Hello, music lovers... Welcome to Episode 59 of the Re-Ex podcast! Join Jaz as she selects some of her favourite tracks coming through https://repostexchange.com , covering a range of genres and styles. Also featuring an interview with one half of UK-based rock & electronic storytelling duo, The Chronicles of Manimal and Samara...

Re-Ex members should keep their ears open for directions to our Black Friday special offers!

All episodes are now available on Spotify & iTunes!

iTunes: https://podcasts.apple.com/gb/podcast/the-re-ex-podcast-the-freshest-music-on-the-planet/id1462895235

Spotify: https://open.spotify.com/show/2c9WM6PVgx4UCFQXbUA62w?si=zlbVt0ZwQtSTaMQou9fYZA

TRACKLIST:

[INTRO] Prevalation - Holy Mystery @andrew-lochner-123972783
Caedmon Rigby feat. Grafezzy - Never Be The Same @caedmonrigby
Mist'riiii - Thug Tears @mistriiii-music
Chris Baynes feat. Cozy - Up All Night @cbdbt
***CHART RUNDOWN***
Blu Attic & Jujh (feat. Radhika) - Forever (for now) @bluattic
Electronic Ghost Machine - Let's Get Into It @electronicghostmachine
Mike Goodfellow - Before The After @mike-goodfellow
***INTERVIEW WITH TCOMAS***
COMBSTEAD & Robert Grigg - Groove times Two @markcombs-928282858 @robert-grigg
The Chronicles of Manimal and Samara - Count The Dead @tcomas
Girl.frm.Venus🛸 - Crashing/Brickwall @user-44084535
Adele - Easy On Me (Henry Himself Remix) @henry-himself-bootlegs

Re-Ex Podcast Episode 59: with The Chronicles of Manimal & Samara

Ich experimentiere genre mit Sounds und Klängen. Meist kommt etwas heraus das sich nicht wirklich in ein Genre pressen lässt, aber es macht Spass.

Rockstar vibes 🤘🎸.
I LOVE MY FANS 💯❤️.
For my fans are my DMs open 🕶.
Instagram / Twitter :Podemcloud

I hope everyone is feeling my stuff 🙏.
🎶🔊🎶
🥳

#music #musician #beats #beat #trap #trapbeats #trapbeat #hiphop #hiphopbeats #hiphopbeat #party #clubmusic #dj #rave #edm #hardcore #hardcoretechno #techno #gabber  #rock     #SCFIRST

 https://open.spotify.com/artist/1VQ2UnDDLfeKZloAw9C0Wc?si=E6kJZTkIRImQaGQ9ZsriEg

Melodic House and Techno / Progressive House / Organic House / Deep House / Techouse

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

RepostExchange is the home of up and coming talent on SoundCloud, helping artists grow and develop through supporting each other and sharing audiences. The Re-Ex community consists of over 400k artists and labels at all levels. 

Our podcast features some of the very best music coming through the platform, covering a range of genres and styles. You won’t hear this music anywhere else!

Get involved at https://repostexchange.com

So you might be wondering who am I and where did I come from. Let me share you a brief story. My name is Offspring Mysterious, I have 4 other life forms, all of them are my family. The 5 of us combined, we're called Walking Onslaughts. We are a very talented group of many fields, music is one of them, while the others consist of graphic designs, content creator, modeling, cosplaying, story writer and teller, little bit of dancing, and comedy. With our art, you'll see our adventures we're currently exploring. One thing about us, our adventures never end. Here's another fun fact, if you take a gander in my beats descriptions, you'll see our stories about how did we became who we are today. Now I gotta dutch, I hear another avenue that hasn't been explored, take care.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Electronic Ghost Machine is experimental electronic with Breakbeat, DnB, and techno influences

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