Name: Dance If We Want To - Edited by BibertyEditorX
Duration: 35 s
Description: A combination of choruses and full songs, with edited versions of previous songs.

A combination of choruses and full songs, with edited versions of previous songs.

Dance If We Want To - Edited

Remix von Marsi, Mondieuz - Ohne Dich

SoundCloud: @bishalbacht
Instagram: www.instagram.com/bishalbacht

SoundCloud: @marsi_official
Instagram: www.instagram.com/maximleskov

SoundCloud: @ryxtrax
Instagram: www.instagram.com/ryxtrax

Master by: @marsi_official

FREEDOWNLOAD

Marsi, Mondieuz - Ohne Dich (bishalbacht & RYX Remix)

The longtime BBC Radio 1 host talks about the liberation of leaving broadcasting, her pivot to fiction writing and her party series, Before Midnight.

If you grew up in the UK, chances are you've heard Annie Mac on the radio. The Irish native started on the airwaves in 2004 when she was 26. She hosted a nightly programme called Future Sounds, before eventually moving to a Friday night dance music show, which catapulted her into the pop cultural zeitgeist. 

Being at the BBC was a boon to her career, but as she reveals in this Exchange—her second appearance on the series—it also came with its limitations. She left the media giant in 2021 to spend more time with her family, and to pursue her own projects without the inhibition of BBC codes of conduct on matters around free speech. Since departing, she has been outspoken about politics and engaged in ongoing advocacy work and calls for change as an independent curator and podcast host.

Annie Mac also speaks to Exchange host Chloe Lula about the art of interviewing; her popular party series, Before Midnight; her pivot to writing; how getting older has shaped her view of success; and what it means to lead the "good life." She has also published two novels, both of which pull from loosely autobiographical topics: The Troubles in Ireland, the music industry in London and bigger thematic arcs such as navigating motherhood and grief. Listen to the episode in full.

EX.782 Annie Mac

90 minutes of sexy, sweaty, body-grooving dance music from the MARICAS cofounder, recorded live at Field Maneuvers 2025. 

@fieldmaneuvers
@bellasalmonella

RA Live - ISAbella - Field Maneuvers 2025, UK

Two Field Maneuvers favourites serve up just under two hours of delirious, '90s rave-flavoured delights. 

@fieldmaneuvers
@angeldlite
@ecstasygaragedisco

RA Live - Angel D'lite b2b Joe Nonlocal - Field Maneuvers 2025, UK

"I've come here to really fuck up the vibe for a bit. So, let's have it!" aya wasn't lying when she took to the stage at this year's Field Maneuvers. Strap in for a bonkers two-hour joyride. 

@fieldmaneuvers
@aya_yco

RA Live - aya - Field Maneuvers 2025, UK

Got 2 Luv

57 minutes of sharp, fast, freaky techno from the underground pop star.

Long before SoundCloud made him famous, RJ Glasgow was already producing edits from his bedroom in Philadelphia. The artist now known as LSDXOXO spliced R&B classics with DMX Krew and Madonna, then graduated from bedroom producer to internet provocateur with his 2010 mix series Spit or Swallow, where La Roux met Ratatat and Rihanna collided with Crystal Castles.

A decade later, that same DIY energy has taken him far beyond the online underground. Now based in Berlin, Glasgow has opened for Beyoncé on her Renaissance tour, remixed Kelela, Lady Gaga and Björk, and taken his Floorgasm party worldwide.

His RA Mix captures that evolution in full flight. Across 57 minutes and 26 tracks, RA.1012 tears through shades of contemporary techno—from big-room precision (Adam Beyer) to looping hardgroove (Italia 90, River Moon) and razor-sharp edits (EsDeeKid & Fakemink).

“Maybe my music invokes that freaky feeling,” he told Resident Advisor in 2022. “A lot of people have that inner freak.” That spirit still drives him today—sensual, chaotic, unapologetic—and reminds us that wherever he plays, LSDXOXO will always be a club kid.

Find the tracklist and Q&A at https://ra.co/podcast/1031
@lsdxoxo

RA.1012 LSDXOXO

The Innervisions cofounder reflects on the label's 20-year anniversary, the art of DJing and bringing politics back to the underground.

One of the most popular record labels in the RA ecosystem is Innervisions, and one of its most popular DJs is cofounder Steffen Berkhahn, AKA Dixon. He started the outlet in 2005 with Kristian Rädle and Frank Wiedemann of Âme. Back when RA ran DJ polls, Dixon was #1 several years in a row. We've since retired them, but Dixon's appeal remains as widespread as ever. He made a name for himself in Berlin in the '90s when he was just a teenager, spreading a melodic strain of house and techno that became the Innervisions brand and continues to pull heartstrings around the world.

This year, the label has been celebrating its 20-year anniversary, and Dixon reflects on its astronomical success on the heels of two major anniversary parties at Berghain and fabric. He also discusses how he's kept the label—and his own career—fresh and relevant; his feelings around commercial success; the importance of taking annual breaks from music and production; and his interest in reclaiming underground electronic music as a political space. Listen to the episode in full. -Chloe Lula

EX.783 Dixon

Three hours of deep underground house music from a couple of Naarm's extended blend bosses.

@jackhnelson & @billusmoon

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it’s in Yarra Bend. 

A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here. 

A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious.

Q. You’ve both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos?

A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home.  

Q. I know you’ve both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together?

A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we’ve always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we’ve always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example.

A. Jack: We’re both always making music in some form, sometimes with more focus than others, at least for me. We’ve always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I’ve been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.

MDC.315 Neil E & Billus

Produce for pop, open for collaboration in songwriting process and vocals

Dance If We Want To - Edited

BibertyEditorX

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