Name: FEED ME IT - Edited by BibertyEditorX
Duration: 3 min 26 s
Description: A combination of choruses and full songs, with edited versions of previous songs.

A combination of choruses and full songs, with edited versions of previous songs.

FEED ME IT - Edited

OUT NOW: https://whenstarsalign.lnk.to/Destino

Destino

CamelPhat & Zafrir - Destino

Sultry low-end grooves from a rising house enchantress.

"What kind of music do I actually want to play?" Every artist asks themselves this at some point in their career. What is a sound? And why do we personally identify with it? For Lea Lang, AKA dj sweet6teen, this question is the guiding force behind her RA Mix.

Born in Aachen, a German spa city close to the border with Belgium, Lang found her musical feet in the vibrant student hub of Cologne. It was while studying social work at the Technische Hochschule that she fell into the nightlife scene. 

Finding her sound wasn't an instant process. Lang cut her teeth on breaks-heavy house and prog (think Angel D'Lite), traces of which you can hear peppered across RA.1004. But as she explains in this week's Q&A, the pandemic years were, musically, a turning point. 

"High BPMs and short-lived trends became very dominant and I realised I couldn't stand the pace anymore," she writes. "That's when my sound naturally shifted into something more minimalist and timeless."

Nowadays, you'll find Lang in Berlin during the week, and on weekends… well, take your pick. A busy touring schedule means she's on the road almost constantly —this summer she's debuted at Horst Arts & Music, Butik, Dimensions and Panorama Bar (to name just a few). 

And her RA Mix? It oozes charm from the jump. Buoyant with gyrating low-end, it's hard to think her sound was ever anything else: vocals twirl around analogue basslines, material à la Eddie Richards and Terry Francis's historic Wiggle parties, as well as the kind of bongo action that wouldn't feel out of place in an Apollonia session. Call it waft, wiggle, smooch house—whatever it is, we like it.

@djsweet6teen 
Find the tracklist and interview at https://ra.co/podcast/1022

RA.1004 dj sweet6teen

@myles-mac and @djpossums live at @nowadaysnyc Nonstop 3-6am ヽ(^o^)丿

Myles Mac & DJ Possum @ Nowadays Nonstop - 30th Aug 2025

II OUT NOW II 

Buy/Stream: orcd.co/HXT152 

Jamie Jones’ Hottrax continues to spotlight new and emerging talent, providing a home for international producers pushing fresh, club-focused sounds. Following a breakthrough solo year, with EPs on MOXY MUZIK and INLV, plus support from Joseph Capriati, East End Dubs, and more, UK-based DJ/producer Dale Hart brings peak-time energy to the label with his ‘Sequenced Chaos’ EP - a three-track package crafted for the dancefloor. 

“Jamie Jones has been a huge inspiration to me since my first nights raving back in 2012. Paradise has always had a unique identity, and Hottrax has been a dream label for me. I wanted to wait until the music felt right. The ‘Sequenced Chaos’ EP captures my current sound: darker, peak-time, rolling, and robotic, built for those early-hour dancefloor moments. ‘Global Swing,’ my personal favourite, is all energy, euphoric builds, tense drops, and garage-inspired basslines. This release is a huge milestone for me, and it’s a privilege to be alongside so many incredible artists on a label I respect.” - Dale Hart. 

Title track ‘Sequenced Chaos’ opens the EP, driven by tight, punchy percussion and layered synths that build a dense, hypnotic groove. Next, ‘Global Swing’ contrasts with bumping rhythmic patterns, and a buoyant energy that keeps the momentum flowing, before ‘Close Your Eyes’ closes the EP with a synth-led approach, combining soaring leads and sweeping melodies to round things out. Delivering the latest step of his solo journey, ‘Sequenced Chaos’ marks a strong first outing on Hottrax for Dale, offering a set of tracks that serve up varying shades of house music for all hours of the night. 

Tracklist 
1. Sequenced Chaos 
2. Global Swing 
3) Close Your Eyes 


Buy/Stream

02 Dale Hart - Global Swing

A rare mix from the critically acclaimed experimentalist.

Lucrecia Dalt isn't your typical electronic artist. The Colombian singer and composer approaches music-making in the way a fantasy writer builds worlds. Over the past two decades, she's produced a catalogue that reads more like a bookshelf of strange, interlinked novels, each with its own laws, characters and textures, extending the one before it.

