Disquiet Junto Project 0572: Rhythm Kit
The Assignment: Make a beat that someone else will add to.

Note: This project is the first of a two-parter. You don’t need to participate in both, and you can easily participate in the second one (next week) even if you don’t participate in the first one.

Instruction: Record a beat with the intension that someone other than yourself will add something to it at a later date. It’s preferable that you record something that lasts between one and three minutes, but it’s also fine to record something shorter with the intention that someone will loop it — or something longer, for that matter.

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Track notes:

I always like when one of the more beat-oriented prompts comes up because it gets me to think about rhythm tools, which I'm fairly inconsistent with. 

I thought I would would use my modular synth to generate the beat starting with a trio of samplers triggered by dividing and multiplying clock dividers. The resulting three samples are then routed through some signal manipulation: a wasp filter, stereo delay and Make Noise Morphagene. I also had some fun with a sample and hold which controls the pitch CV of one of the samples.

[Disquiet_Junto_0572] "Yr Squelchy Lyfe"

Disquiet Junto projects and other sonic experimentations. This account is no longer active as I have reached my upload limit, so I instead post on Sinnysounds2. For additional compositions, check out my main account, https://soundcloud.com/sinnyseven.

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

Creating eclectic music and enjoying the journey. 
I participate in Weekly Beats (as miraclemiles) and the Disquiet Junto. 
This account has my solo and Creatures Once band music.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

Comme je Trouve... Take me as you find me. 
I stand at the edge of Europe. Ocean surrounds me. I catch the odd storm. 
There is no more.

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.