My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/18

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

[Disquiet Junto 0697] Mr. Bowed Jangles

Based on a piano performance by @leonclowes, I played an OB-E (thanks, Tom Oberheim & @gforce-software) over Leon’s piano. I was going for a streamlined version of something quiet by Ravel — a kind of synthetic tone poem. Both the piano and strings are fake, but hopefully there’s still room to build.

Original:  https://soundcloud.com/leonclowes/hole-third-disquiet0697

for this challenge:
https://llllllll.co/t/disquiet-junto-project-0698-second-third/

Maurice in a Hole (with leon clowes) - disquiet0698

This is my submission to this week's Disquiet Junto assignment. The audio in the left channel is Ray Cobley's submission to last week's Junto. The right channel contains my contribution.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Second Third [disquiet0698] w/Ray Cobley

Collaboration with @henuri and @morgulbee https://soundcloud.com/user-807707609/b-drone-aftermath-disquiet0698

Disquiet Junto Project 0699: Third Third
The Assignment: Record the final third of a trio.

There are two versions of the instructions for this week’s project — one very short, the other very long.

Very short version (roughly 25 words): Select a track from last week’s duet project (disquiet.com/0698) and add a third part dead center between the left and right stereo channels to complete a trio.

More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/


one two three [disquiet0699] with henuri and morgulbee

Radio captures compiled from May 31 to June 4 and field recordings from June 4 and 5 with mandolin and live loops processing June 6. The concept of dailiness being the inspiration and the he in his dailiness is probably me or she like the Phantom mother in Whitman's "on blue ontario's shores"  "I know not what these plots and wars and deferments are for..."

musica povera electronica (his dailiness) m31-j4

maiden forever

At The Leaving Room

An original shakuhachi composition performed inside The Tank @tanksounds

mt ghost breathing

it all begins with a spark.   an idea.  a promise.   then it's about the instruments.   then about balancing all of the things i want it to do.  as simple as that.

as simple as that

1066 Ballade

Piano 4-1

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

[Disquiet Junto 0697] Mr. Bowed Jangles

Tristan Louth-Robins

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