Neglect is an artist based in Tucson, Arizona. It's hard to pin him down, as at times he makes sounds that are deep and dubby, as JMV, at others he makes reflective ambient as Neglect. For Bandcloud he's offered an hour of drifting wonder. 

The mix opens with 'I Only Have Eyes For You' by The Flamingos, sampled by Fugees for their track 'Zealots' in 1996, and brilliantly covered by Laryssa Kim in 2019 (as featured in Bandcloud 278). It moves through other Bandcloud favourites including Jake Muir, wzrdryAV and Roméo Poirier. While he could not have known it, I used the House in the Woods track he features in a mix back in 2014.  All in all it's safe to say it's right up my street and I hope it's up yours too.

https://soundcloud.com/neglectsound
https://neglectsound.bandcamp.com/

The Flamingos - I Only Have Eyes For You (End, 1959)
Jake Muir - Peacocks Tail (Sferic, 2018)
wzrdryAV - Librarian (Line, 2022)
Halftribe - Points In Time (Shimmering Moods, 2022)
Elin Piel - Omsorg  (self release, 2020)
JMV - Online Flex (Best Available Technology unreleased version)(Proxima Rec., 2022)
Imaginary Softwoods - Telefer  (self release, 2020)
Romeo Poirier - Palmaire  (Sferic, 2020)
Strie/Scanner - Odin, Ready  (A Strangely Isolated Place, 2022)
rookas - Snake Island (Northern Electronics, 2022)
The House In The Woods - Severton Pathway (self release, 2016)
Abul Mogard - Along The River (self release, 2022)
Giuseppe Falivene - Echoes, Diffusions III  (Shimmering Moods, 2020)
Raum - Restoration (Yellow Electric, 2022)
Neglect - CHROMA (Proxima rec., 2022)

Bandcloud Mix March 2022 - Neglect

violin, cello, vibraphone, piano, electronic sounds
music we'd like to hear festival, London, 2016
commissioned by music we'd like to hear and RVW Trust

the way to go out (2016)

prox|m|ty |s dream|ng

High-quality downloads and CD of the studio recording is available at
https://dalniente.bandcamp.com/album/object-animal

SWAN (2016-17)

a - Korridor/Karaoke Mahshar - 00’00’’-19’42’’

b - Rod Modell - 19’43’’-28’49’’

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Recording of the premiere performance at the Constellation Chicago, 02/19/2017.

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Murat Çolak - Score & Electronics

Ensemble Dal Niente - Amplified Instruments:
Michael Lewanski - Conductor
Emma Hospelhorn - Flute, cymbals
Anna Velzo - Oboe
Katie Schoepflin - Clarinets
Gregory Beyer - Percussion
Mabel Kwan - Piano, bass synthesizer, percussion
Tara Lynn Ramsey - Violin
Chris Wild - Cello

Dan Tramte - Video (Excerpts: www.youtube.com/watch?v=eO5EQIlIf24 - www.youtube.com/watch?v=qG70iw4TSFU )
Nolan Chin - Live Sound
David Zuchowski - Recording

Live recording mixed & mastered by Murat Çolak

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Video of the premiere performance: https://www.youtube.com/watch?v=RwNBIJ2KKLE&feature=share

—

Interview with Emma Hospelhorn: http://www.dalniente.com/news/2017/3/26/interview-murat-olaks-swan

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Thanks: Ben Melsky, Grace Heatherington Tilka, Constellation Chicago, Frequency Series.

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SWAN is commissioned by NewMusicUSA

SWAN

This is Episode I of my four-part-residency on NTS Radio in june 2017, now available to download for a limited time - Enjoy!

Tracklisting:

Iasos - The Winds Of Olympus (Numero Group)
Alejandro Jodorovsky - Alchemical Room (ABKCO Music/Real Gone Music)
Isotope 217° - Prince Namor (Thrill Jockey)
Zawinul - Arrival In New York (Atlantic)
David Lynch & Alan R. Splet - In Heaven (Lady In The Radiator Song) (Alternative Tentacles)
Robert Curgenven  - Only The Dogs And The Fires On The Horizon (Recorded Fields Edition)
Nurse With Wound - Soliloquy For Lilith Side G (Dirter Promotions)
Einstürzende Neubauten  - Fiat Lux/Maifestspiele (Rough Trade)
Thomas Brinkamnn - Bleiweiss (Edition Mego)
Arovane & Hior Chronik - After Tomorrow (A Strangely Isolated Place)
Harold Budd & Brian Eno - A Stream With Bright Fish  Edition EG
Alva Noto - Xerrox Isola (raster-noton)
Pearson Sound - Eels (Pearson Sound)
PTU - Intact Alef (трип)
Pearson Sound - Eels (Pearson Sound)
Laurie Spiegel - Clockworks (Unseen Worlds)
Dropshadow Disease - Ping Pong (True Type) (Rather Interesting)
Oval - Pauer (Form & Function)
Yair Elazar Glotman - Agnosia (Subtext Recordings)
Earth - Like Gold And Faceted (Sub Poip)
Sunn O))) - Alice (Southern Lord)
Bohren & Der Club Of Gore - Schwarze Biene (Black Maja) (PIAS Recordings)
Brian Eno - Hannah (Generative Music)
Sam Prekop - Ghost (Thrill Jockey)
Mogwai - Mogwai Fear Satan (Surgeon Remix) (Jetset Records)

