A Fleurieu & Kangaroo Island Sound Map site:

~ Short version of field note: 

This is one of two AudioMoth recordings that were made on Lady Bay reef over a week in late December 2022. The AudioMoths were deployed with the intention of observing the soundscape of two underwater locations and were configured to record for 1-minute at 10-minute intervals over a 24-hour period for the week.

Read more at the Fleurieu & Kangaroo Island Sound Map.
URL: https://tristanlouthrobins.com/fleurieu_soundmap/sites/LYB014.html

FKISM: 6 hours of underwater activity in Lady Bay reef - December 2022

Video for track is here...
https://youtu.be/tyJwjwgFSxU

naviarhaiku508 – Deep, dark Summer night

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Moonlight blesses the temple (naviarhaiku508)

Attoseconds In Deep Time

Eyes White Shut

Processing and mix by Mesmo

Sound sources used in “Serresule Masseen”:
Air Escaping Balloon
Bicycle Air Pump
Blowing Through Tube
Crumple Aluminum Foil
Crumple Copper Foil
Crumple Newspaper
Crush Kiln Brick
Crush Thin Foam Board
Dripping Water
Drips From Watering Can
Glass Bottle on Ceramic
Marbles Dropped in Glass Vase
Resonant Wood Tap
Sawing Styrofoam Cup (fine-toothed)
Sloshing - Big Plastic Container
Sloshing - Glass Vase

Source sounds courtesy of the Sound Events Database (http://www.auditorylab.org/)  Copyright 2008, Laurie M. Heller. Funding provided by NSF award 0446955.
 
Copyright 2008, Laurie Heller, Ph.D. Permission to use, copy, modify, and distribute this material for any purpose other than its incorporation into a commercial product or transfer for compensation is hereby granted without fee, provided that the above copyright notice appears in all copies, that Dr. Laurie Heller of Carnegie Mellon University and the support of NSF grant 0446955 are acknowledged in all publications and documents as the source of the material, and that the name of Dr. Laurie Heller not be used in endorsing any product resulting from the use of the material without specific, written prior permission.

Serresule Masseen

I decided to try something a little ravey today. I bounced a chord to audio so I could pitch it up and down in the way folk did 'back in the day' and fiddled around with some sub bass and time-stretched vocal samples. I then chopped up a little amen break which, surprisingly I don't think I'd done before. I even chucked in a little attempt at creating a spinback by adding a delay to the beat and then rapidly changing the delay time.

Jamuary 2024

Dream Chaser (Jamuary Day 22)

Bring Me Your Headlights

whave on stant_01

released March 29, 2024

https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

https://soundcloud.com/petrilahtinen/sets/three-ghosts-one-forest

Petri Lahtinen: field recordings, electronics
Paul Mimlitsch: clarinet
Martin Hoogeboom: objects, electronics, guitar

Mixing: Martin Hoogeboom
Mastering: Rupert Clervaux

Cover design: Martin Hoogeboom

Ghost in the Forest Act 1 /// Petri Lahtinen / Paul Mimlitsch / Martin Hoogeboom

2024-04-17

Poetic Tuesday

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features music made by Naviar's community inspired by Nakamura Teijo's poem "Come outside!, we can almost touch, the spring moon".

To have your music featured on the show, participate in the Haiku music challenge.


Tracklist

Night Note - Come Outside!
windspace - We Can Almost Touch
zenbytes - touch the spring moon
Stan Magendanz - we can almost touch the spring moon
ray_cobley - Lunar Illusion
Halcyon Hum - Munbotoru

Naviar Broadcast #315 – Come outside! – Wednesday 17th April 2024

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

FKISM: 6 hours of underwater activity in Lady Bay reef - December 2022

Tristan Louth-Robins

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