The Joy Thieves have come a long way since their ‘This Will Kill That’ debut way back in the pre-pandemic times. But troubled times make for troubled art, and the band’s first full length offering sees them in violent, acerbic form.

Departing from their usual modus operandi of featuring a different vocalist on every track; this time around The Joy Thieves are fronted by the mercurial Chris Connelly (Ministry,  RevCo, Fini Tribe, The Damage Manual) on every track. The songs are also harder, faster and angrier than ever before, with Connelly describing the album as; “… Everything I wished I could have done with Ministry… It’s like being hosed down with lava!”

The Joy Thieves have always enjoyed an ever-changing line-up, and this time around is no exception. New to the party are drummer Big Paul Ferguson (Killing Joke), guitarist Chris Haskett (The Rollins Band, Iggy Pop, David Bowie), guitarist John Haggerty (Naked Raygun, Pegboy), drummer Joe Haggerty (The Effigies, Pegboy), songwriter Scott-David Allen (The Burying Kind, A covenant of Thorns) and Grant Sutton (Monster Trux, The Party Downers, Jumpsuit)

The JOY THIEVES Matthew Clark, Alex Zander, Emily Sifrit, Jason Kenski and the Return of Cassie

A  very long overdue reunion w/ AZ and Sinderella Pussie. Reid Hyams of Chicago Trax fame provides some humorous anecdotes.

My Life with the Thrill Kill Kult (often shortened to Thrill Kill Kult or TKK) is an American electronic industrial rock band originally based in Chicago and founded by Groovie Mann (born Frankie Nardiello) and Buzz McCoy (born Marston Daley). They became known in the 1980s as pioneers of the industrial music genre – although by the early 1990s they had changed to a more disco-oriented sound – and as a frequent target of censorship groups, including the PMRC, which objected to the band's humorous and satirical references to Satan, Jesus and sex in their song lyrics and stage shows.

During the early 1990s, Thrill Kill Kult had several hits on the U.S. dance club and alternative charts. They also contributed songs to several movie soundtracks and appeared in the 1994 film The Crow. The band has continued to record and tour with a rotating lineup in addition to core members Mann and McCoy.

The MKULTRASOUND PodCast featuring Sinderella Pussie with MuZik from Thrill Kill Kult and Reid Hyams

"Young or old, good or bad, I don't think anything dies as slow and as hard as a writer.“ —  Charles Bukowski

The Joy Thieves is a musical supergroup, consisting of current, former, and touring members of bands such as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, Revolting Cocks, <PIG>, David Bowie, Machines of Loving Grace, Marilyn Manson, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Blue October, Pegboy, Nitzer Ebb, Die Krupps, White Zombie, and many more.The band incorporates elements of industrial, industrial rock, hard rock, alternative, and punk into their music. Along with their original releases, The Joy Thieves have also done official remixes for many other artists, including Chris Connelly, <PIG>, Consolidated, Drownd, I Ya Toyah, Blue Eyed Christ, Machines With Human Skin, DogTablet, A Covenant of Thorns, Death Pop Radio, Sapphira Vee, Stoneburner, and more.

"Joy Thieves Productions” refers to the audio production team of Dan Milligan and James Scott.

MATTHEW CLARK of Human Element, The Joy Thieves and Mary's Window3/6/2022

Ania Tarnowska, known professionally as I Ya Toyah,[1] is a Chicago, USA musician, singer, composer, producer, and performer. Her music incorporates elements of multiple genres including industrial, electro-industrial, goth electro, punk electro, electronic rock, and synthwave.

She began releasing her music independently in 2018, with 4 single releases, followed by her self-recorded and self-produced debut album, Code Blue. In 2019, she released 5 singles, participated in many collaborations, became a member of post-industrial supergroup, The Joy Thieves[3] and toured excessively with bands such as Pigface and Zwaremachine. In 2020, she released 2 singles and a double album of remixes titled Code Blue Reloaded plus bonus album Code Blue Revelations.[6] In 2021 Out of Order - a 5 chapters E.P. consisting of five singles and music videos came out in both digital and physical forms.

