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PREMIERE: Andrés Moris - Scope [Flown Records]

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Juan Franco Alzogaray aka “Juanfra”.

Oriundo de la ciudad de Santa Rosa La Pampa, encontró en su niñez la pasion por la musica en gral y por el año 2015 se oriento completamente por la musica electronica en todos sus géneros.
Sus influencias van desde Hernan Catanneo, Jhon Digweed ,Simon Vuarambon,Kevin Di Serna, Eze Ramirez, Pavel Petrov, entre otros.

En sus sets se destacan generos como el progressive house, melodic techno e indie dance como asi tambien tintes de organic y deep.

A compartido cabina con artistas nacionales e internacionales como Leo Conovaloff, Andy Arias, Santi Mossman, Mateo Balsa, Berton, Juliana Gella, Kevin Di Serna, Simply City, Eze Ramirez, Paradoks, Ubbah, entre otros.


https://www.instagram.com/juann.alzogaray/
juanfrancoalzogaray@live.com

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Release Promo is an electronic music promotion service which consists of DJs, Press and other key industry figures who provide feedback on promotional releases. Based on those reactions, record labels can judge the strength of upcoming releases. Feedback from promo pool members is compiled in a top 100 chart and published on the website and in weekly emails. The top 100 charts play a major role in what other DJs and music buyers play &amp; ultimately purchase.