@lovereactionfamily Holy WOW! This a a wild tune!!!! I would love an ID if possible please :)?

Any chance to get the id on the opening please? Such a lovely one 

Ufff! Sick tune, any chance to know whose that ? 

an id for this zouk love please? so good!

what a way to close out the first hour!! @redlegonaroll

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Cruisin' mix well commanded by the homies Rémi Feldman et Axel Prunier! 
Let yourself be guided by the worldwide rnb houzy dnb vibzzz 🛥🛥🛥

@zanzibrrrrr
@axelonthebeat
@mercredirecords

Cruisin' with... axelonthebeat & zzbr

First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

The final 162 mins of a session in which it’s fair to say both the DJs - and perhaps the crowd - had been afflicted by Saturday Night Fever. Recorded live at Brilliant Corners on 02/04/22 (which was a Saturday).

What's Good? w/ Customs (Disco Special)

The Customs lads need very little introduction for anyone aware of their deep as the abyss digs. This mix sees Tom taking the controls for close to a 2 hour ride spanning reggae, digi heaters, soothing streetsoul & raw rap through to dancefloor focused sleepers with both soulful & bleepy triiips for the house heads. 

ID Requests - @customs_ldn

1800 triiip - Customs - Mix 042

Live recording at Amsterdam Open Air 2022

Artist: Norm (@memorabiliarecords)

Norm @ Radio TNP x Open Air

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

"A late 2022 recording trodding through a swamp of precarious pop, zooty b-sides and muddy dubs fortified with a peppering of dub siren." - @good-block

B.P.T. Radio 061: Good Block

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

The five Love Reaction boys are on the October wave and it is smooth! They preach love through music in a friendly and hedonistic way, tying links from actual sounds to the many genres they come from, with the only motive to make you dance! Dance you will with this one. 

The first hour you'll hear Redleg, the second hour you'll hear the boys from Love Reaction.
This is Love Reaction: https://soundcloud.com/lovereactionfamily

TASCAM DR-22WL

Four Waves W/ Love Reaction

004 Jamie Bennett

Do you know Jamie Bennett? Maybe you do, maybe you don’t, maybe you heard one of your friends whisper: “That’s the Crown Ruler guy." One thing is undoubtedly true – Australia’s music scene wouldn’t be the same without Jamie’s influence. The wonderful Crown Ruler brand has exerted its influence throughout the country and far beyond. If this is news to you, start looking a little closer to home and you’ll spot the clues.

We’ll keep this intro brief – a cheeky web-surf will provide plenty of thoughtful write ups on the man’s roots. We think Jamie’s an incredible DJ. A trove of aural excellence comes through in this mix; Lovers rock, sun-kissed gems, and plenty of soulful rarities from all corners. It’s a little less about genre and a little more about mood.

When we joked with Jamie that the cost of the records in this mix alone must be his retirement fund, he slyly shot back: "That's my super." It’s hard to explain the effort, the research, and even the resources that go into pulling together the sort of collections that are at the heart of a mix like this. Perhaps that’s a little digger-to-digger nod, a silent sign of appreciation at the incredibly impractical art of carting around bags and bags of records in this day and age.

Our admiration goes beyond knowing the work involved. Hearing and experiencing Jamie’s talent through Waxflower’s speakers was, for us, a thing of joy. And at the heart of it all is Jamie’s love of music. We were honoured to have him play on the wheels at Wax. Music and Human connection, Enjoy!

Recorded live @Waxflowerbar

004 Jamie Bennett

Contact: max@radio-tnp.com
check the tube for some finds

Four Waves W/ Love Reaction

Redleg On A Roll

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