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A Growing Consortium Of Artists / MCs / Beatmakers / Producers / DJ's .
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Founder @crossbreedworld

Booking Agent / WARM:

ali@warmagency.com


Alex ‘Kiwi’ Warren’s passion for music has been a fire that has long burned within. From humble beginnings as an in-house photographer for the world-famous DURRR club-night, started by Erol Alkan’s much celebrated Trash team, to the runaway success of his own club nights, it’s his prolific productions and genre blending extended dj sets that are now catapulting him into the spotlight .
Warren’s success as a one-man promotions company, cultivating his ever popular club-night, Orlando Boom and its disco-focussed sister night, Kate Boss, caught the attention of The Columbo Group who swiftly appointed him as their booking and promotions manager for The Nest.

Kiwi soon realised that he had more to offer than just his promoter skills and he began to channel his energy into playing and creating music. Releases on Days of Being Wild, Jack Savidge and Edwin Congreave’s highly acclaimed Deep Shit, DFTD, Optimo, Moda Black, Sneaky Music and Virgin EMI followed, and in 2015, his track Short Tail was nominated for Song Of The Year at the DJ Mag Best Of British awards. He’s produced an abundance of remixes for high-profile artists such as; Who Made Who, Locassolus, Paramida, Is Tropical, The Klaxons and more. This incredible output has earned him a wealth of support from some of the scenes biggest names including; Andrew Weatherall, DJ Harvey, Gerd Janson, Daniel Avery, Erol Alkan, Optimo, Rob da Bank, Annie Mac and Skream.

2017 saw the release of his Orca EP on Bristol’s Futureboogie imprint with the title track receiving rave reviews in Mixmag and topping the dance charts on Juno and Beatport for seven weeks. This was swiftly followed by releases on Dusky’s 17 steps, and a vinyl-only release alongside Joakim on DJ Tennis’ Life and Death. As well as being busy in the studio, Kiwi has also been out on the road touring Asia twice, North America and Europe. Add to that a packed festival season and holding down his residency at XOYO in London, Kiwi has carved out a name for himself with his all night long DJ sets that effortlessly blend balearic, disco, house, Detroit techno and everything in between.

2018 was a big one for the DJ Mag nominee, with a string of releases gaining notoriety on the likes of Moscoman’s Disco Halal and a new one for 17 Steps, as well as a return to Correspondent and releases on Cin Cin and Needwant to come.

2019 marked a pivotal milestone in Alex’s career. In April, he launched his brand new imprint Crossbreed, with the inaugural CRBD01 released in conjunction with Italy’s finest export DJ Rocca. The ethos of the label is the notion that working together breeds great things, and it is not hard to see this belief in the debut EP.

Having made a strong start with the first three collaborative releases, the label continues into 2020 as a mouthpiece to showcase records that represent Alex’s ideas; and with a knack for selecting off-kilter, leftfield releases, Crossbreed is set to make impressive waves within the electronic music scene.

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Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

New Single "ALL EYES ON YOU" out now

http://activechild.lnk.to/AllEyesOnYouAW

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