GLN 01

Banjo - ˈwɪljəm smɪθ

Recorded by Samuel Carrick. 

Recorded at the Cave Inn 11/5/21

Thoughts On Voids (Live at the Cave Inn)

me trying to make nightcore edits of silly songs

c0ckblocked by c0rona?! (allie elle remix)

RAPCAVIAR VOL. II ᡕᠵ᠊ᡃ࡚ࠢ࠘ ⸝່ࠡࠣ᠊߯᠆ࠣ࠘ᡁࠣ࠘᠊᠊ࠢ࠘𐡏~

Performers: Aaron Wyatt (viola), Blair Harris (cello), Vanessa Tomlinson (vibraphone), Gabriella Smart (piano)

Production: Jamie Mills, ABC studios Melbourne 

With thanks to Tura New Music and all others involved in the Summers Night Project 2020.

"Plumage" - Summers Night Project 2020-2022

This song, kinda just reminded me of Banjo-Kazooie

Banjo Kazooie Ahh Beat

0:00 - SGl0rp
3:06 - E3eh4
6:02 - fiDje-it
12:52 - Strongestmotherfuckerintown/Don't forget to write

Special thanks to Samuel Markovic and Warwick Gow. Thank you for letting me be a part of your wonderful night.

Lantana set - 17/11/22

About two years ago, I went with some friends to a town in the middle of nowhere to watch a performance of an avant-garde contemporary classical piece called "All's Grist That Comes to the Mill" by composer Erik Griswold. While we were out there, I managed to record a quick snippet of the piece on my Zoom H1n, which for years sat untouched on a hard drive. I rediscovered it about a month ago, and as a joke turned a small snippet of it into a house track, which is the soundworld this piece starts in. When I showed what I had done to a friend of mine, despite it being a joke, she told me that she thought, actually, that "[it] fucking slap[ped]".

So, here we are.

What was meant to be a quick joke for fun is now a 20-minute Breakbeat jungle/deep house mix. I hope you all enjoy it as much as I do.

Special thx to Teddy, Yvette, and Skylar, as well as Erik for making this dumb thing possible, haha.

All's Grist (A house deep in the jungle Mix)

Something to tide everyone over for a little bit.

Stay safe, stay healthy everyone.

Gerald's Signfield [Joanna Newsom remix]

Made a big chonky boi ambient mix of an orchestral piece I wrote back in third year.

This track was made kind of improvisatorily. I discovered the main texture while working on a different track, and thought the overall sound was super atmospheric, so I put it in a new Ableton set, threw some effects over it (mostly three phase EQ), and automated bits of it at random.

I think it's a fun experiment in texture, personally.

More stuff coming soon!

Study in Aquamarine (That kid who really likes William Basinski mix)

Study In Aquamarine (That Kid Who Really Likes William Basinski Mix)

Frostgrave is a track about autistic joy. I spent the majority of my childhood and adolescence being taught to be ashamed of the things that I felt joyful for, being told that they weren't important or that I should focus on other things. This included tabletop miniatures gaming, something which I now have re-engaged with and which brings immense joy and meaning to my life.

Do the things you wanna do.

This songs celebrates that.

Frostgrave

Tidsguiden (wɪljəm smɪθ) is a composer, producer, and visual artist based on the Sunshine Coast, Australia in stolen Gubbi Gubbi country. Their work combines the electronic world of synthesisers and DAWs with the human world of drawing and animation. Together, in conjunction, the listener is transported to worlds of intense feelings and subtle truths.

Working across a range of styles, their work is diverse spanning multiple genres. Their output includes sound design and music on LJ Project's award-winning short film "Endless", arrangements of original work for wind ensemble and orchestra, as well as various chamber works and graphic scores performed locally and internationally. Their art has been displayed in local galleries, in exhibitions run as part of Meanjin's underground art scene.

It is said that, one day, Tidsguiden will escape their extra-physical bonds beyond the veils of materiality, and they will spew forth into this world, our own. On that day, we will be rendered as colourful snakes, and in crude lines. Our movements will jump and skip as if they cannot be contained within our plane of reality. Until that day of terror, however, all we know we can do is enjoy every day.

GLN 01

Tidsguiden

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