Dalt's <i>RA Mix</i> is a fascinating entry into the series (and will sit comfortably with <i> RA's</i> recent archival playlist, <a href="https://1000.ra.co/playlists" target="_blank">Mixes From Artists Who Don't Call Themselves DJs, But Probably Should</a>). Take the opening track, "Cellophane," by Beak>, the band led by Portishead's Geoff Barrow. The lyrics set the tone for the hour to come: "Now the wind has blown down / Now the truth is laid out there." 

True to Dalt's oeuvre, RA.1005 has little regard for convention. Kick drums and beatmatching are nowhere to be heard; instead, she offers a collage of inspiration, drawing connections across eras, moods and geographies. 

The mix includes the work of close collaborators (David Sylvian, Juana Molina and Niño de Elche) as well as excursions into psychedelic jazz (Lloyd's Miller's "Gol-E-Gandom"), sombre downtempo (Muslimgauze's "Enchante, Monsieur") and Korean pop (Leenalchi's "Magic Pocket). Spanning just over an hour, it unfolds like another chapter in Dalt's ongoing project of world-building through sound. 

@lucreciadalt
Find the tracklist and interview at https://ra.co/podcast/1023

RA.1005 Lucrecia Dalt

Welcoming one of our personal favourite's from the big apple! A positive conductor of all things deep and dreamy, NYC's @yibingg is a longtime resident on The Lot Radio with an impeccable ear for contemplative sonics, ever thoughtfully sliced and diced with a big signature smile :)

Time to hit recline and let Yibing tranquilify your mind.

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. I’ve always been drawn to uplifting sounds, but I also love deep, percussive music and melancholic minor key melodies, which I think there’s a lot of in this mix. Hopefully a nice journey to drift into and daydream with :)

I really wanted this mix to be a sort of homage to the sound of MDC and the AU music community (as I hear it), which I connect with deeply. I find it so playful, psychedelic and beautiful. It definitely took me a while to untangle this, especially knowing it was for one of the most goated series out there… One that’s inspired me time and time again.

Personally, my favorite place to test mixes is on my bike. Maybe not the safest spot to zone out, but it’s become part of my post recording ritual. 

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Atone's "Lost & Found"! I became obsessed with Tonal Ocean's Atone Special after it aired on NTS last year. Atone is, of course, an Australian project from the mind of Andrew Fitzgerald. I've listened to that mix countless times. "Atonement" is really just such a perfect record to me.  

I played "Lost & Found" last year at a festival that Doc Tom and CZ Wang curated called In The Open. It's still one of my favorite sets I've ever played and a memory I will cherish forever... I felt people really locking in during it and I was surrounded by some of my closest friends too… Music & friendship - truly nothing better than it.

Q. Tell us about the evolution of Tranquilamente Radio on The Lot Radio, you play such a wide variety of beautiful music on the show, do you approach each show with a theme of sorts or just let things flow naturally?

A. It's wild to think that I've been involved with radio in one shape or another for over a decade at this point... Through so many changes, radio in its different iterations has remained the only constant.

When I started the show on The Lot Radio almost five years ago, it was deep during the pandemic and I wanted to foster a space for more laidback, at-home listening music. The inspiration for the title of the show was the Pacific Ocean - thinking about oceans as connectors of all these beautiful ~music waves~ around the world.

I have done some themed shows over the years - I do an indie rock special every year, as a nod to my roots and to what I was playing back at KCSB, a college radio station in California where everything started. I also did a Canto-pop special a while back with some music I grew up listening to. More recently, I did a Music From Memory special that I really enjoyed, using the opportunity to really dive deep into everything that's come out from that label. I definitely want to keep doing more of that.

I find it exciting that even though the show is pretty eclectic, it’s developed a sound of its own. I definitely have a predilection for weirdo, left-field music and I love that the show can be a platform where me and my guests are encouraged to explore different sounds beyond the club. I think doing the show has also taught me and motivated me over the years to bring that sound into my sets too.

MDC.314 Yibing

Produce for pop, open for collaboration in songwriting process and vocals

FEED ME IT - Edited

BibertyEditorX

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