deactivate the synchro-osc-drive core, engine cool down sequence check

one of your best, still love this feels, amazing wow!

Great produced work, amazing instrumental play, melody and atmosphere!

Wow.. Cant explain the feels i get from this.. Travel.. Beach.. Airport.. Alcohol.. Chill.. Girls... Wow.. Bikinis.. Its the best track I think, that you have ever done man. Sun.

this track builds up an euphoric tension i cant put words on

Disconnected

Fat bass, nice sounds in the background and minimalist set - not too much, not too little - just right. Hear it loud 😉

Percussionata

‘in principio creavit Deus cælum, et terram’
Travel Stories.
2025 semi-live performance.

I started producing Trans-Lunar Injection (https://soundcloud.com/petrus-major/trans-lunar-injection-travel) before learning of Jim Lovell's passing. The initial reference was simple: I was inspired by Kraftwerk's TransEurope Express (thanks to @fhauna for spotting this reference) and I wanted to travel through space :) hence the chosen theme and title. I finished the track after Lovell's passing.

The Apollo VIII epic had a huge impact on me, even though I was young at the time, as had those of Apollo XI and the others, of course. So my little dedication was sincerely necessary.

Then I wanted another version, more streamlined, and above all focused on the Apollo VIII mission with this extraordinary message sent from lunar orbit, including the reading of the first verses of the Book of Genesis by each crew member, on Christmas Eve, December 24, 1968, during a television broadcast: a magnificent event within the event! (I might come back to this later).

Sorry for this long introduction...

Tools :
Pam’s, Marbles.
- DFAM > Data Bender > FX Aid (#27 reverb hall medium).
- Drum2 (noise crush) > DSP (leslie speaker).
- Polygogo > Monsoon (clouds mode).
- Plaits (vowel and speech synthesis) > Sisters.
- Basimilus.
Ochd, Diode Chaos, Rnd Step.
Tetrapad, 3x MIA, Mutes.
StMix, Black Stereo Mixer, Listen IO.
Apollo 8 Genesis reading: https://commons.wikimedia.org/wiki/File:Apollo_8_genesis_reading.ogg
Transcript (and more information): https://en.wikipedia.org/wiki/Apollo_8_Genesis_reading
Recorded, mixed and mastered with Logic Pro.

Associated image : Petrus Major.

TLI Genesis RMX [travel stories]

something is wrong

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

D/ Optimism Against Their False World

Noise Floor

Gain Stage

My first solo song in a little bit…


Cover art by Henk Monster, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

Antarctic Dark

A scrapy little house track with a focus on over saturation and quirky grooves.   This track rides a balance between upbeat and moody to make listener bob with the crumbling beat and swing with the wonky chords.  This track is an idea I have been kicking around for some time, where the saturation is almost greater than the elements themselves which makes for an interesting (albeit kinda harsh) sound.  It's another short one, but rest assured I have some full-length tracks in the works.  

Scrap Chow - Amin 120bpm

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

They bend beneath the grammar of shapes,
their spines spelling out the circle’s weight,
the triangle’s sharp silence,
the unfinished mouth of the arc.
On the striped earth they move like broken metronomes,
measuring a rhythm only the sky remembers.
It is less a dance than a translation
flesh carrying the burden of thought
bodies turned into symbols,
symbols turned into prayer.

Redesign

RDT

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