Neglect is an artist based in Tucson, Arizona. It's hard to pin him down, as at times he makes sounds that are deep and dubby, as JMV, at others he makes reflective ambient as Neglect. For Bandcloud he's offered an hour of drifting wonder. 

The mix opens with 'I Only Have Eyes For You' by The Flamingos, sampled by Fugees for their track 'Zealots' in 1996, and brilliantly covered by Laryssa Kim in 2019 (as featured in Bandcloud 278). It moves through other Bandcloud favourites including Jake Muir, wzrdryAV and Roméo Poirier. While he could not have known it, I used the House in the Woods track he features in a mix back in 2014.  All in all it's safe to say it's right up my street and I hope it's up yours too.

https://soundcloud.com/neglectsound
https://neglectsound.bandcamp.com/

The Flamingos - I Only Have Eyes For You (End, 1959)
Jake Muir - Peacocks Tail (Sferic, 2018)
wzrdryAV - Librarian (Line, 2022)
Halftribe - Points In Time (Shimmering Moods, 2022)
Elin Piel - Omsorg  (self release, 2020)
JMV - Online Flex (Best Available Technology unreleased version)(Proxima Rec., 2022)
Imaginary Softwoods - Telefer  (self release, 2020)
Romeo Poirier - Palmaire  (Sferic, 2020)
Strie/Scanner - Odin, Ready  (A Strangely Isolated Place, 2022)
rookas - Snake Island (Northern Electronics, 2022)
The House In The Woods - Severton Pathway (self release, 2016)
Abul Mogard - Along The River (self release, 2022)
Giuseppe Falivene - Echoes, Diffusions III  (Shimmering Moods, 2020)
Raum - Restoration (Yellow Electric, 2022)
Neglect - CHROMA (Proxima rec., 2022)

Bandcloud Mix March 2022 - Neglect

violin, cello, vibraphone, piano, electronic sounds
music we'd like to hear festival, London, 2016
commissioned by music we'd like to hear and RVW Trust

the way to go out (2016)

prox|m|ty |s dream|ng

High-quality downloads and CD of the studio recording is available at
https://dalniente.bandcamp.com/album/object-animal

SWAN (2016-17)

a - Korridor/Karaoke Mahshar - 00’00’’-19’42’’

b - Rod Modell - 19’43’’-28’49’’

—

Recording of the premiere performance at the Constellation Chicago, 02/19/2017.

—

Murat Çolak - Score & Electronics

Ensemble Dal Niente - Amplified Instruments:
Michael Lewanski - Conductor
Emma Hospelhorn - Flute, cymbals
Anna Velzo - Oboe
Katie Schoepflin - Clarinets
Gregory Beyer - Percussion
Mabel Kwan - Piano, bass synthesizer, percussion
Tara Lynn Ramsey - Violin
Chris Wild - Cello

Dan Tramte - Video (Excerpts: www.youtube.com/watch?v=eO5EQIlIf24 - www.youtube.com/watch?v=qG70iw4TSFU )
Nolan Chin - Live Sound
David Zuchowski - Recording

Live recording mixed & mastered by Murat Çolak

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Video of the premiere performance: https://www.youtube.com/watch?v=RwNBIJ2KKLE&feature=share

—

Interview with Emma Hospelhorn: http://www.dalniente.com/news/2017/3/26/interview-murat-olaks-swan

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Thanks: Ben Melsky, Grace Heatherington Tilka, Constellation Chicago, Frequency Series.

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SWAN is commissioned by NewMusicUSA

SWAN

This is Episode I of my four-part-residency on NTS Radio in june 2017, now available to download for a limited time - Enjoy!

Tracklisting:

Iasos - The Winds Of Olympus (Numero Group)
Alejandro Jodorovsky - Alchemical Room (ABKCO Music/Real Gone Music)
Isotope 217° - Prince Namor (Thrill Jockey)
Zawinul - Arrival In New York (Atlantic)
David Lynch & Alan R. Splet - In Heaven (Lady In The Radiator Song) (Alternative Tentacles)
Robert Curgenven  - Only The Dogs And The Fires On The Horizon (Recorded Fields Edition)
Nurse With Wound - Soliloquy For Lilith Side G (Dirter Promotions)
Einstürzende Neubauten  - Fiat Lux/Maifestspiele (Rough Trade)
Thomas Brinkamnn - Bleiweiss (Edition Mego)
Arovane & Hior Chronik - After Tomorrow (A Strangely Isolated Place)
Harold Budd & Brian Eno - A Stream With Bright Fish  Edition EG
Alva Noto - Xerrox Isola (raster-noton)
Pearson Sound - Eels (Pearson Sound)
PTU - Intact Alef (трип)
Pearson Sound - Eels (Pearson Sound)
Laurie Spiegel - Clockworks (Unseen Worlds)
Dropshadow Disease - Ping Pong (True Type) (Rather Interesting)
Oval - Pauer (Form & Function)
Yair Elazar Glotman - Agnosia (Subtext Recordings)
Earth - Like Gold And Faceted (Sub Poip)
Sunn O))) - Alice (Southern Lord)
Bohren & Der Club Of Gore - Schwarze Biene (Black Maja) (PIAS Recordings)
Brian Eno - Hannah (Generative Music)
Sam Prekop - Ghost (Thrill Jockey)
Mogwai - Mogwai Fear Satan (Surgeon Remix) (Jetset Records)

