Deadline: 10th April 2024

All submissions to Haiku 535:

https://www.naviarrecords.com/naviarhaiku535-come-outside/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #535: Come outside! / we can almost touch / the spring moon

A      119

Your Mix 2

#handpan #ableton #electronic #artist #solo #chillout

Resonances

Here is a rendition of the first theme I ever came up with on my AsaChan. 

You can buy my full EP, 'A New Beginning' here: https://samanthaarcher.bandcamp.com

AsaChan ChanDhra 'New Beginnings'

Getting lost in the darkness

The Drifter

This piece was 'composed' by Wotja, using the haiku text below as a seed to generate the melodic lines ...

Come outside!
we can almost touch
the spring moon

Haiku by Nakamura Teijo: https://en.wikipedia.org/wiki/Teijo_Nakamura

More information https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF touchinG [naviarhaiku535]

This track was created for the Naviar Haiku group.
535
https://www.naviarrecords.com/naviarhaiku535-come-outside/

2024-04-04

Come Outside! (Naviarhaiku 535 )

I drew from a series of piano recordings I made in 2021 at Round Chapel in Hackney to respond to this week's @naviar-records haiku challenge. 

Here's the poem and more information about the challenge:

Come outside!
we can almost touch
the spring moon

Nakamura Teijo was a Japanese poet from Kumamoto. A great admirer of Sugita Hisajo, she started writing haiku poetry in 1918, when she was eighteen. In 1934 she joined the prestigious Hototogisu magazine and, in 1940, published her first poetry collection, Shunsetsu 春雪. In 1947 she launched a magazine called Kazabana, which she edited and supervised until her death, in 1988.

The title 'touch' is taken from the haiku above by Nakamura Teijo
The image is a small section of a picture by Vino Li
Submission deadline: 10th April 2024

 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku535)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

touch (naviarhaiku535)

An electronic composition, sounds created in Pure Data.

Lunar Illusion (naviarhaiku535)

6Apr24

My naviarkaiku535 track;
https://naviarlab.tumblr.com/post/746740502319218688/naviarhaiku535-come-outside
:D

we can almost touch the spring moon [naviarkaiku535]

Naviar Haiku 535

Come outside!
we can almost touch
the spring moon

Nakamura Teijo was a Japanese poet from Kumamoto. A great admirer of Sugita Hisajo, she started writing haiku poetry in 1918, when she was eighteen. In 1934 she joined the prestigious Hototogisu magazine and, in 1940, published her first poetry collection, Shunsetsu 春雪. In 1947 she launched a magazine called Kazabana, which she edited and supervised until her death, in 1988.

Haiku by Nakamura Teijo
Picture by Vino Li

The Moon in Passing

The Moon in Passing (NaviarHaiku535)

JIM ANDERS_ Ende

SeaShea (Chris O'Shea) contributes atmospheric and lead guitar to the catchy, positive and upbeat 'Counting Thursdays'.

@chris-oshea-3

Counting Thursdays   ft.SeaShea

Flowers

Farewell

The Listen Program - Immersive Soundscape V is the second last of six tracks which accompany "The Listen Program". The track features the natural sounds of South Africa. Two electronic sound files are part of the piece and features the flute. The piece is designed to assist the listener to find a sound they wish to focus on and practice "The Listen Program". The process helps to create focus, reduce stress & anxiety or to quiet the busy brain. 

Enjoy the sounds and remember "there is always more music coming!"

With thanks to: 
BD 8.WAV by PinkHouseMusic -- https://freesound.org/s/507844/ -- License: Attribution 4.0

The Listen Program - Immersive Soundscape V

Immersive Listening II

Hello my dear friends! With great pleasure I’d like to present to you my first collaboration with Franck C Production (aka Franck Charles) — a wonderfully talented composer and musician. You can listen to Franck’s incredibly beautiful cinematic and orchestral music here: @franck-charles-676082884

«So Enjoy Every Moment» is our collaborative work based on my existing solo piano piece. I am deeply grateful to Franck for adding so much heavenly beauty, magnificence and brilliance to my original composition! It has been a great honour and joy to collaborate with Franck.

Thank you so much for listening to this music, and we genuinely hope that you will enjoy it! 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Franck Charles

So Enjoy Every Moment (Ft. Franck Charles)

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

The Moon in Passing (NaviarHaiku535)

Raymond Stull