Mixes

NTS Radio Residency Episode I

Dtekk at Tauron Nowa Muzyka Festival 2017

SusanSontagIsTheNewDonnaSummer

6channel spatial audio + subwoofer - MUTO gallery, Budapest, Hungary
Part of UH Festival: 2-6 October 2019 - Commissioned by UH Fest & MUTO

Details at https://www.recordedfields.net/installations/spectres/
In-situ recordings made across 8 sites in Poland & 1 in Hungary between 19-29 September 2019. 

"upon a threshold, where bodies corporate stand, Spectres’ vapours stood"

Ein Gespenst geht um in Europa. Alles Ständische und Stehende verdampft…

Recordings in each location made with 2 oscillators, Bose portable speaker, 2 Rode condenser microphones, recorded direct to harddisk - made through an open window which frames the location and its context, the oscillators set the air in motion between inside & outside the location whilst creating an audible phasing anomaly in the room & distinctly within the recording. The combination of these anomalies across the recordings and locations is a key aspect of the installation and the experience of visitors to the gallery.

Presenting a conceptual and concrete undertaking which encompasses the vicissitudes of an epochal concept, from its declaration-as-theory to its Becoming as a “post-“, where the concept proposed is now only a period that follows what once was. The architectural framing of post-Communist eastern-European realities, to create a threshold where the parentheses of two epochs book-end a present, is enacted through a recording process which draws the surrounding air and present manifestation of contemporary society into the buildings – the very monuments of those that stood and are standing, the dwellings and inhabitations of the corporatised bodies – of a period now past. Each location surveyed through this process becomes a layer, emergent from their layering in this exhibition piece is the schism arising in ‘post-Concept’ from ‘Concept’ - an audible movement - an inhabitable zone framing the context of a living, breathing, contemporary society.
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The recordings forming the installation were undertaken in a range of architectural environments in urban, metropolitan and rural areas across a range of 'Eastern European' regions – these were done adjunct to touring and performing a series of concerts with two collaborative works from 19-29 September 2019. All that was required was an open window and the provision of the architecture itself as a platform. No special changes, requests or modifications of the behaviours of occupants or nearby inhabitants were made.

The piece is working on a similar technique to a previous project recording in 15 of James Turrell's Skyspaces - the Climata project had an emphasis on using the architecture of the Skyspace itself to frame but the contextless sky but instead the acoustic aspect of the location and context of the Skyspace itself. Climata was realized as an installation version, double album & a sound atlas.

This project aims to extend those techniques and, unilke the Skyspace recording project - in the opposite aspect to the relative hegemony of Skyspace architectonics - for this new piece the broader diversity to the architectural and locational contexts resulted in a greater the range of textures that combine to form the piece. The recordings were be used to make a multichannel audio piece which will be shown at MUTO gallery in Budapest during UH Fest and be installed to work with the gallery acoustics.

Recordings in each location with 2 oscillators, Bose portable speaker, 2 Rode condenser microphones, recorded direct to harddisk - made through an open window which frames the location and its context, the oscillators set the air in motion between inside & outside the location whilst creating an audible phasing anomaly in the room & distinctly within the recording. The combination of these anomalies across the recordings and locations is a key aspect of the installation and the experience of visitors to the gallery.

SPECTRES

4 decks + 2 mixers + 1 crazy party = very hazy memories of mayhem

This is a live recording from Swarm at the Jets in 2002 - Sydney techno and the free party spirit were alive and kicking back then. It was a "versus" party so each set was 2 DJs on 4 decks with a mixer each and it got crazy!

After all these years, out of the archives a live recording has been dug up that captures the early 2000s vibe of Emass vs Methodix perfectly. It's insane. A constant build of layer after layer, slab after slab. No fucks given, just chuck it in there and crank it! 🔥🔥🔥

Emass vs Methodix - recorded live on 4 decks and 2 mixers from Swarm at the Jets

ostatni utwór Tomka / the last piece by Tomek - 25.01.2021

Homesick Domestic Noise Terror 2021

Robert Curgenven's work emphasizes physicality, our embodied response to sound & its relation to location, air, weather & architecture; He has produced works for National Gallery of Australia, Palazzo Grassi Venice, Sydney Festival, Maerzmusik & Transmediale Berlin. The Wire (UK) surmises “behind the music lurk such [disparate] presences as Alvin Lucier, King Tubby, Murray Schafer and Eliane Radigue.”

SPECTRES

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