Name: Heliosphere by Red Dust Of Mars
Duration: 3 min 25 s
Description: Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Rhythm feels perfect ⚡, I left a subtle tip on my profile 🔥.

oh yeah ! this is beautyfull ! and nice and unique !

great progression. cool bop. love th vibe

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When I'm Alone

Looking For You

Looking For You [prod. Cold Melody]

A slow-burning cold wave track blending haunting synths, minimal rhythms, and a deep sense of longing.
"I Find the Way" drifts through midnight thoughts and faded memories, searching for connection in the shadows.

Produced at 120 BPM, yet unfolding like a dream at 60 — for night drives, lonely rooms, and late hours where silence speaks loudest.

Best experienced with headphones... and blue lights.

Find The Way

Find the Way - KRT Production

“Ego mortuus sum” (“I am dead”) marks a violent turning point on the album — a cry from the edge featuring the fierce vocal presence of Fredrik Keith Croona (Against I). Musically, it’s a collision of extremes: progressive structures twist through shifting time signatures before collapsing into relentless staccato grooves, while old-school death metal riffing forms the scorched earth on which the vocals roar.

The song was born in a moment of spiritual rupture — a place where faith felt hollow and rituals failed to heal. Lying on the metaphorical altar brought not peace, but anguish. The lyrics rage against sacred comfort, throwing brutal imagery into the light: Heaven reimagined as a “cesspool of saints”, sanctity as emptiness. It’s raw, it’s defiant — the sound of someone shouting into the void.

Yet amid the fury, a thread of hope weaves through. The chorus draws from Psalm 29: “Domine, clamavi ad te et sanasti me” — “O Lord, I have cried to thee, and thou hast healed me.” Even at the height of spiritual collapse, the possibility of redemption remains — battered but not erased.

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EGO MORTUUS SUM

One final blink until life gets complete,
until God’s grace destroys my melting meat.
Fermenting in the cesspool of the saints,
I pass away through firmamental drains.

Until my wine starts clotting in my mouth
drowning I dive this quietude throughout.
Candles are lit along my road to death,
out of my mouth I inhale my own breath.

Domine, 
Clamavi ad te,
Et sanasti me,
Domine!

(O Lord, 
I have cried to thee, 
and thou hast healed me.
O Lord)

Until I leave my assets far behind
peeling my lifeblood off this mortal mind.
Let loose this fire, enkindle my distress,
let my soul sink in this subversive hex!

One final blink until life gets complete,
laying face-up over the altar sheet.
My facial features under gleaming stars
this fake subsistence one by one disbarks.

Horror Sacri

Ego Mortuus Sum

A Small Rock Madly

Lights Down Low (Acoustic)

A song about the power of addiction and infatuation over the human condition and how obvious the right thing to do might seem, but how much we still hold on to people, habits, and things that take us down.

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LYRICS:

Intro:


Take me down...


Verse 1:


Remember when we used to stare up at the stars

Nothing in this world quite like them

Shining in the dark

Remember when we used to gaze upon the sea

Nothing in this world quite like it

Made for you and me


Pre-chorus:


So won't you hold me

Love me


Chorus 1:


Take me down (so won't you)

Take me down (so won't you)

hold me 

love me

Take me down


Verse 2:


Remember when I used to fall into you arms

Nothing in this world so lovely

Lighting every spark 

Remember when we used to gaze into the pain

Nothing in this world so closely

Find me in the dark


Chorus 2:


Take me down (so won't you)

Take me down (so won't you)

hold me 

love me

Take me down


Outro:


So won't you

So won't you

So won't you

So won't you

why don't you

Take me down

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Production: All lyrics and music by Joshua Bryan (AKA DJ Joshy B); Vocals: Synthesizer V - Minus and Weina 2 voicebanks; Software and Plugins: Cubase, Synthesizer V, Serum 2, Komplete Kontrol, Heavyocity Vocalise 2, U-he Diva, Output Arcade, Mok Miniraze, Halion Sonic, Sitala Drum Sampler, UJAM plugin series, Fabfilter Twin 3, Raum and Valhalla Supermassive reverbs.



Take Me Down

Balancing tension and calm,  where weight and loft hold equal sway.

Equilibrium

Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Heliosphere

Margaritas Swim d’Or – Nordic Soul Syndicate

En färgsprakande resa genom funk, jazz och experimentell klubbkultur. Margaritas Swim d’Or blandar spejsiga grooves, psykedeliska jam och neonfärgade melodier – som en cocktail serverad i kosmos.

Plattan öppnar med den episka “Dong (Full Session)”, ett över tio minuter långt jam som bygger upp hela universumet, för att sedan dyka ner i kortare, intensiva spår som “Margarita Steam”, “Cosmic Shampoo” och “Neon Flow”. Resultatet blir en balans mellan långa improvisationer och moderna, klubbvänliga funkjazzlåtar.

Det här är NSS mest lyxiga och moderna album hittills – en plats där lounge möter avant-garde, där saxofonens rop blandas med synthens flöde, och där varje spår känns som en ny drink i en ändlös bar av ljud.

Liquid Encore

The title track from my book ‘Triple Threat’ that was composed with the established woodwind doubler in mind. Challenging repertoire to practice making the change with. Enjoy! Dots available here - https://paulsaundersclarinet.co.uk/product/triple-threat-doubling-book/

Triple Threat - Demo - Paul Saunders.mp3


Childhood in 7/8 time: Istanbul Before Twelve smells of simit and the sea; it sounds like ferry horns, spoon percussion, and merchants’ cries. Makam melodies meet nu-jazz soul—warm, handcrafted, alive.



This is my first map of Istanbul—from the courtyard to the ferry, from the tea garden to the Grand Bazaar. You’ll hear makam colors, microtones, and aksak grooves in 7/8 and 9/8; saz, oud, kanun, ney, kaval, zurna, darbuka, and davul telling how the city sounded to me before I turned twelve.
Each track is a scene: our block, the neighbor, Teacher Veli (stern and kind), friendship and hospitality, the green valleys, the Bosphorus, the nights, the tea garden, and the journey forward. Between seagulls and ferry horns, nu-jazz and soul blend with a hint of djent—honest, warm, handcrafted.
Not nostalgia in sepia—living memory. If you know how tea tastes like home, press play.

Nights (Geceler)

Melodic progressive metal with a brass jazz infusion

Heliosphere

Red Dust Of Mars

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