Official page for Eric Prydz, Pryda Recordings, and Mouseville Records.

Contact:
marc.thomas@redlightmanagement.com
max.necus@redlightmanagement.com

Purchase 'Bigger Than All Of Us' on vinyl/CD: https://aboveandbeyond.ffm.to/biggerthanallofus.pbt


Above & Beyond, or Jono, Tony and Paavo as they are better known to their legion of fans around the world, have been at the forefront of electronic dance music for two decades. 

Founders of the iconic Anjunabeats and Anjunadeep record labels and hosts of a weekly radio show (Group Therapy Radio) that reaches millions of dance lovers every Friday, the trio have also earned two GRAMMY™️ nominations for anthems 'Northern Soul' feat. Richard Bedford and 'We're All We Need' feat. Zoë Johnston. 

Above & Beyond's enviable list of sold out shows includes headline performances at historic venues like Madison Square Garden NYC, The Hollywood Bowl, The Sydney Opera House, Royal Albert Hall London, Red Rocks Amphitheater and record-breaking turn outs at their own festival events on LA's Huntington Beach and at The Gorge Amphitheater in Washington State.

Label heads at @World-Famous-Headquarters

Bookings: will@sleepinggiantmusic.com // All other inquires: griff@potentialfun.com

Promos / demos: worldfamousheadquarters@gmail.com

Gordon Huntley & Erick Muise joined forces as Botnek back in 2008 in Halifax, Nova Scotia through a shared love for house music. With a shortage of inspiration in the form of nightclubs and generally an unlikely scene for the quiet seaside Canadian town, Gordon & Erick bonded over Ableton tips, dance music blogs and late night radio shows on BBC Radio 1. Soon after forming a strong friendship through similar musical interests, the project was formed, which led to a string of releases with a number of up & coming fidget & electro house labels. The guys landed a couple of key remix opportunities from this early buzz around the project from names including Crookers, AC Slater, Felix Cartal & Jack Beats. In this first chapter of their careers, the duo toured first in Europe and Asia, in clubs such as Fabric, Sub Club, and Bootshaus.

It wasn't much longer until Dim Mak Records & Steve Aoki were interested in signing the project to the label. From the signing to Dim Mak came a number of singles & EPs, tours in America, and their viral edit of Martin Garrix’s hit “Animals”. The duo gained far more attention from this than ever expected, and started the next chapter in their career. Shifting styles into more main stage ready Electro House and Big Room, the duo began touring internationally. More singles for Dim Mak followed, along with another viral remix.  This time for The Chainsmokers' “#SELFIE”, which really put Botnek on the map. Collaborations with Zedd, 3lau, Loudpvck & Snails soon followed as well as an even heavier touring schedule. Since then, Botnek have toured the globe in almost every continent, have played on some of the biggest festival stages in the world including Tomorrowland, Ultra Music Festival, Coachella, Electric Daisy Carnival & more, and have done a Las Vegas residency with Steve Aoki.

Almost a decade later, in the summer of 2017, the Botnek boys reached a major turning point. The once dance music class clowns felt an urge to evolve their sound; to shift the project away from the festival Big Room sound, and back to the roots of the project.  After years of touring, both Gordon & Erick realized they had almost subconsciously stopped creating the kind of music that had originally fueled the formation of Botnek in the first place, all those years ago in Halifax. It was time for the next chapter in their careers and they decided to take a leap. They released a song called "Don't Need U" on their own independent label imprint World Famous Headquarters. The track had the quirky house sound they bonded over when they first met and shared such a deep love for. From there, the duo has released a number of tracks in this musical vein, each one a deeper dive back into the diverse & ever-expanding world of house music.