When spoken out loud in Polish, I Ya Toyah means “It’s Just Me.” Her logo art merges the symbols for peace and anarchy that symbolizes her “rebel psyche.] and also a direct plagiarism of the name of iconic singer "Toyah" and her seminal work "EIYA".

Born and raised in Lódz, Poland, Ania began her music education as a child, studying classical guitar, piano, vocal performance, and music theory. She moved to the United States as a young adult, and soon became a part of multiple musical projects, performing with metal, punk rock jazz, and prog rock bands in prominent venues across the US.

In 2016, she graduated as the valedictorian from SAE Institute, where she focused on Music Business and Audio Engineering. In 2017, she began working at her home studio on her solo project, I Ya Toyah, and her debut album, Code Blue, was released independently on Oct. 26th, 2018. True to her motto, she spent the majority of 2019 “spreading the disease of music and infecting the human race”[10] by touring.

In 2020, she was scheduled to tour the US and Canada as direct support for Stabbing Westward, but it was postponed, due to the COVID-19 pandemic. The remainder of 2020 was spent creating new material for her upcoming EP, Out Of Order, and collaborating with various artists.

Ania Tarnowska (I Ya Toyah) a One Woman Army

April Fools Day/CHEAP TRICK DAY Sin Quirin joins Alex Zander and Max Bravo on an all new MKULTRA Podcast.

The two-time Grammy nominated guitarist will discuss his new project and his time with MINISTRY, RevCo and more. PLUS as always KISS trivia and other surprises.

In reference to SIGLOS, Sin reveals, “It’s been a long time coming and I’m so beyond excited to finally have this new project see the light of day. Our first single and video “Por Los Siglos” turned out just as I had envisioned it. It’s a slightly different sound and direction for me with this project and I couldn’t be happier with it. It had been some time since I had felt this enthusiastic about a new project so I hope you all feel the genuine excitement and emotion in this music. We have more music to unleash and can’t wait to let you all in on it! Thank you all for your continued love and support!”

Other than some great music from SIGLOS, 3 HEADED SNAKE, RevCo, andPRUDE/Chemlab. we talk about the Grammy's and the hypocricy of Hollywood, Moon Knight, The Batman, the movie X, Andy Warhol, Brand New Cherry Flavor, Pam and Tommy, the return of live music: I YA TOYAH, ANGEL and GARY NUMAN.

Sin Quirin on the MKULTRASOUND on Aprils Fools Day/Cheap Trick Day

Nadia Garofalo - vocals, wurlitzer 
Ben Shillabeer – bass, guitars, synths
Ben Turner – drums, percussion

Recorded at home, Bristol and Axe & Trap Studios, Somerset.
Nadia’s vocals recorded by Brian Fox at Altered States, Chicago.
Mixed by Ben Turner at Axe & Trap Studios.
Mastered by Shawn Joseph at Optimum Mastering, Bristol.

The Prize

The Prize (Radio Edit)

Just in case you thought that REEL TALK was without some semblance of culture or sophistication, this episode sees co-hosts John Galope and Ilker Yucel discussing the 1984 historical drama Amadeus, directed by Miloš Forman and written by Peter Shaffer, adapted from his own stageplay of the same name.
Far from an historically accurate account of the renowned classical composer, the film instead offers an entertaining exploration of the myths and rumors surrounding his music and his life, blurring the lines between fact and fiction. A grand spectacle of a motion picture in which music and visuals merge into a stunning display, driven by the propulsive direction of Forman, the fantastic ensemble cast led by F. Murray Abraham as Antonio Salieri and Tom Hulce as the titular composer, choreography by the legendary Twyla Tharp, and of course, the majestic score featuring some of the best known compositions by Wolfgang Amadeus Mozart, conducted by the great Neville Mariner. After nearly four decades, it is still widely regarded as one of the greatest movies ever made, sweeping the 1984 Academy Awards with eight wins, including Best Picture, Director, Actor, Screenplay, Costume Design, and Sound.
Recorded on June 11, 2022. We hope you enjoy it!

Special thanks to David Clark for his friendship and assistance.

