Hyperion

Buy iTunes: https://itunes.apple.com/album/timescales/id710468838
Buy Beatport: http://www.beatport.com/release/timescales/1163088
More Info: http://deco.fm

Hey everybody! Here's a full stream of my new album Timescales, out now in stores worldwide. You can check out the entire thing here for free, if you want a downloadable version you can find it at your preferred retailer or at the links below.

Thank you so much to everyone who has been supporting me, my label, and my music over the past several years -- this truly would not exist without you.

Beatport: http://www.beatport.com/release/timescales/1163088
iTunes: https://itunes.apple.com/album/timescales/id710468838
More Info: http://deco.fm

Musical Family

Jamie

A new album is coming this year, until then, I'm going to start releasing free odd bits and ends for you guys. Here are 5 free tracks that were never officially released. 

Buy (name your price)

ESKMO - B-SIDE - Our Lives

Tycho - Awake (Remixes)
Ghostly International
January 15th, 2016

Purchase now: https://ghostly.lnk.to/tycho

1. Awake (Com Truise Remix)
2. Montana (Christopher Willits Remix)
3. L (Dusty Brown Remix)
4. Dye (Nitemoves Remix)
5. See (Beacon Remix)
6. Apogee (RJD2 Remix)
7. Spectre (Bibio Remix)
8. Plains (Baio Remix)
9. Montana (Few Nolder Remix)

TYCHO. DJ SET. TOUR DATES.
02.10 Denver, CO @ Club Vinyl *
02.11 San Diego, CA @ Bang Bang *
02.12 Tucson, AZ @ Gem & Jam Festival 
02.13 Los Angeles, CA @ Exchange LA * #
02.16 Miami, FL @ Bardot *
02.17 Washington, DC @ Flash *
02.18 Brooklyn, NY @ Output *
02.19 Chicago, IL @ The Mid *
02.20 Detroit, MI @ Populux *
03.04 San Francisco, CA @ 1015 Folsom w/ Nitemoves, Dusty Brown
03.05 San Francisco, CA @ 1015 Folsom w/ Few Nolder, Christopher Willits

* - w/ Nitemoves
# - w/ Autograf

Tycho - Awake (Com Truise Remix)

Ghostly and Rush Hour have teamed up to release select tracks for a 12” white label version of Full Circle Remixes. The reinterpreted material is taken from the Brooklyn-based artist’s 2010 debut full-length Full Circle. It features an impressive international group of artists taking their tools to Shigeto’s originals including Dublin / NYC beatsmith Mike Slott (LuckyMe), LA’s Take (Alpha Pup), London-based Om Unit and Brainfeeder’s Samiyam. The result is a vital exploration of Saginaw’s ever-growing catalogue as well as an essential companion to the artist’s multi-faceted Full Circle.

Microcosmos (Rush Hour Exclusive)

New Ikonika, due out on Hyperdub on Vinyl EP and Digital 25th of August

Preorder from Itunes

Ikonika - Praxis (Taken From Position EP 25/08/2014) Hyperdub

Camille Mandoki aka Billie Mandoki has dedicated a great part of her short life to feeling. And still, Camille, at 23 years old, is only beginning to get a feel for herself and her voice in her music and surroundings. And that voice, without doubt, is one of the greatest privileges a young artist could possess. It’s also clear that Camille thinks, develops, explains, questions and executes before singing or playing her piano. Her music triggers emotions that overflow in an unsettling calm that can drown and submerge in one’s own being. There are slow spaces and a voice bigger than she. Her search for honesty, in her music and her voice, is absorbed and coughed up at the same time, translating to her work. Maybe Camille’s music directs us to question all those aspects we are not so often directed to delve into willingly. 

“I have often found myself delving in feelings for too long, questioning them to the pit. You can lose yourself at the utmost bottom of a question, and spiral to the point where you’re actually obscuring your answers. But I guess something always draws me out of that place. Sometimes this means recognizing parts of you we’ve unfortunately learned to reject. That can be painful,” explains Camille to illustrate a possible approach to the music she produces. 

Camille Mandoki was born in Los Angeles, California and has lived in Canada, New York, Maine, Israel and Mexico, where she now resides. She’s been experimenting with sound recording since she was 16 years old. And besides brief encounters with musical studies, the majority of her work has been intuitive and self-taught. The result of this musical search has brought her to gothic folk terrains explored by Nico, the once upon a time singer of The Velvet Underground. Her music also reminds me of the voice of Jarboe in Swans and the drifting moments created by Liz Harris in Grouper. Just by listening to one of Camille’s latest tracks, “I may be at fault”, one can sense that her musical exploration, in Camille’s space and time, is a brief eternity. It is not the call of a lost siren; it is Camille trying to say something. 

But how do we explain these beautiful abstractions Camille’s music has reached? In rock, these impressions are now more easily assimilated by the public. The same goes for electronic music. But Camille’s music comes from a constant exercise in honesty, the simple need to share sensations. “These spaces or moments I look for have taught me to pay a different sort of attention to things. Time can unravel things very organically but we lack the patience for this nature. Sometimes I find myself moving much slower than everyone else. I like slow; it can be really beautiful. But sometimes it’s hard not to become isolated when you’re moving at such a different pace. There’s a quiet sadness in that. There’s a secret desire of belonging when I write,” says Camille, openly.  

The important is yet to come. Because though Mexico City offers certain contexts and situations for Camille’s music, the truth is that the city does not know how to listen. Mexico needs to learn to foment and grow a talent like hers, in spite of the dreamers and the optimists that live there. The rest of the world is open, maybe. And while that moment comes, Camille Mandoki will keep writing songs. “I have about 50 unfinished songs that have undergone some drastic changes in style, but there is a constant that the same derivatives have helped me mature and I almost feel I have enough of those constants to complete a whole piece of work I can feel proud of,” Camille explains with beautiful enthusiasm. 

Written By Ejival

Played on BBC Radio 1 by Skream & Eats Everything
http://www.bbc.co.uk/programmes/b0495c2g

Jaymo & Andy George - History Of Bass Track
http://www.bbc.co.uk/programmes/b048bbhr

Played on BBC Radio 1 by Mary Anne Hobbs
http://www.bbc.co.uk/programmes/b049jpsz


Billie Mandoki - I may be at fault (AntiGravity Remix)

Download: http://www.xlr8r.com/mp3/2014/08/shadows-rising

Download

Curses - Shadows Rising

The Beginning

Read more on THUMP http://thump.vice.com/en_ca/track/christian-lffler-brings-introspection-to-the-club-with-york

@christianloeffler 

Christian Löffler - York

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

Buy on iTunes

DADRAS – Yuppie Scum

Silver by Caribou

NAVVI - Sol

Angel Echoes (Caribou remix)

Taken from 'Iteration' LP by Com Truise, out June 16, 2017.

The Ghostly Store: goo.gl/55BeQk
The Ghostly Store (UK/EU): goo.gl/1qp5Q4
Retailer of your choice: Ghostly.lnk.to/comtruise-iteration

Hyperion

RbRz