Brood

Jose Macabra Soundtrack 3d video Kimatica Transcendence National Gallery

taken from the forthcoming 5LP / 5CD box set "Electroacoustic Works" celebrating Iannis Xenakis' 100th anniversay on May 29th, 2022. 

Newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest, mastered by Rashad Becker.

Out in January 2022

IANNIS XENAKIS - Mycenae Alpha

D-Cay Animation Test Audio

Jose Macabra, Sammie Joplin and Jasmine Lead rehearsals and sound experimentation.
Summer 2011
There is something in my T 

*BROOD YOUR DADA* (Summer Demo 2011)

vinyl:   https://honestjons.com/shop/label/Mana      
digital: https://manarecs.bandcamp.com/album/de-leon     
info:     http://manarecords.com/004 

Gamelan and capoeira in dub. The collective behind this doesn’t like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years.

They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all delivered with an impressive commitment to anonymity and clarity of vision through cut-and-dried aesthetic minimalism.

These six pieces of music seem formed from wood, metal, air. Dramatic, balletic flourishes and tightly woven interlocking patterns are embedded in slowly changing and "live" atmospheres. The shadow of a hand over the mixing desk makes gradual adjustments to alter the pressure and dimension of the space.

A number of tracks first appeared on De Leon's set for Blowing Up The Workshop in February 2016.

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi

De Leon

De Leon - B1

info: manarecords.com/003

Out June 2018.

Alternatively banging and evasive, exhausted and unglued. Stepping along the rim of the silver screen. Diptera takes a near electro-acoustic approach to the DNA, texture and pressure of UK Garage with a debut release on Mana comprised of four tracks. Obsessively written over four years and teeming with material detail.

The duo's musical collaboration operates like a relay. Initial tracks made by Activist DJ — short sharp affairs focused on swung drums and darkside — are passed on to Wesley to be broken apart, tinkered with, and slowly refigured into more anxious and impressionistic musical forms, etched with intricacies and mixed fidelity. The result is a distinctive and resourceful excavation of hardcore at its most agile.

A fly on the wall may face some adversity, so if you imagine a human hand in basic swatting motion, maybe you will also couple the image with an evasive manoeuvre of some sort; usually there is a moment of hesitation where the human is unsure whether their aim was true. "Did I catch it?"

Mastered and cut at D&M.
Distributed by Honest Jon's, London.

Art by Gustavo Eandi, with direction from Diptera and Matthew Kent.

Diptera - Silver

Site specific piece recorded in Teufelsberg (The Devil's Mountain). 
Minimal editing, recorded inside the largest radar reflexion beacon situated in Grunewald (West Berlin) for future 8.1 piece.
This piece is  Brood's sonic representation of the history of this man made mountain and N.S.A. spy base.

2010

The Devil's Mountain

The Ministry of Defence in the UK has developed mind control methods using a sonic weapon.  The Department of Science Technology lab influence thoughts and control dreams of their adversaries.  The sound waves infiltrate the brain to disrupt normal thought patterns and lead the victim to execute actions decided by the government.

the largest organization in the world that openly research mind control weapons and torture methods is the United States of America government. http://www.bbc.co.uk/news/world-us-canada-41077339

My question is, if you were dealing with a government that developed mind control and used this technology to engineer behavior in a subject, would you not disclose this openly to the public to save the millions of innocent lives that are at stake? How could you possibly control and use mind control


Aural mind control is known to be effective for espionage campaigns against ally and adversarial states.  The sound waves operate at a frequency which uses alpha and gamma waves.  Espionage operations using speakers and audio are known to have existed since the 1980s.

Voice impersonation has become a technology of surveillance and cybercrime. There are many video files on YouTube of apparent online video tutorials in regards to voice synthesis. Other software, such as smsMachine have been used to create new voices and sound alike.

These people were no expert in voice synthesis. But if you watched the video of them saying “hey”, you could hear what sounded like them saying “hey”. Their voice quality wasn’t perfect.

D-Cay Animation Test Audio

REACT