I recorded this on 9/6/2014, here at home, right before me and bassist Mike Pell were supposed to go to my friend Pauls and watch football. In a blistering 5 hour session I recorded it and took it to Pauls. My intent was to piss him off with this sacrilege. I succeeded, as he was quite upset when he heard it! He says Ronnie would be rolling in his grave! Mission accomplished! Enjoy!! It was meant as a parody of this Rainbow classic.

Man On The Silver Mountain  - (Diaz, Vocals, Guitars, Bass)

“Why would I kiss a boy just to get hurt. Plant a living flower on this dying earth.” - Laufey

© HAZMAT STUDIO 2018  all made with Cool edit
ITS ALL RAW.. Very little PRODUCTION VALUE. Max 6 tracks 
I DO NOT ASSEMBLE MY MUSIC.... I PLAY IT.
YOU WILL HEAR LITTLE MISTAKES.... IT'S PLAYED ALL THE WAY THROUGH.... NOT BLOCKS OF  8 OR 16 BEATS OF PRE-SAMPLED MUSIC ASSEMBLED BY SOFTWARE... I HAVE ELEC/ACOUS GUITARS..... ELEC/ACOUS BASS..... THE DRUMS ARE PLAYED THE WAY YOU WOULD PLAY PIANO..... ON MY KEYBOARD... ITS NOT BAD AT SOUNDING REAL...  I GUESS.. BUT I CAN PHYSICALLY PLAY BEATS.. NOT USE MUSIC SOFTWARE..CUZ I DON'T HAVE A DRUMSET.... JUST GET ME BEHIND ONE ..... I PLAY IT ALL FROM START TO FINISH... NO CUT/PASTE BULLSHIT..... I ATE ALL THE PASTE....  MY COMPUTER JUST RECORDS WHAT I PLAY.  AND I MIGHT EQ IT A BIT SO THE INSTRUMENTS BLEND TOGETHER..   ONE FULL TRACK/INS. START TO FINISH..  MOST ARE 4 OR 5 TRACKS.   ENJOY 
ROCKnROLL 
p.s im not trying to put down or talk shit about dj guys or elec. guys... i get it...i prefer to do it like this cuz its a more physical representation of what i have in my head....   i know it sounds weak ass...i wish i could record these tunes with a band....it would sound so much better and there would be more then just me playing...  other peoples musical talent shin'n through.

TBR channels the intimate aesthetic of a solo artist, then puts it through a high-gain filter of grunge and metal. Forget polished studios—TBR delivers a raw, home-brewed sound that captures the grit and energy of garage rock. It’s heavy music with a personal conscience, offering a visceral commentary on modern life and political angst into potent, riff-driven anthems.

TBR’s sound is built on a powerhouse foundation, born from a bass player’s driving, ballsy rhythm section. This core energy is an adrenaline-fuelled blend of trad rock, hardcore punk, and thrash metal ferocity, which later exploded into diverse territories of cutting-edge alt rock and raw acoustic folk. No matter the evolution, that inherent metal edge and electrifying power remain the uncompromising heart of their sound.

However, the true TBR journey ignited during the pandemic, born from a burning need for authentic passion. Disillusioned by cover bands and playing others' songs, reflection forged a new path: the undeniable drive to create something truly their own.

Dive into the powerful debut album, Random Acts!
Forged over 10+ years, this album is a compelling collection of songs that masterfully merges a folky foundation with the raw energy of grunge and garage rock. Experience a sound that is both distinct and timeless, a strong and proud debut standing as a powerful statement from TBR.

However, what came next was the sophomore album; On The Surface. This is not easy listening. This is the sound of breaking points and breakthroughs, a sonic exorcism that rips through years of pain and reclaims the wreckage. On The Surface is an unflinching self-reflection, a time capsule of necessary growth and the tough, brutal road required to finally take control.

The music is a visceral assault, a lo-fi powerhouse that bleeds Grunge's grit, Thrash's fury, Sludge Metal's weight, Garage Rock's swagger, and Post Hardcore's intensity. The influences are worn proudly, but the resulting sound is uniquely its own—raw, self-produced, and pulsating with authentic, untamed energy.

This album weaponizes fear, anger, and self-depreciation, forging them into a liberating and transformative experience. It is the best form of therapy available, a testament to enduring the darkness to find the light. Prepare to face the void and emerge, finally, on the other side.

Get ready for an authentic, impactful musical journey that defines the core of TBR's unique artistry.

Well I have reached my upload limit here! There are 48 songs to partake of. Here is my new account, just click https://soundcloud.com/real-diaz-ii  It has been a great ride on this first account. I produced over 50 songs and am still uploading more on my other account.! You are welcome to browse the rest of my catalog using the link above!----I am a Los Angeles local, born and raised, Metal, Rock, Progressive, Folk, Lead/Rhythm Electric/Acoustic Guitarist, Bassist, Keys, Singer, Songwriter and Producer. I am "Real" Diaz and have been writing and producing music for over 30 years!

I have a slew of recordings, and was the leader of the bands "Scrotos" and "Gremory" in the 90's along with fronting the acoustic project "The Peekers" with Mike Pell on Bass guitar. After the 90's I helped form Zenbugi having recorded, produced and performed with them between 98 and 2000. Currently I am focusing on jazz and metal.

I have seen the greats perform in my lifetime, from Pink Floyd to Miles Davis, J Page & R Plant, Black Sabbath, Aerosmith, Jethro Tull, Peter Gabriel, Genesis, Iron Maiden, Dio, Scorpions, Journey, Allman Bros, Deep Purple, Boston, Rolling Stones, David Bowie, NiN, Pantera, Napalm Death, Sepultura, Carcass, Ravi Shankar, Beck, Clapton, Grateful Dead, Bob Dylan, King Diamond, Slayer, and hundreds more. My musical memory banks are like a rock/jazz encyclopedia.

I am available for collaboration, session work, live performances and instruction. I produce from my home studio in Echo Park, CA.

Man On The Silver Mountain - (Diaz, Vocals, Guitars, Bass)

Real Diaz