton - to turn the cloud photo into midi data

https://tomcosm.gumroad.com/l/ZiGjZ

(White areas of cloud photograph image were rendered as absences of MIDI data i.e. 0s)

Probability gate on a Kontakt Irish Harp freebie VST I picked up recently which I'd been curious to try out and the prompt seemed as good a time to do so as any. I don't normally used sampled instruments much but this one was quite fun to work with. The multiple probability gates helped to make the rendered image to MIDI data less dense and more listenable to:

https://maxforlive.com/library/device/6982/mm4l-probability-gate

Disquiet Junto Project 0604: Heaven’s Gate
The Assignment: Use a picture of the clouds as a plan for adjusting your sound.

Step 1: Think about the use of a gate in music production. A gate can be described as an “on/off switch, allowing signals over threshold to pass while muting everything below.” (It’s likely that discussion will occur during this project regarding useful explanations of the concept.)

Step 2: Take a picture of some clouds.

Step 3: Think of how to interpret the clouds as a model of a gate.

Step 4: Record a track employing the approach you determined in Step 3 using the picture from Step 2.

I took the cover photo in Ashland, Oregon, earlier this year; no filters were employed. Regarding the title, I’m a Michael Cimino admirer.

Source: https://tapeop.com/interviews/33/noise-gates/ 2

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0604” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0604” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How fast are those clouds moving?

Deadline: This project’s deadline is the end of the day Monday, July 31, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, July 27, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

Cumuliform disquiet0604

release date:04/11/2023   
 naviarhaiku513 – a black dog

a black dog
transformed into a lantern!
the way in snow  
Author unknown, this week. According to The Penguin Book of Haiku, this poem was first published in 1765 in the pamphlet Yanagidaru I. 
Haiku di: Auto senza nome (dal libro dei pinguini di Haiku e Yanagidaru I)

La Via Nella Neve (naviarhaiku513)

11Nov23

My naviarhaiku514 submission;
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/
:D

watch how the fallen blossoms carpet the water [naviarhaiku514 ]

A track for the Naviar Haiku Challenge; 7 days to write and record a track in response to the haiku posted. Although I don't really listen to Chopin much, there is a definite influence in this one.

Stare Back At Me With A Smile (naviarhaiku515) - Adrian Lane

Naviar Haiku 515

Last bloom before autumn
Stares back at me with a smile
My younger brother

John Wright is a drummer, producer, and regular participant in our music challenge. A few weeks ago, John participated in our latest haiku workshop on Discord, and here’s one of the poems he wrote recently.

To participate visit https://www.naviarrecords.com/about/naviar-haiku

Haiku by: John Wright  https://soundcloud.com/thgirwnhoj

Picture by: Katerina Kerdi https://unsplash.com/photos/silhouette-photograph-of-forest–YiJvbfNDqk

The Last Bloom

The Last Bloom (NaviarHaiku515)

A simple melody played on acoustic guitar, felt piano and fretless bass.
Some orchestral chords (treated) acn be heard in the background.

Composed on an ukulele sitting alone on a sunny winter day on the beach at Marina di Pescoluse, Puglia, Italia.

Recorded in Paris, November 2023.
For this haiku:

two seahorses
dancing in seagrass
slivers of sunlight

Poem by Corine Timmer
Photo by David Boca

@naviar-records
@corinebicadeideias

Soliloquio Pugliese - naviarhaiku516

Made for Naviar Records' 518th Haiku Challenge

Before the deluge (naviarhaiku 518)

Around The World With Maushroome

Derealization on the peak

e repeated theme with interludes...kopuz takes the lead melody mostly...kind of jazz; kind of pop; kind of rock...

RunDeep

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

The Last Bloom (NaviarHaiku515)

Raymond Stull