another great set, thank you! really like the picture too

Escape

https://soundcloud.com/layshade

WEIKUM : Papooga [Ohral]
Guy J : Last Standing [Lost & Found]
Jamie Stevens : Circles [Meanwhile]
Kamilo Sanclemente : Revenge Of Jedi (The Cobb remix) [Deepwibe Underground]
Mind Against, Dyzen : Freedom (Club mix) [fabric]
Ezequiel Arias, Sebastian Sellares : Delta Room [Replug]
Max Freegrant, Slow Fish : Warriors Of Light (Extended mix)[Freegrant Music]
Hoten : Sunrise (Kaiq remix) [43 degrees]
Gai Barone : Descendant (Academic mix) [Patternized]
Mathew Jonson, Quenum : Cyclops (Volen Sentir & Izhevski remix) [Shanti Radio]

ILP 002 : Layshade

My social media:
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Download Link

Max Caset - Prosto Dobav Zvuka (Minitronik,Matke Remix) [OneSun Yellow] Out Now!!!

Paradox

Tech house mix - like, comment, repost! :)

Once Upon A Mix 10

Deep House set played at the Tropical Galaxy in Bangkok - Thailand 

More than 2000 followers on facebook :
Facebook : www.facebook.com/dalahmusic/

Thank you so much!

DALAH @Tropical Galaxy - Bangkok, Thailand (August 2022)

Recording of live mix on DJ Rapidfire show from Club Ready Radio. Some powerful Progressive house

Episode XXXI-Progressive house-DJ Rapidfire show

Human-induced existential risks are symptoms of two underlying generator functions.

One of these functions is rivalrous (win-lose) games. This includes any activity where one party competes to win at the expense of another party. The win-lose games are at the root of almost all harm that humans have caused, both to each other and to the biosphere. As technology is increasing our capacity to cause harm, these competitive games start to exceed the capacity of the playing field. Scaled to a global level and multiplied by exponential technology, these win-lose games become an omni lose-lose generator. When the stakes are high enough, winning the game means destroying the entire playing field and all the players. 

What have capitalism, science and technology have created? Among by-products of these rivalrous games are what are referred to as “multipolar traps”.  Multipolar traps are scenarios where the things that work well for individuals locally are directly against the global well-being. Our sense-making and choice making processes need to be upgraded and improved if we want to solve these traps as a category.

Are the current phases of capitalism, science, technology and democracy destabilizing and coming to an end? if so, in order to avoid extinction, we have to come up with different systems altogether, and replace rivalry with anti-rivalry. One of the ways to do that is moving from ownership of goods towards access to shared common resources. We must be at the place where the harmful win-lose dynamics both have to and can change.

The Works FM Jonny Picklechin 1st Sept 2022 "Lone Transmitter"

1) Superlover - Let´s Get Down (Extended Mix) [DistroKit]
2) Bondax - Fade (feat. Shells) (Ten Ven Extended Remix) [Future Disco]
3) Jacob Bellens, Kasper Bjørke, Biesmans - Holiday (Original Mix) [Watergate Records]
4) Jason Peters - Lost in Space (Original Mix) [Roam Recordings]
5) Damon Jee, Darlyn Vlys - Generation feat. Vincent Brasse (Original Mix) [Polaris]
6) Royksopp - Control (Original Mix) [Dog Triumph Profound Mysteries]
7) Odagled - Sunday feat. Roldan (Original Mix) [Alpha Black]
8) Tomy Wahl - Time After Time (Original Mix) [Manitox]
9) Xandl - Rare Love (Original Mix) [Maneki Neko]
10) Jaded, Carlita - Zorro (Extended) [Higher Ground (Mad Decent)]
11) Vampire Weekend - The Kids Don't Stand a Chance (Chromeo Remix) [XL Recordings]

Sincast 054

Hola a todos como todos los viernes en esta ocasión el Episodio N°16, like y compartir se agradece saludos!! =)

DJ BEAT UP - Tech House, Techno Episodio 16

Never Sober

It started fast. Only four months after learning how to DJ, in 2000, Rebecca was given a residency at the Exchange nightclub in Boston. Then more clubs. She split her time between the studio, gigs on the radio (like WERS 88.9FM), and her day job at the Sound Factory record store. She did not sleep.

She leveled up in 2002, moved to Los Angeles, and became a fixture at West Coast staples like Spundae. Then she went national: For years she jetted back-and-forth to perform in Miami, Denver, San Francisco, New York, Vegas, and seemingly every stop in between. Her interests in nightlife extend beyond the DJ booth; as the head of operations at Wantickets, she managed the front-of-house at events like Ultra Music Festival.

Rebecca is semi-retired from playing in clubs, but you can spot her in the 2018 movie Girl, where she was featured as one of seven top female DJs. Austin is now her hub, and a few times a year she’ll spend a month in a random city (with upcoming stints in New Orleans, Prague, Honolulu) as a digital nomad. And she’s still in the game: every month Rebecca releases a new mix: Sincast

Sincast 054

Rebecca Sin

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