Linktree : https://linktr.ee/handsome.tiger
CAD Bookings : grant@midnightagency.com
Other : handsometigermusic@gmail.com

Handsome Tiger, an Anishinaabe Métis and North African music producer/DJ hailing from Turtle Island and currently based in Vancouver, BC, blends traditional sounds from his heritage with other Indigenous and contemporary electronic bass music.

https://lnk.to/DonMalaa "Don Malaa” OUT NOW!

Management : 
steve@​guess-​agency​.com
marion@guess-agency.com

Booking:
North America: cchapman@paradigmagency.com
Europe: paul@primarytalent.com

Who is Malaa?
Twitter : https://twitter.com/Malaamusic
Facebook : http://bit.ly/MalaaFB

Psychedelic Mathletes, pushing boundaries. 

Red Giant Project fuses original electronic production with live instrumentation, soul, blues & world funk.  

“Combining the sounds of neo-soul and hip-hop with experimental bass and additional electronic elements make Red Giant Project an expertly crafted body of work..a classic feel to it yet is injected with fresh, new-age production that makes it truly memorable….dips into many genres, allowing it to take on a life of its own ...If you love funky electronic music and want to get down and dirty on a makeshift dancefloor, then this is unique album is one you definitely need to listen to.” - EDM Identity

“Red Giant Project thrives in live shows, especially festivals. Onstage, they show off some of their instrumental weapons, including John Avery on tenor sax, Tah Rei who plays a vast assortment of unique instruments, including the Piccadilly baritone sax, various clarinets, and the Theremin. Plus, when available, Rolling Stones’ sax player Karl Denson who’s also featured throughout the recorded album, will join in on the live show. All the sounds and voices of Red Giant Project hold their own while blending in immaculate sound production...at their shows, they can play up to 90-minute sets without breaks, making the performance a true experience. The sound starts off psychedelic and then takes off for other realms.” -Source Magazine.


“Red Giant Project has an interesting sound that can truly be described as experimental....the Album digs into all ends of their sound, with a range of styles and variations as you move through the tracks...they continue to forge a new path in music and create beautiful and intentional works of art.” -  Hip Hop Weekly. 

It’s fresh yet Mature. Live, yet premeditated. An authentic collection of different abilities, maximized, within a vast detail of sound-design.

First nations, Black Foot Indigenous Dj, producer and member / co creator of our beloved PastelCartel Crew

Bringing you mixed genres suited to the vibe and occasion varying from Throw backs and flips, 808 bass, straight gangsta shiit, Amapiano, dancehall/latin/funk and blissed out downtempo sunrises.

Born and raised on the Sunshine Coast, BC Canada.

Music to fuck to, music to fuck with.

Please email management@gangwarily.art to book Smasheltooth for parties and events.


OTHER MIXES FOR DOWNLOAD NOT AVAILABLE ON SOUNDCLOUD:
Silent Frisco on WestCliff, Santa Cruz: http://www.mediafire.com/listen/b1081bgd3ofxnog/Silent_Frisco_Smasheltooth.mp3
Year of the Smasheltooth Tiger: http://www.mediafire.com/?8bzz2neqi4n2afh
Too Hard for the Fucking Raindance: http://www.mediafire.com/?glfuj53ze80vj94
Too Hard for the Fucking Radio: http://www.mediafire.com/?8e2hbif9wq5ek11

Smasheltooth Sightings:
Please visit www.smasheltooth.com for event info

There once was a dreamy-eyed lass and only punk rock and hardcore could make her shake her ass. One day she was walking around the block when she heard a boombox play hip hop. She started dancing and yelling YAAAAY but fell over and landed in a pile of dancehall-reggae. Reggae covered her eyes and face when she meandered into a basement playing drum and bass. This music made her dance and shake her back until she thought she'd have a heart attack. Then an unknown mysteriously deep bass sound led her into a secret room where dubstep was abound. Deciding she'd already fallen in love with enough musics in this one day, she finally went home and had dreams of getting thizz faced and riding the whip with Mac Dre. 

Going stoopid doo-doo dumb on the stage with the likes of Too Short, E-40, Mistah F.A.B., Rappin 4 Tay, Girl Talk, Freestyle Fellowship, and more, Smasheltooth intends to integrate inner-city raps with privileged producer slaps and spread musical butter over rumps across the globe in the name of Furl! Yadadaholla?

I make purpose popular. #gettwistedsundays
BKG: tobenwigwemusic@gmail.com
CLICK FOR EVERYTHING
linktr.ee/tobenwigwe

For bookings inquiries: bookapplecat@gmail.com

"A Revolution without dancing is not a Revolution worth having"

Internationally acclaimed electronic musician, and vocalist: AppleCat was raised on the West-Coast of Canada, specializing in Deep Dubstep, Fairytale Bass, Trap, and with various World influences. 

On the dancefloor she weaves a mystic underworld vibe - stating that her intention is " to have us all come out the other side moved in some way - the kind of movement that is far beyond being solely physical."

Grime and poetic grace, with live mashup & reworks, AppleCat blends cinematic sound, with primal bass. This cosmic booty bouncing dubwitch sets bend the perception of "genre" exemplifying her unparalleled "je ne sais quoi.”

AppleCat is a main focus of a feature documentary about women in electronic music. ‘Amplify Her’ was released worldwide in 2017 (http://www.amplifyher.com/).

She was recently featured in DJMag and has performed her act all around the world, including venues/festivals: Burning Man, Rifflandia, Enchanted Forest Gathering, Evolve Festival, Halifax Pop Explosion, and Electric Love Festival. She has shared a stage with Truth, Seven Lions, Zeds Dead, David Starfire, Emancipator, PhuturePrimitive, Bluetech, Clozee, The Polish Ambassador, A Tribe Called Red, Tipper, Govinda, Random Rab, An-Ten-Nae and
many more

What's next for this Sultry Fruity Feline? Stay tuned this is only the beginning.

"Music is a possession that I desire no exorcism from. " - AppleCat

From the enchanted forests of BC’s West Coast, Mews was raised in the paws of festival culture. Infused with an insatiable curiosity for music since her youth, she recognized her calling early on, a desire to share her melodic magic with the world.

Her sonic palette is a fusion of diverse bass music primarily rooted in the UK scene where she now resides. From 140 to Garage interwoven with elements of R'n'B, Hip-Hop, Rap, Afro Beats and nostalgic anthems from her formative years. With a knack for dissolving genre boundaries, Mews orchestrates a symphony that moves both body and soul, promising an enchanting journey of earth-shaking bass and heartwarming melodies.

Now a beloved fixture on stages across Canada, the UK and beyond, she brings her signature charm to festivals like Wicked Woods, Shambhala, Rifflandia, Envision and Boomtown, bewitching audiences with irresistible melodies and infectious energy.

Fighting evil by moonlight, winning love by daylight, never running from a real fight, she is the one named Mews.

reasonation is following