Excellent vocal performance. Enjoying the reintroduction of the hook from the beginning.

@user-243481806: Thanks very much Greg, very much appreciated. I'm enjoying listening to your new stuff as well. Good times!!

I like this kind of rock music. Very nice.

© Joe Liberty 2022. All rights reserved

TheTouch

The touch of your hand 
Excites me
The feel of your skin 
Ignites me
And as  I recall 
The rest of it all
I feel as if I’m about to fall
I can’t wait
I just can’t wait 
To see you again

Every moment we’re apart
Cast a shadow on my heart
And when you’re away
the skies turns dark and grey

The sound of your voice
Is like heaven  to my ears
The smell of your perfume 
Is like flowers in full bloom
And as I recall 
The rest of it all
I feel as if I’m about to fall
I can’t wait
I just can’t wait 
To see you again

Solo

There’s no distance I wouldn’t go
No hardship I wouldn’t know
Just to lay by your side
And leave the world behind

The touch of your hand
Excites me
The feel of your skin
Ignites me
And as I recall 
The rest of it all
I feel as if I’m about to fall
I can’t wait
I just can’t wait 
To see you again
I can’t wait
I just can’t wait
To hold you again

TheTouch

A Journal of Nonsense by Clay Young & Becky Coleman

Outlaw Biker Dude

All That Is In God

"Death Defying" is a song by the Australian rock band Hoodoo Gurus. It was released in 1987 on their album "Blow Your Cool!" and was also released as a single that same year. The song was written by the band's lead vocalist, Dave Faulkner

The lyrics to "Death Defying" were inspired by Faulkner's experiences living in Sydney and spending time near the ocean. The song explores themes of mortality, risk-taking, and the transformative power of experiences that push us to our limits. Faulkner has said that the song was also influenced by his interest in philosophy and existentialism, particularly the ideas of Jean-Paul Sartre

"Death Defying" was a moderate commercial success for Hoodoo Gurus, reaching number 30 on the Australian singles chart. The song has since become a fan favorite and is often included in the band's live performances. It has also been covered by several other artists, including the Swedish band The Wannadies and the US band Gin Blossoms

The lyrics of "Death Defying" explore similar themes of human freedom, risk-taking, and the search for meaning in a world that can seem chaotic and unpredictable. The line "If there's one thing that I've learned / It's the point of no return" can be interpreted as reflecting Sartre's idea of the existential choice, the moment when an individual is faced with a decision that will determine the course of their life

Similarly, the lyrics "All my friends are dead or they're dying / And our laughter turns into crying" can be seen as reflecting the fundamental existential condition of mortality and the idea that life is ultimately fleeting and impermanent. Sartre believed that the awareness of our own mortality is one of the key factors that drives us to create meaning in our lives

Finally, the idea of the ocean in the song can be a symbol for the absurdity and unpredictability of the world, which is a central theme in Sartre's philosophy. Sartre believed that the universe is indifferent to human existence and that we must create our own meaning in the face of this absurdity 

Existential metaphors in "Death Defying" by Hoodoo Gurus:

"Ever since the world began" - the idea of the world beginning is a fundamental existential concept that speaks to our search for meaning and purpose

"Men have sailed to foreign lands" - the journey to unknown territories can be seen as a metaphor for the human experience and our quest for knowledge

"And the fortune that they've found / Are now buried in the ground" - the idea that material wealth is ultimately fleeting and impermanent is a common existential theme

"Some would say the ocean roars / As it stumbles to the shore" - the ocean can be seen as a metaphor for the human condition, with its turbulent and unpredictable nature

"But to me, it only sings / Of the sorrow that it brings" - the ocean's song can be interpreted as a metaphor for the melancholy and sadness that is a part of life

"All my friends are dead or they're dying" - the impermanence of life and the inevitability of death are central existential concepts

"And our laughter turns into crying" - the idea that joy and sorrow are intertwined and that one can quickly turn into the other is a common existential theme

"Well, I barely learned to swim / Just enough to save my skin" - the idea of learning to swim can be seen as a metaphor for the process of adapting to new challenges and situations

"And my harbor is my home" - the idea of the harbor as a safe haven or refuge can be interpreted as a metaphor for the need for security and stability in life

"If there's one thing that I've learned / It's the point of no return" - the concept of the point of no return speaks to the idea that our choices can have irreversible consequences

"And if that's to be our fate / Now's no time to hesitate" - the idea that we must take action and seize the moment is a common existential theme - carpe some diem

JTS

DEATH DEFYING

Death Defying

We wish every musician here on SoundCloud a Wondrous and Creative 2024!

❤️Love, 🕊️Peace, 🙏Respect

Here are the Liner Notes for this CD.

In the depths of musical exploration, where genre boundaries dissolve and creativity reigns supreme, emerges Shekinah Fire – a dynamic collaboration between improvisational pianist Gary Courtland-Miles and guitarist Tim Elliot. With their debut album, "Beyond Belief," they invite listeners on an exhilarating journey through a fusion of classical, jazz, and orchestral improvisational music.

Over the course of the past year, Courtland-Miles and Elliot have forged a partnership grounded in mutual trust, an unspoken agreement in spirit, and a fearless willingness to 'fall off musical cliffs together.' The result? Over 40 unique and passionately crafted compositions that defy categorization and transcend conventional reference points.

At the heart of Shekinah Fire's music lies a palpable sense of wonder, freshness, and authenticity. Each track unfolds with an undeniable sense of spontaneity, guided by the duo's intuitive connection and shared musical vision. Whether navigating intricate melodies or delving into soul-stirring improvisations, Courtland-Miles and Elliot infuse every note with heart and soul.