Episode 3-4 - Discussion: Amadeus

The following was written by Ilker Yücel (Kryptych) on RegGen Mag www.regenmag.com

Emerging from a three-year-long hiatus is musician, actress, model, and sociocultural rabble rouser Yvette Lera as she unveils the music video for her song, “Burning Planet.” Originally written and recorded by Lera with Will Gannon in 2012, the track presents the artist’s premonitory observations of a world in disarray, with Lera explaining that “The Planet is burning and being destroyed by those in power who are corrupt and who wish to control humanity and destroy all resources for their diabolical agendas.” A boisterous industrial/rock track that hearkens back to the artist’s early days as a member of Chicago band Lick, the accompanying video was shot in Antioch, TN by Brandy Powers Crowe, edited by Lera in a straightforward and D.I.Y. style that she describes as “a Tik-Tok video on crack.” Of its style, Lera comments that “the rawness of little to no resources can be really cool and has a magic to it.” The juxtaposition of Lera seemingly ranting in a manic and maniacal fashion on a sunny day in a cemetery before shifting to the post-industrial waste of an abandoned Checkers, framed by images of current world events, further emphasizes the song’s themes; “We must be the light in these dark times,” she continues, “to help restore balance to humankind and this planet before it’s too late.”

“Burning Planet” marks the first material Lera has released since 2020 when she appeared as a guest vocalist in Chrome Pipes’ “Lights Out!” single; before that, she had enjoyed a brief stint as a co-host of the Chicago-based MKUltraSound Podcast helmed by MK Ultra Magazine‘s Alex Zander. Over the years, Lera has collaborated in numerous bands and projects with the likes of Glenn Danzig, Taime Down, X-Japan’s Hide, Chris Vrenna, Die Robot, and with Killing Joke members Jaz Coleman, Geordie Walker, and Paul Raven. “I have full control of my message and how I want to portray it,” she states, with plans to unleash more music in the coming months, much of which was recorded but had remained unreleased for more than a decade.

YVETTE LERA is Back and ON FIRE as She Discusses Her New Video for "Burning Planet" 10/11/2023

"You Can't Put Your Arms Around a Memory" with guests Detroit Jason Kenski and Greg Duncan tribute to the memory of Bria Toulemonde wife of Matthew Lee Clark

Music from: 

People Who  Died - People Who Died - Jim Carroll
Say Hello 2 Heaven (25th Anniversary Mix) · Temple Of The Dog
Life Fades Away- Roy Orbison lyrics by Glenn Danzig
Hollywood Vampires - My Dead Drunk Friends
Johnny Thunders - You Can't Put Your Arms Around a Memory 
Jim Morrison - The Severed Garden


with KISS Trivia and Annoying and/or Offensive Soundbites

"You Can't Put Your Arms Around a Memory" a Tribute to the Memory of Bria Toulemonde. 10/29/2023

About UNDER ATTACK
“All conflicts represent a tragedy, where the silence grows and shrouds every voice. The fog of war is able to distort reality and our perception of it: in a conflict nobody wants to listen to the Truth, hypocrisy spreads like a plague, voices of the victims and all the people involved get silenced. We want to shed a light on this insufferable silence and break it, for the victims of all conflicts, once and for all”.

Listen to UNDER ATTACK: https://secretcameras.fanlink.tv/underattack

Under Attack

Vanished

Vanished (Feat.Maxthor)

From friends and film buffs Ilker Yucel and John Galope, welcome to our cinematic commentary series - REEL TALK - in which we share our thoughts, opinions, and other bits of trivia about movies that we love and enjoy. This is not meant to be taken as a comprehensive overview of any of the movies featured; this is purely for entertainment and the enjoyment of ourselves and, hopefully, those of you listening.
As our audio commentaries do not feature any audio or video from the movies so as to prevent any sort of copyright issues, each episode begins with a countdown where you can, on the count of zero, press play on your DVD, Blu-Ray player, or your streaming service of choice - that way, the commentary will hopefully match up with the progression of the movie.
We hope you enjoy it!

Episode 3-4 - Discussion: Amadeus

REEL TALK

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