Mixes

NTS Radio Residency Episode I

Dtekk at Tauron Nowa Muzyka Festival 2017

SusanSontagIsTheNewDonnaSummer

ROBERT CURGENVEN + RICHARD CHARTIER
Built Through (LINE056, 2012)

"Built Through Both Sides" (extract) - originally composed by Chartier at Garage Festival in Stralsund, Germany 2004 and Paris, France 2005. Lost, found, and reworked using digital means and field recordings by Chartier in 2011. Processed through: guitar feedback recorded by Curgenven in Milan and London in 2010; turntables and linear series dubplates recorded London 2011; field recordings from Berlin, 2004-2007.  Mixed in London and Cornwall, November 2010-July 2011.

The acoustic architecture of Robert Curgenven and Richard Chartier forms a delineation of space built through dismantling the constitution of internal and external. Beyond dividing space, creating a façade or habitable zone, the perceptibility of the surface is turned back in on itself and with it a shift in the ideological and social context of the space. A seamless integration of digital and analogue, a suffusion which creates a mutual modulation, transforming purpose chosen materials—dense, undulating foundations through to stratified filaments and needle-point framework—defining the approach, the entry, the walk-through, the departure.

Mastering: Giuseppe Ielasi, Milan, Italy, March 2012.
Cover image by Robert Curgenven. 

"a colossal yet minimalist soundscape… This is headphone music — true sound-art whose fascinating creative process is too detailed for this tiny column."
(The Washington Post, US)

"a visceral, engrossing exploration of “acoustic architecture” schemed by prolific sound artist, collaborator, and Line Records boss, Richard Chartier (US), and sound artist/composer Robert Curgenven (AU/UK). As inferred by the title, Built Through is focussed upon the aesthetics of space and features four pieces stemming from original source material (field recordings, older compositions) which was reprocessed/reworked by the two artists in order to further investigate theirs and our perceptions of the material’s internal and extrenal spatial properties. Using seamlessly integrated analogue and digital techniques they create vividly hollowed-out spaces, stratified arenas of dense, vibrating sub-harmonic foundations suffused with filigree surface textures – from traces of distant traffic to needling, micro-rhythmic disturbances – defining the approach, the entry, the walk-through, the departure. No doubt, that all sounds rather academic, and taken as such, it is. But from a purely aesthetic point of view, their sounds are of an incredibly fine calibre and arranged with such a sense of unfolding, albeit abstract, narrative, that we’re sucked in to near-extreme levels of concentration to focus on the slightest fluctuation, and sent reeling by the presence of such overpoweringly physical bass frequencies. Ultimately, what they’re doing is a super advanced version of what’s happening in the mind/computer/bedroom of nearly every young electronic producer looking to get the most space out of their “mixdown”, and for any followers of current electronic music, design, minimalism, this is a deeply refined and engaging recommendation."
(boomkat.com) 

Built Through Both Sides (extract)

4 decks + 2 mixers + 1 crazy party = very hazy memories of mayhem

This is a live recording from Swarm at the Jets in 2002 - Sydney techno and the free party spirit were alive and kicking back then. It was a "versus" party so each set was 2 DJs on 4 decks with a mixer each and it got crazy!

After all these years, out of the archives a live recording has been dug up that captures the early 2000s vibe of Emass vs Methodix perfectly. It's insane. A constant build of layer after layer, slab after slab. No fucks given, just chuck it in there and crank it! 🔥🔥🔥

Emass vs Methodix - recorded live on 4 decks and 2 mixers from Swarm at the Jets

ostatni utwór Tomka / the last piece by Tomek - 25.01.2021

Homesick Domestic Noise Terror 2021

Robert Curgenven's work emphasizes physicality, our embodied response to sound & its relation to location, air, weather & architecture; He has produced works for National Gallery of Australia, Palazzo Grassi Venice, Sydney Festival, Maerzmusik & Transmediale Berlin. The Wire (UK) surmises “behind the music lurk such [disparate] presences as Alvin Lucier, King Tubby, Murray Schafer and Eliane Radigue.”

Built Through Both Sides (extract)

Recorded_Fields

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