@limousine-dream
TSOL: The Sound Of Limo
https://go.limousine-dream.com/linkinbio

Studio Masterclass: www.nug-net.com

Booking: dave@sweatlodgeagency.com

bright companion clouds and dark vortices | curated by https://soundcloud.com/whipnotiq

neptunianinfluence@gmail.com 

02.01.25 | NI presents The Book of Drexciya
05.25.24 | NI Detroit Brunch: Journey's End
05.27.23 | NI Detroit Brunch
05.28.22 | NI Detroit Brunch
05.25.19 | NI Detroit Brunch
05.26.18 | NI Detroit Brunch
05.27.17 | NI Detroit Brunch
*TBA | Neptunian Influence in the Park, LBC

Is it reality or is it an illusion? With Neptune, it is hard to tell. Neptune's influence reaches further than the ordinary senses, so there may be aspects of extrasensory perception at work. Illusion, fantasy and dreams are the playing field here, and the spirit is the primary force. Leading to all things mysterious, Neptune's watery depths are associated with dreams, visions, and the imagination.

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


https://warehouserave.bandcamp.com/

https://warehouserecordsuk.com/

Email - warehouse_rave@outlook.com

John Dimas is a truly versatile artist.

Influenced by the underground clubs of Thessaloniki, where he started DJing as a teenager after moving from Albania, it was only a matter of a few natural steps, guided by his unique way of mixing different musical influences to be playing for big, music savvy crowds inside hotspots like DC10, Amnesia, Watergate, Rex Club and Fabric.

Dimas has established himself as a highly respected selector and producer known for his deep knowledge of music. His sets always include obscure cuts that even the most avid music fans have yet to discover. “I like the art of telling a story, and giving lots of different dynamics to keep things interesting,” he says. “I don’t like to be predictable with the records I play and love to surprise the crowd.”

On a release front, he’s maintained a steady output since his 2010 debut, pushing a futuristic fusion of techno and house that is clever, energetic and infectious. Based in Berlin since 2012, his eclectic taste in music is evident when we look at his productions released on established labels such as DJ Hell’s International Deejay Gigolo, Raresh’s Metereze and most recently on Francesco Del Garda’s Timeless imprint. Dimas also runs Elephant Moon, a record label with which he aims to support new talent. The label does not accept demos, instead Dimas searches for young, emerging artists himself and mentors them throughout the process. Here he also released his 14-track LP “One Against Time” in 2018, a well executed and varied album showcasing his full artistic range.

In 2020, he launched a second imprint SYNQ as well as Intermission Records with Voigtmann to release their debut album “Internal Transmission” for their collaboration VOIGT.MAS. 2020 also saw the revival of Dimas’ other pseudonym, Secret Universe, a cross-genre electronica project formed in 2016 for the release of his first album, an ambient expedition also titled Secret Universe.

Booking contact: calvin@outofthewoodsartists.com 

Since 2004, Alin Crihan has been quietly crafting his skills in the fields of productionand dj-ing. Born and raised in Targu-Mures, a small, quiet town in the heart ofTransylvania, the seeds of his passion for music were planted from an early age, taking various shapes and forms.

A turning point came in 2009 when he moved to Bucharest, where he continues to grow and evolve into deeper and more experimental territories. Debut releases came in early 2015 on labels such as Naural and Sammy Dee’s Ultrastretch. Over the last 20 years, more than 60 12” vinyl releases carry Alin’s name in one alias or another, either as Crihan or as his alteregos Discret Popescu or Modest Ionescu.

Behind the decks you can catch him playing in lineups that include Petre Inspirescu, Raresh or Rhadoo and also Zip, Valentino Kanzyiani, Konstantin, Maayan Nidam and many more, in various venues from his adoptive Bucharest at clubs like Guesthouse or festivals like 3 Smoked Olives, Sunwaves, or placesacross Europe like Club der Visionaere or Robert Johnson, and many more acrossthe continent as well as in North and Central America, North Africa or the near or far East.

razvanconstantin is following