Recorded at "The Living Room" in Victoria, British Columbia, Canada, "Beyond Belief" captures the raw energy and excitement of Shekinah Fire's live performances. Using only one stereo microphone, the album preserves the intimate atmosphere of the room, inviting listeners to immerse themselves fully in the magic of the moment.

Through a blend of electric and acoustic pianos and guitars, Courtland-Miles and Elliot weave a sonic tapestry that is as captivating as it is transcendent. Each composition is a testament to the duo's boundless creativity and unwavering commitment to artistic exploration.

So, dear listener, heed the call to adventure. Let go of preconceived notions and surrender to the spellbinding allure of Shekinah Fire's "Beyond Belief." For in the realm of music that is 'beyond belief,' there are no limits – only endless possibilities waiting to be discovered.

   🎹 🎶 🎸

Photo: Aurora Over Iceland 2023

Music © Gary Courtland-Miles & Tim Elliot 2023
           ℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Edited and Produced by © Anomon


Noyes for this Track

Here's the 'abridged version' of Beyond Belief. Part One, so to speak.

As with most of our improvised music, it starts where Belief gives way to the Experience of Being in the moment and engaging in Deep Listening.

We trust you'll enJoy this latest of the 'musical conversations' Tim Elliot and I delight in whenever we have the chance.


For the full version go to : 
https://soundcloud.com/gary-courtland-miles/beyond-belief

Full Liner Notes are there.



© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Beyond Belief *

Song: Hard Times
Written by – John King (2023) 

Get ready to experience the thrilling conclusion to my furious recording project! Throughout this journey, I've lived and breathed the captivating world of Dr Feelgood. Their music has been my inspiration, igniting my passion and fueling my creativity. I've explored their incredible discography, dissecting their songs, got under the skin of my heroes and their influencers. I've relived the events that defined them and reignited the fire in me that first sparked when I got to know their music in the early 80s. It's been wonderful! If I've achieved just a fraction of their raw energy and infectious rhythms in my recordings then I'll be a happy man. Thank you for accompanying me on this journey of love.

But now, if you read between the lines, something unexpected and exciting just happened that will be taking up my time! For the climax of this project, a spark of inspiration has lead me to create something new. In this grand finale, I proudly present to you a special tune — a re-imagined version of Dr Feelgood's cover of James Cotton's rendition of Little Walters' timeless classic: 'Everything is gonna be alright.'

Prepare yourself for a rockier twist, a wonderful tune reworked with a double-shot of power and intensity. Alongside this musical transformation, I've crafted entirely new lyrics that feel pretty relevant to me today. It's an amalgamation of homage and a little bit of me.

This, my dear friends, is the culmination of it all — the culmination of countless hours of dedication, love, and respect for Dr Feelgood's legacy. It symbolises the true essence of what this project has been about — an homage to the timeless music that inspires us, the unyielding spirit of rock and roll, and the unending pursuit of creative expression. Enjoy!

If you are interested in hearing more songs from this project, please check out my playlist “Inspired by Dr Feelgood” where I present my take of some of the music created by Dr Feelgood. I even lay down some of my own compositions to mix it up a bit. My focus is predominantly on those very early formative years of the band and trying to capture some of the passion and raw energy of the music that they were creating at that time. Have I got the chops to capture the magic of a Dr Feelgood live performance? Have a listen and you be the judge!

If you’re interested in hearing more of the music that originally inspired and influenced Dr Feelgood, listen to the following Artists: The Rolling Stones (the band that first turned Wilko and Lee onto the Blues); Bo Diddley (whose signature rhythm guitar inspired Wilko’s distinctive “choppy” style); Muddy Waters and John Lee Hooker (whose music inspired Wilko’s songwriting); Howlin’ Wolf (the artist who inspired Lee with his stage presence and growling vocal style); Chuck Berry (the artist whose “duckwalk” inspired Wilko’s very own “springwalk”); Little Walter, James Cotton and Sonny Boy Williamson I (whose cross-harp playing styles inspired Lee’s spine-tingling delivery); Johnny Kidd & The Pirates (whose fast and furious live 3-piece energy and all-in-one rhythm and lead guitar presence inspired Wilko).

Dr Feelgood were labelled as being leaders in what is often referred to as “Pub Rock”, a phenomenon than revolved around a tight-knit set of bands playing a regular circuit of venues in and around London in the 1970s. It’s a term that’s always felt a bit derogatory to me, but today you’ll hear it used to refer to the style of music that started to emerge from this scene. If you’re interested in hearing more British “Pub Rock” from notable contemporaries of Dr Feelgood, check out some fantastic music from the following artists: Graham Parker & The Rumour; Nicke Lowe; Nine Below Zero; The 101ers; Lew Lewis; Chris Spedding; The Inmates; Steamhammer; Kilburn & The High Roads; Ducks Deluxe; Eddie & The Hot Rods; The Count Bishops; The Kursaal Flyers.

Hard Times

Better Days

Deus Objeto II
Seu orí é o seu templo! Vai na Fé. SampleCut+Beat+LiveRec Hiphop Rap Funk Trip 
prod. Lubraxx 
Cafofus Records 2023.

Deus Objeto II

Just As Well

Chapter 153 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA Vol. 9 is now available exclusively on Bandcamp.
https://belialpelegrim.bandcamp.com/album/taffeta-vol-9

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 153

TAFFETA 153

https://www.youtube.com/watch?v=99WoCNxO9_0

Any Old Thing
You Need
You can count on me.

Any Old Thing

Trying to get the songs that are in me, out of me before I die. 🎸🎙️
Redbridge is Steven Robert Vanderploeg.
Original Music and Entertainment Experiences written, recorded and produced by SRV. All instruments played or programmed by SRV.

Any Old Thing

redbridge

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