toward images of action

Writer & broadcaster Edward George continues his journey into jazz following on from his amazing "Strangeness of Dub" series. This episode: 'Our music is of a secret order': Edward George and saxophonist Seymour Wright in conversation. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
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Outsiders: OTOROKU w/ Edward George - Strangeness of Jazz @ Kiosk Radio 02.03.2023

Pattern Sounds co-founder Selassie TBC delivers an hour of straight jams every month.  
https://www.nts.live/shows/selassie-tbc/episodes/selassie-tbc-12th-january-2024

Selassie TBC 100124

Fu##in' Up

Walkin' In My Place (Road of Tears) [Mansion On the Hill]

Demo song written and recorded by me.
------
Jackson Pro Series Misha Mansoor Juggernaut HT6 QM
Ibanez GSR206B-WNF
Komplete Audio 6
REAPER
Neural DSP Archetype: Abasi
Amped Bass
ML Drums

Witch Forest

SEAT003 PRE-ORDER -https://seatedrecords.bandcamp.com/album/22-beaches-dust-recordings-1980-1984


Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation, “Dust: recordings 1980-1984” , the label introduces the work of Stirling band 22 Beaches, following the band's journey and the changes in their sound over the years. The compilation moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. 

Limited 12" Vinyl & Digital

Released 27/05/24

22 Beaches - Dust: Recordings 1980-1984 (Clips)

Format: CD
Pre-order: 16th May 2024
Release date: 23rd May 2024

While their image remains trapped in glamourous clichés, European cities (Lisbon, Paris, London etc.) undergo post-pandemic capitalist dystopia. Their inhabitants are hindered by the wear and tear of life - unemployment, debt, poverty - while millions are pumped into tourism and foreign investment. This collaborative release by Ryefield Society and James A. McDermid takes its roots in these bittersweet places where beauty is hindered by misery, pollution and/or human contempt."

S’accommoder is a quest for peace and solace in those industrial landscapes. Ryefield Society evokes urban melancholy with acoustic instruments, repetitive melodies and field recordings. Wistful and anxious from its opening track ("A dead world of sunshine and rain" - a title borrowed from the great American writer Richard Wright), this intimate journey finds relief in love and art as narrated in the meditative and organic "A focus on colours".

Perdido - Portuguese for "lost" - considers a tourist's experience of European life: eating pastries alongside the Seine in Paris, or perhaps hearing the echoing voice of the Fado singer along the cobbled side streets of Lisbon - all of it dreamy, beautiful and delightful; yet it's something slowly becoming more and more manufactured as a way to encourage more tourism and more money into the areas slowly being gentrified beyond recognition. 

Copyright © 2024 ROHS! RECORDS, All Rights Reserved

previews. Ryefield Society / James A. McDermid - S'accommoder / Perdido | ROHS!

Until we see him again, @dj_steve_brown (July 20, 1969 – March 20, 2022) will always be missed.

We met nilla in 2020 on a WECU show. https://soundcloud.com/nilla

Tracklist:
Act I - Leaving the Physical Plane (Death) / Grief
01 Nthng - Some Clouds Are Destined to Break
02 Des Vies - Aura
03 Syntek - Breathe and Surrender
04 Ryan Davis - Altitudes
05 Lydsten - Opale
06 Ganucheau - Fire
07 Rhythm of Snow - Getting Closer to an Unknown Goal
08 The Micronauts - Table Tennis (Otik remix)
09 Hugo Massien - God Knows We Tried
10 Kangding Ray - Automne Fold
11 Fearful & Mtwn - Depths
12 Alex Banks - Into the Realm
Act II - Passing Between / Searching & Yearning
13 Koma - Talk
14 Desolate - Amaru
15 Redspace - Emptiness (Framewerk dub)
16 Sebo K - Paradigm Change
17 DJ .WAV - I Wish You Were Here
18 Gacha Bakradze - The Prayer
19 Layton Giordani - Translation Lost
20 Bicep - Waterfall
21 Artefakt - Rail
22 Riza Gobelez & Ayhan Akca - Promises We Made
Act III - Beyond the Infinite / Acceptance
23 Karol XVII & MB Valence - Sonus (Lusine remix)
24 AFFKT & Piek - Adios Ayer
25 Weval - Forever
26 Marc Romboy & Oniris - Eternity
27 Ocoeur - Nouveau Depart

nilla words: "I started this mix when I first learned of Steve's passing over 2 years ago. This mix is meant to function as a tribute first and foremost, which is why it is titled 'Elegy': a poem of serious reflection, typically a lament for the dead. However, it is also meant to represent the journey of a soul into the afterlife, as well as the stages of grief those still living go through while mourning the departed. It was so hard to come up with a fitting end, but it was important to me that the end be somewhat of an uplifting one and not a dark one. I want to remember all the good memories: all the music and artists we shared over the years. I don't know if I ever met another soul like Steve, and I don't think I ever will again. I miss you my friend. I hope we'll meet again someday, on another plane or some other frequency."

Mix can be heard https://www.mixcloud.com/nilla_idm/elegy/

Steve Brown (1969-2022) :: A Remembrance
https://igloomag.com/newswire/steve-brown-1969-2022

#hugyourlovedonesclose

Tribute to Steve Brown (nilla Elegy Mix)

5. Celestial Plantation

Beyond the Door

When Do I Get to Sing "My Way"

Simple experiments geared towards performance, these pieces were recorded using Monome mlr & Grid, Organelle/Orac, Montreal Assembly CT5, Chase Bliss Audio Mood, and Mutable Instruments' Rings & Clouds.

I hope you'll enjoy!!

Performed/Recorded by D.Harper 6/2020

Mastered by Porya Hatami
http://poryahatami.com/

Poppy botanical by Walter Müller, 1910

Root

#YOUCANSTILLLISTEN miks serimize yeni setler eklenmeye devam ediyor.  Serimize katkı sağlayan bir diğer sanatçı, İtalya'nın yetiştirdiği yetenekli DJ/prodüktör @indian-wells. 2012 yılında hazırladığı "Night Drops" albümünden itibaren çıkışa geçen sanatçının son albümü "Where The World Ends", Mixmag tarafından 2017 yılının en iyi 50 albümü arasında gösterilmişti. Sanatçı 22 Ekim 2020 tarihinde 5 parçadan oluşan "New Ruins" adlı yeni bir kısaçalar yayımlamaya hazırlanıyor. Sanatçının yeni kısaçalarına bu bağlantı aracılığıyla erişebilirsiniz: https://bit.ly/2H8arkw 

Parça listesi: 
1. Indian Wells - The Now Eternal
2. Norf - Collisioni
3. Alex Banks - Revolution
4. Matthew Herbert - It’s Only (DJ Koze Remix) Gold Panda - Mediaevil
5. Delhikate - Collider
6. Bicep - Opal
7. Brokenchord - Run into the light Nathan Fake - Sunder
8. Four Tet - 4T Recordings

Indian Wells — #YOUCANSTILLLISTEN Mix Series #20

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

When Do I Get to Sing "My Way"

ReddKross

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