Nathan's demo uses only the sounds of Waterharp.

Waterharp is a deeply-sampled bowed and tuned percussion and special FX library that captures the resonant waterphone, first developed by Richard Waters. It also offers a wide selection of creative presets, ambiences and sound-designed pads, with an intuitive GUI for Kontakt and Decent Sampler.

Nathan Boler - Night Terrors (Library Only) - Soundiron Waterharp

Bandcamp: https://trau-ma.bandcamp.com/album/austin
Beatport: https://www.beatport.com/release/austin/4729733

rilé - Bowed Anvil (Original Mix) [TRM319]

Track ID 📀:  BoweD - Cleiton (PHC043)

Extended Download ⬇️: https://www.prophecyrec.com/extended

✓ Playlist Spotify:
open.spotify.com/playlist/0mCkNF0…7c7ccb369f2b4eaf
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Prophecy Records

All Rights Reserved ®
Todos Direitos reservados ®

www.prophecyrec.com

Cleiton

BoweD - Cleiton (PHC043)

Decrepit mariner

Ras Munch - Blood & Chrome (Library Only) - Soundiron Rust Prime 30s

bowed guitar and synth strings, little bit of miniMOOG, crescendos to guitars. somewhat uplifting.

2025.03.23 Ocean Beach

My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/18

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three consecutive weeks, you can participate in any or all three of those parts.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece resulting from this week’s project will be panned to the left in the second and third weeks of this sequence.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and the one after that.

[Disquiet Junto 0697] Mr. Bowed Jangles

this is a version of my old track, i added more instruments and composed a piece in the middle, it turned out more intense, the main theme was given to the oboe, i like the mood it creates, the pizzicato strings imitate the ticking of a clock, at the climax you can use the organ

If I composed the Main Theme of Alice: Asylum (Orchestral version)

Step 1: Choose a favorite book, or simply choose one at random.
Step 2: Read — preferably aloud — the first sentence in the book’s text.
Step 3: Make music that somehow reflects the line you read in Step 2.

Nice challenge!
I picked a book at random from a cardboard box filled with souvenirs from my years in Argentina. When I moved to Europe, I brought most of my belongings with me — but some heavier items (mostly old books, cassettes, and vinyl records) stayed behind. I'm gradually bringing those things — and memories — back.

The first book from that pile:
*Cuentos de dos orillas* (1971 edition)
I remember most of the short stories in it — I read them decades ago (at least 35 years). The one I truly love is the story by Borges.

For the music, I used an unused 2023 recording with Santiago Arias on bandoneon (I play bowed upright bass and Fender Rhodes). I added some synths to create an abstract soundscape.

This is the passage I read:

Funes, el memorioso
by Jorge Luis Borges
Lo recuerdo (yo no tengo derecho a pronunciar ese verbo sagrado, sólo un hombre
en la tierra tuvo derecho y ese hombre ha muerto) con una oscura pasionaria en la
mano, viéndola como nadie la ha visto, aunque la mirara desde el crepúsculo del
día hasta el de la noche, toda una vida entera. Lo recuerdo, la cara taciturna y
aindiada y singularmente remota, detrás del cigarrillo. Recuerdo (creo) sus manos
afiladas de trenzado. Recuerdo cerca de esas manos un mate, con las armas de la
Banda Oriental; recuerdo en la ventana de la casa una estera amarilla, con un vago
paisaje lacustre.

 @disquiet

Funes el memorioso (disquiet0705)

An attempt to imagine something of the beauty in the horror of the music teacher who teaches his classroom of children to harmonise with the drones. 

Lost homework

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

Techno/Electronica
Bandcamp: https://trau-ma.bandcamp.com
DEMOS: labeltrauma@gmail.com  
(Soundcloud Private Link only)

Professional pianist, I record piano covers and sheet music, sometimes I compose melodies

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Soundiron LLC is co-owned and operated by Mix Foundation TEC Award (2007) winning and BAFTA nominated Sound Designer/Audio Engineers Mike Peaslee and Gregg Stephens, and technology, scripting and systems wizard Christopher Marshall. 