In 2018, Botnek decided to take things a step further with this World Famous Headquarters imprint by launching a monthly radioshow. They launched World Famous Radio in partnership with SiriusXM’s Insomniac Radio, as a sort of homage to the radio shows they first loved on BBC Radio 1. After fully realizing the amount of talent existing amongst their peers and the next generation of young producers, the guys opened up the doors of the World Famous Headquarters label to outside artists for the first time in the fall of 2018. The label's sound will consist of Botnek's filter of wacky house music inspired by those early fidget & electro house days Gordon & Erick are still so inspired by today.

V FOR VICETONE
MUSIC + TOUR DATES 🔥
https://linktr.ee/vicetone
Management: mgmt@vicetone.com

For Global Bookings (ex Asia):
Josh Haygarth - josh@activetalentagency.com

For Asia Bookings:
Sam Slade - sam@supermodifiedagency.com
Press Enquiries:  mgmt@vicetone.com

Denver-based producer ILLENIUM is one of the most successful crossover electronic artists today, topping the U.S. dance charts, garnering over 10 billion streams and headlining the world’s top festivals. 

Following his 2016 debut album, ‘Ashes,’ ILLENIUM broke into the mainstream via his 2017 album, ‘Awake,’ which includes his classics "Crawl Outta Love," "Fractures" and "Feel Good," with Gryffin ft. Daya. A critical and commercial success, ‘Awake’ topped the iTunes Top Electronic Albums Chart in 12 countries with +100M streams. 

In 2019, ILLENIUM released ‘Ascend,’ his third full-length album and his major label debut. As one of the biggest electronic releases of the year (+1B collective streams), the album topped Billboard's Top Dance/Electronic Albums chart and secured a Top 20 hit on the Billboard 200. The album includes the hit tracks "Takeaway" with The Chainsmokers ft. Lennon Stella, "Good Things Fall Apart" with Jon Bellion, "Crashing" ft. Bahari, "In Your Arms" with X Ambassadors and “Take You Down,” which chronicles his past battles with drug addiction. 

Recognized as one of Billboard’s Top Dance/Electronic Artists of the 2010s, ILLENIUM brings his dynamic music to life via his live show, which has dominated festivals like Coachella, Lollapalooza, Bonnaroo and EDC. His 2019 Ascend Tour, which featured a five-piece live band, sold out landmark venues like Madison Square Garden (NYC), STAPLES Center (L.A.) and three consecutive nights at Red Rocks Amphitheatre (Denver).

hawksfan420@gmail.com
Positive music, with positive messages,I think of myself as a conscious rapper and want people to be motivated and uplifted from a dark place onto a positive path.

Mgmt: info@pegboardnerds.com
Booking/Shows:  North / South America & Australia - cory@thehellogroup.com 
Europe: - info@pegboardnerds.com
Rest of World: robb@supermodifiedagency.com & rory@supermodifiedagency.com

N/S America - david@circletalentagency.com
ROW - paul@primarytalent.com
Management - malea@theneuegroup.com

After much success with his previous moniker, Stupid Fresh, producer Chris Elliot started his his solo project "Nom De Strip" in 2009. Chris has since gone on to release many underground hits, and more recently has put out two acclaimed EP's - Clouds EP Vol 1 and Vol 2 - as well as an official remix of Tommy Trash’s ‘Monkey See Monkey Do’. All these tracks finding their natural home on deadmau5's highly successful mau5trap label imprint.

Nom has been hailed as one to watch by industry heavyweights such as deadmau5, Tiesto, Swedish House Mafia, Wolfgang Gartner, Tommy Trash, Dada Life and Dirty South. The producer was greeted with massive support from deadmau5 in 2012, leading to a string of remixes under the mau5trap label. Recent key tracks include ‘The Nothing’, 'Swagnum P.I.', and a remix of mau5's ‘Channel 42', both tracks having a meteoric impact online.

In 2013, he signed an exclusive deal with Chris Lake’s Rising Music label. With his forthcoming and eagerly anticipated collaboration with Hatiras called “Nippleodeon” as well as collabs with Chris Lake, TJR, and Nezzo to name a few, Nom De Strip is no doubt one to watch.

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