We're a premium instrument sample library and virtual instrument software design, production and publishing company, specializing in choral and epic scoring instruments and percussion, pianos, drums, ethnic instruments, professional sound effect libraries and inventive experimental sample collections. 

We specifically gear our libraries toward seasoned pros and working musicians in the film, television, advertising, video game, and music recording arts but we commit ourselves to bringing all users, from veteran to beginner, the same deep quality, outstanding customer service and low prices. 

With over 40 unique products and new releases every month, you'll always find something awesome at Soundiron.

If you’d like to check out current user demo submissions, look for their name to the right in the track title in the Soundcloud Player. 

You can see credits for the non-user submitted demos on our Soundcloud page, by clicking the Song Title to go to the track page, where you can see track info. 

For demo submission guidelines and information, visit here: http://www.soundiron.com/demo-submissions/



Ever feel like you've been playing quantum leap in your own life?

I write albums. https://soundcloud.com/quantumme/albums

Ë̷̦̌̈̿̋̅͊͂̀̑̔͆̈̈̈̇̌͘͠ȑ̵̨͍̗̙̈́͋̅͂͋̎͜͝ͅr̴̢̛̻̺̹̖̟̟̥͕̯̺͎̮̟͗͒̈́́̓̋͊̍́̉̈́̃̔̓̀̒͐͑̑̀ǒ̴͖̪͎̿̐̎͐͊͊̀̋̿̈̂́̊̓̅̿͘r̴͍̀͝ ̸̛̲̻̘̠̅̆́̑̕a̵̡͖̝͇̳͙̦̘̺̤̗̯̞̩͔̟̞̎̎̈́̿́́̅̐͑̌̃̔̌̀̇̾͘̕ŗ̵̲̟̋̋̄̀̀͋͌̿̐́͆̈́̑̍̔̈́̚̚ẗ̸̛̩̱́̓͊̓͒̇͗̓̒͗͝͝͠͝i̷̗̦̬̙̯͉̒̾͛̆́̾̔̀̈́̈͌̀͛̓͗̈́̊͑̑̚͝͝s̷̼͇̗͕̹̰̞̥̱̼̩͉͉͚̯̝͕̞͖̪̑̉̎͆̋̎̀̔̎ͅͅţ̴̛͔̳̻̗̩͍̪͎̄̅̓̊̑̋̇̂͒͂̂̂̇̽̇̊͊̑̈́̕͘͠ͅ ̷̧̲͎̥̞̳̤͖̬͕̗̼͎̪̝̲̖̎̑͗̈̋̈͝ǹ̷͈̤̠̲̳͇̦̔̈̓̿̈̇̾̊̅̎̚̚ͅō̵̠̥̤̮̪̦̟̗̞͇̙͍̯̬͕͔̱̱̤̇͒̈͗̏̒̓̄͑̂́͑̋͂͌̀̔̕̚̚͝͠ͅţ̴̛̮̪̝̰͍͉͙̖̣̟̝̥̩͔̮̩̳̑͂̀̆̈̈̉̎̽̕͜͝ ̶̖͈̝͇̗̿̋f̸̡̨̨̢̖̙̰͓̣͍̘̪͙̣͍͚̮̻͈̖̤̍͛̄̾̊͌͑̒ŏ̵̞̲̺̤̫̬̣̦͉͉̭̪̤̜͂̂̃͆̿̀̈́̀́͒̅͒͊̿̓̈́̋͘͠͝ͅu̵̺̭̙̫̒̾͌̒̒̃̆̉́͐͑͜͜n̵̪̬͔͈̽͂͋̈́̽͗͆̑̚d̶̡̛̰͖̦͍͉̮̘̬̣̟̞̮̲̽́̆̍̓͌̌́̿̀̽̑̔̐͘͝͠

The prophecy was told. ® 🐉

https://www.prophecyrec.com/
Download Extended's ⬇️: https://www.prophecyrec.com/extended

New tracks tagged #bowed